kowaku 10Pcs Draping Mannequin Masking Tape Self-Adhesive Dress Form - Black, 3mm x 20meters

Product Information

Thin muslin fabric which is cut in the bias direction or a dress form kit, which will contain all the required material. As mentioned above in the section on the Rod Loop Tape, you may wonder why you would need this product if you can simply make a channel with the top hem of your panel. When slipped onto a rod, especially with a narrow channel for a tight fit, the channel itself will “ gather” when pushed open. You are right, and this is certainly a viable option. But the cool thing about the Dritz Shirring Tape is that your gathers stay in position. Once it is finished with draping and pinning, the next step is to baste the fabric. In this step, either sew the fabric to the foundation piece or sew the fabric itself to complete the draping process. Figure 7: Basting the Fabric One of the main advantages of this method is building up a desired effect before cutting into the fabric through experimenting.

Stage 1: Draping of uncut length of dress fabric over the stand – The fabric should be draped on the stand for analyzing the overall effect by observing its natural characteristics such as handle, texture and weight and it has to be evaluated.

Stolas, it is a long full robe with or without sleeves and drawn in with a belt; which was worn by Roman women, corresponding to the toga, that was worn by men. They are usually woollen. As this process is more of a creative and artistic one, it requires having more talent and fashion sense. Clip the edge of the muslin with scissors and tear across the grain with sufficient pressure to break the yarns evenly. Peplos, long draped garment worn by women of Ancient Greece, often open on one side, with a deep fold at the top, and fastened on both shoulders. Each of the these drapery tape options is the final step in a curtain project, which means you’ve already hemmed the sides, bottom, and top of your panel(s).

A square piece of quilt batting is pinned onto the formed breast. While pinning the batting, care is taken to see that it is slightly larger

Most of the fashion industry, like high fashion, haute couture fashion houses, evening, and lingerie companies most garments are created through draping. When draping a garment, the designer can immediately see what her apparel design will look like on the body, and immediately correct any fit or design problems before putting anything down on paper. In addition, some apparel designs are just impossible to make via flat pattern making and need to be draped first. And some fabrics need to be experimented with on a dress form to see how they behave. You should have a design idea in mind when you get to the dress form. A sketch or reference photograph will give you an idea of how you need to manipulate the fabric. Of course, you can also just play with the fabric and use its behavior as the basis of your design, but less experienced designers will be less frustrated when they have something to work off of. 3. Start with muslin. The raw edges of your draping should be hidden in the seams. At this point, you can remove your basting stitches. Sari is a draped garment of South Asia, typically wrapped around the waist, with one end draped over the shoulder, partly baring the midriff. Pull the cords out of tape at the side edges. Cut away the excess tape to just inside the side hems of the panel, but do not cut the cords.

Each of the above mentioned steps or techniques are designed to help in making the process of draping easier and develop the draping skills. Once you’re satisfied with the draping, use a contrasting color thread to baste the fabric to the foundation piece (or to itself if you’re not using a foundation piece). Go slowly so you won’t miss any folds in the process. This will allow you to remove the pins without undoing all of your hard work. 7. Trim off any excess fabric and continue constructing your garment. While selecting fabrics and clothes, we must relate it to our lifestyles and our active routine. There are various fabrics which are most suitable for fashion draping purpose such as stretchy knitted fabrics, chiffon, georgette, organza, sheer cottons, voile, and light weight silk and many more. Drapability of fabric plays an important role in making sophisticated draped garments. Generally, very light weight to medium weight fabric is suitable for draped garments. When the garments are made of woven goods, then they are usually draped in muslin or an inexpensive fabric where the grain and cross grain are quite visible. Generally, the quality and hand of the muslin should represent the texture and characteristics of the actual fabric used for the garment design. Figure 3: Muslin fabric Fashion designers sometimes use a technique called draping when designing and sewing garments. Basically, it involves draping fabric around a dress form and pinning it into the desired shape. Today, we’ll share the 7 basic steps for draping on a dress form.With a dry iron on the “Wool” setting, press the tape in position for just about 10 to 15 seconds in each area. Continue along length of tape until it is completely fused. Fashion draping is otherwise known as toiling or modelling. Fashion draping is the manipulation of two-dimensional fabrics on a three-dimensional torso or body form to get a perfect fit. The dress form generally used for draping is a muslin padded dress form, positioned in an adjustable stand that duplicates the human body structure. The dress form should be firm, yet resilient and should not resist pins. A range of dress forms exist in standard sizes for children’s and men’s figures. The steps for the preparation of a dress form are given below. The last step is common across various designing techniques. Here, trim off any excess fabrics that may remain after it is finished with draping. The raw edges of the draping should always be hidden neatly in the seams, so that it looks perfect and clean. Figure 8: Trimming Straight Pins: Dressmaker pins with sharp tapering points that will not rust are used to anchor muslin or fabric to the dress form while draping. Pinning is a process which pulls the folds of the fabric together to create the draping design. Pinning will give you a good visualization of how the garment will look after completion. Figure 6: Pinning

Stage 2: Substitution of dress fabrics – Modelling the whole garment using actual fabric is ideal but it makes experimentation more costly. Hence, it is advisable to utilize a fabric having similar properties as that of the actual fabric which has been left over from a previous collection.Draping does not reflect usual methods of production in industry but does offer a designer the creative experience of exploring the relationship between shape and fit. It can be readily applied to a variety of woven and knitted fabrics and used to create fitted shapes as well as to drape fullness around the body. It is more usually applied to womenswear than to menswear; in particular, biascut styles, eveningwear, bridalwear and experimental shapes where immediate results can be obtained. The biggest advantage of draping is that it allows room for customization. A dress or a specific garment can be made as per the concerned person measurements and requirements. Trim the Tape 1” beyond each side edge. Fold under the ends so the folded edge sits just inside the side hem. Stage 5: Placing and pinning of material onto the stand – A full toile or torso is normally required; however, one side only is needed to model, except for asymmetric designs. Pining of excess fabric has to be done temporarily to the side of the stand and then the fabric is moulded around the stand as desired, allowing the extra fabric to fall freely into the area where the fullness is desired. The techniques used for controlling the drape are given below. The second layer of strips from the underarm to the hip line should be reinforced with strips of about 5–9″ in a similar manner as in c.