Kes DVD [1969]

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Garforth, Richard (18 October 2009). " Kes 40 years on". Archived from the original on 9 November 2009. Interview with David Bradley. He became a soap star, joining Brookside to play Harry Cross for seven years from 1983-1990, and reprised the role in 1999. While his role in Kes was only the fish and chip shop man, Bill went on to perform in lots of soaps, dramas and even more films. So,the young boy needs someone to love,and because he cannot find one,he tames an hawk.This hawk epitomizes freedom,escape from this petty microcosm.In direct contrast to the gym teacher,appears the English teacher.He wants the young boy to give a presentation on his hawk.And,in front of a spellbound class,the dog has his day.Thanks to this clever man,the boy acquires self-confidence and maybe his studies will take a new turn. Kes is an extraordinary film, beautifully composed and searing in its realist humanity. It is often compared with François Truffaut's Les 400 coups (1959), another memorable depiction of adolescent rebellion in an unsympathetic adult world. Both films are what the French term a cri de coeur, a heartfelt appeal for adults not to write off the next generation and condemn them to a future without meaning, but rather to take the time and the effort to instil in youngsters a sense of self-worth and desire to make something of their lives. Forty years since it was first seen, Kes has lost none of its power to move an audience and remains one of the most inspired and inspirational films of the Twentieth Century. [19]

Kes DVD - Zavvi UK Kes DVD - Zavvi UK

Andrew Garfield: Playing Billy Casper. In Royal Exchange Theatre, Manchester, 2004 (Behind the Scenes with Kes)". Royal Exchange Theatre. [ permanent dead link]

Freddie retired as an actor in 1996, after playing another 'Judd' - this time a pub landlord in the film When Saturday Comes - after being recommended for the role by the film's star, Sean Bean!

Kes (film) - Wikipedia

The certificate given to the film has occasionally been reviewed by the British Board of Film Classification, as there is a small amount of swearing, including more than one instance of the word twat. It was originally classified by the then British Board of Film Censors as U for Universal (suitable for children), at a time when the only other certificates were A (more suitable for adult audiences) and X (for showing when no person under 16 years was present... raised to 18 years in July, 1970). Three years later, Stephen Murphy, the BBFC Secretary, wrote in a letter that it would have been given the new Advisory certificate under the system then in place. [11] Murphy also argued that the word "bugger" is a term of affection and not considered offensive in the area that the film was set. In 1987, the VHS release was given a PG certificate on the grounds of "the frequent use of mild language", and the film has remained PG since that time. [12] Home media [ edit ] The film was a word-of-mouth hit in Britain, eventually making a profit. However, it was a commercial flop in the US. [2] In his four-star review, Roger Ebert said that the film failed to open in Chicago, and attributed the problems to the Yorkshire accents. [14] Ebert saw the film at a 1972 showing organised by the Biological Honor Society at the Loyola University Chicago, which led him to ask, "were they interested in the movie, or the kestrel?" Nevertheless, he described the film as "one of the best, the warmest, the most moving films of recent years". [14] He later won the Academy Award for Best Original Screenplay for 1981's Chariots of Fire and later wrote the screenplay for 1994's War of the Buttons. Her final episode was March 1994 - although she did briefly as a ghost in 1996, with residents claiming to have seen her spirit around the street. Hill, John (2011). Ken Loach: The Politics of Film and Television. British Film Institute. ISBN 978-1844572038.

Much of the film's content has been discussed as a critique of the British education system of the time, known as the Tripartite System, which sorted children into different types of schools depending on their academic ability. The view of the creators is that such a system was harmful both to the children involved and to wider society. In his 2006 book, Life After Kes, Simon Golding commented that "Billy Casper, unlike the author [Golding], was a victim of the 11-plus, a government directive that turned out, for those who passed the exam, prospective white-collar workers, fresh from grammar schools, into jobs that were safe and well paid. The failures, housed in secondary modern schools, could only look forward to unskilled manual labour or the dangers of the coal face. Kes protests at this educational void that does not take into account individual skills, and suggests this is a consequence of capitalist society, which demands a steady supply of unskilled labour." [8] Golding also quoted director Ken Loach who stated that, "It [the film] should be dedicated to all the lads who had failed their 11-plus. There's a colossal waste of people and talent, often through schools where full potential is not brought out." [8] Not the only Liverpudlian in the cast, Colin played Mr Farthing and for his role, earned himself a BAFTA. a b Walker, Alexander (1974). Hollywood UK: The British Film Industry in the Sixties (1sted.). Stein And Day. p.378. ISBN 978-0812815498. The Sheffield native went on to join the comedy classic Porridge playing the slightly slow Cyril Heslop.