Galatea: The instant Sunday Times bestseller

Product Information

Le illustrazioni fanno veramente la differenza nella lettura e aumentano la carica emotiva già molto intensa. A small hardback edition featuring a new afterword by Madeline Miller**In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece - the most beautiful woman the town has ever seen - the gift of life. First published in 2013, Miller’s story opens with Galatea – the name means “she who is milk-white” – under the care of a medic who frets about her pale complexion. Where We Might Go Next, Jeanette Winterson compares the idea of Galatea to the modern sex-dolls and the rather unsettling advances to make them more lifelike with modern computer tech, writing that ‘ doll-world reinforces the gender at its most oppressive and unimaginative,’ normalizing the idea of compliant sexual ‘partners’ ‘ made to look like the male-gaze stereotype’ with no sense of identity beyond pleasing, able to take endless abuse without complaining, and never having an independent thought. I love how independent she is and how she thinks of her daughter before herself, while the sculptor thinks only of himself.

In fact, the 1964 musical My Fair Lady starring Audrey Hepburn is only two retellings removed from the myth of Galatea by way of playwright George Bernard Shaw’s Pygmalion. In the original story, Pygmalion builds the most beautiful woman in the world out of ivory and makes her his wife after Venus turns her human. The moral of the tale, even if you think a woman has a heart of stone, don't assume this to be the case.Interviene Afrodite che, per ricompensare Pigmalione del magnifico omaggio, dà vita alla statua affinché Pigmalione e Galatea si possano amare. Madeline Miller, known for her exquisite literary adaptations, delivers yet another exceptional work with "Galatea. There was nothing more satisfying than reading about her holding him tightly in place with her marble strength as they both sunk underwater and she watched him drown slowly, imagined him being feasted on by the aquatic life as she was left intact (because she's marble). Though the story is short, Miller does a decent job of exploring these ideas through Galatea’s voice, although she falls short when it comes to the development of other characters. Like Circe, Galatea is a story focused on transformation, or as Miller explains in the afterword, on “finding freedom for yourself in a word that denies it to you”.

But it does seem foolish that he didn’t think it through, how I could not both live and still be a statue.

The goods do not need to be in their original packaging however in a sellable condition, and at your own cost and risk. Short but full of lasting power and insight, Galatea examines misogyny in its forms of abuse, control and the oppression of unrealistic expectations of beauty as well as Galatea’s role as a mother trying to provide care and love, and is a lovely little read.

The woman never actually gets a name in the original texts and the name Galatea which means “she who is milk white” was not associated with Pygmalion’s statue until approximately the early 1700’s. moglie libera e amata o donna trofeo della quale ci si stanca in fretta ed esiste solo in funzione della gelosia altrui? They are ugly,” he says of her stretch marks — marks she developed after being pregnant with his child. People began to talk about the sculptor’s wife, and how strange she was, and how such beauty comes only from the gods.Narrated from Galatea’s PoV, the story begins with her confined to a hospital bed, her plight a result of a failed effort to escape her controlling and obsessive husband with their daughter Paphos. From the internationally bestselling and prize-winning author of THE SONG OF ACHILLES and CIRCE , an enchanting short story that boldly reimagines the myth of Galatea. Madeline Miller’s “ Galatea ,” a short story first published in 2013 and now available in a slim 60-page stand-alone edition, begins with an intriguing question: What if Ovid’s Pygmalion was the first “incel”?

The feminist light she shines on these events never distorts their original shape; it only illuminates details we hadn't noticed before. In the original story, Pygmalion makes his wife because he is disgusted by the promiscuity exhibited by the women of his time. Miller’s approach to the story by placing us in the mind of Galatea makes her existence less romanticized by showing how concepts of ownership and expectations of beauty are stifling to her. Galatea is the wife of a sculptor, he made her from stone and then she was brought to life by the goddess.

Reading Galatea has felt like a Madeline Miller top-up: a welcome reminder of just how much I adore her stunning writing and how I really should re-read her novels. Galatea is a short story written by Madeline Miller that is a retelling of the story of Galatea and Pygmalion. There was no depth to the characters, little substance to the storyline and the underlying themes of objectifying women, domestic abuse and obsession with beauty and perfection, although powerful didn’t really get going. From Galatea , I had expected more nuances, more depth (outside of her sinking herself and her sculptor), though of course, not to the level of what her novels have.