Tiffen 5285B 52mm 85B Filter

Product Information

As a general rule, a contrast filter will lighten its own color and darken its complementary color. Refer to the chart below to see how the main contrast filters affect various tonalities in a scene. Contrast Filter Part Two will discuss some specialized filters, such as polarizers, enhancers, soft focus, neutral density, and contrast reducing filters. The final part of this series will discuss the advantages and disadvantages of the various types of filter systems that are available to the photographer.

Before we discuss the categories of filters, it’s important for us to understand why a photographer would choose to use filters in the first place. Some photographers believe that a scene should be shot without being altered in any way. Other photographers feel there are valid reasons for using filters.When the light is reflected, it creates flare in your image. Flare is represented in one of two ways–by circles of light in your image or by a loss of contrast in a section of the image.

Then all this would become proprietary and we could make lots of money and spend days in Museums looking at wonderful works of Art and marvel at the fact that these guys had never heard of 85 filters but still managed to get it right.

How do Filters work?

Rembrandt: "But this is the third time I've painted this portrait! Always time to do another painting but never enough time to light one more candle..." Kodachrome 40 is an A type film: ie it is balanced for 3400K Photofloods and an 85 is the correct filter. Ektachrome '52 and '44 (Super 8) are also quoted as being type A.

A purple lens filter is often used to help reduce glare and reflections in photographs. It can also be used for color correction in photos, as well as to help bring out certain colors in a photo. What Do Color Filters Do On A Camera?

Filter Tips from the Film Community!

Our eyes and brains can compensate for different kinds of lighting conditions, for example an object viewed outside under the sun vs one viewed under a lightbulb. Whereas our cameras often can't make this differentiation, so our colour films need to be balanced to compensate for different types of lighting and to render colours as they would appear in the original scene. This is where filters come into play as they can help our cameras to adjust to different lighting conditions and balance out colours in the scene. The most controversial reason for using a filter is to enhance the scene to match the creative vision of the photographer. “Purists” find such a usage unacceptable. What are some ways that a photographer can use a filter to adjust the scene to his/her vision? For example, if you are using a film that is balanced for daylight in tungsten light setting (indoor), it may create yellow tones to your image. To counter this, use a blue 8oA filter. This will neutralise the yellow to give balanced colour. The darken of the sky is caused by a yellow filter, which balances its exposure between the darker and lighter parts of the sky. Furthermore, by blotting out clouds, they create a more interesting sky. This type of filter produces warm, natural, pleasing flesh tones, similar to those produced by an orange filter, but at a slower pace.