Meditations in an Emergency

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Each time my heart is broken it makes me feel more adventurous (and how the same names keep recurring on that interminable list!), but one of these days there’ll be nothing left with which to venture forth.

The book, and references to it, are seen on several occasions in Season 2 of the AMC television drama Mad Men: Jon Hamm was nominated for Outstanding Lead Actor in a Drama Series, while John Slattery was nominated for Outstanding Supporting Actor in a Drama Series, both for the second year in a row. Elisabeth Moss received an Emmy nomination for Outstanding Lead Actress in a Drama Series for the first time. The series also received three additional nominations for Outstanding Writing in a Drama Series ( Robin Veith and Matthew Weiner for "A Night to Remember"; Andre Jacquemetton, Maria Jacquemetton and Matthew Weiner for "Six Month Leave"; and Matthew Weiner for "The Jet Set"). Phil Abraham received an Outstanding Directing for a Drama Series nomination for directing "The Jet Set". [16] At the very beginning, O’Hara presents an epigram. He says it is easy to be beautiful. At the same time, it is difficult to appear so. In the next line, he ironically reminds the readers of the fact by referring to his beloved’s inconstancy. For the trap the lady has set, he admires (ironically) her. It put an end to the poet’s love story and none wants to know what happened next in the story.Yi Xin Tong (b. 1988, Lushan, China) received his BFA from Simon Fraser University in Vancouver in 2012 and MFA from New York University in 2014. He currently lives and works in New York. Tong uses sculpture, installation, web projects, video, and sound to create poetic and seemingly innocuous work that alludes to the contradictions in life and expresses dissent. His experience living on the outskirts of New York City has led him to a long-term multimedia fishing project that challenges the iconic image of the city as the pinnacle of human civilization. Recent solo exhibitions include “The Attraction Show – Origin of Ripples” (Snarte Space, Nanchang, China, 2019); “Going Outside” (a duo presentation with Kunlin He, NanHai Art, Millbrae, California, 2019); “NYC Fishing Trip” (NARS Foundation, New York, 2017); “Alien” (Vanguard Gallery, Shanghai, 2017); and “Thin Air, Bright Light” (Katzman Contemporary, Toronto, 2015). His work has been featured in group exhibitions including BRIC Biennial III (Brooklyn, USA, 2019); “Disaster of Extra Epic Proportions” (chi K11 art museum, Shanghai, 2019); and “All Happens after Sunset …” (MOCA Shanghai, 2017). Tong is a recipient of the Canada Council for the Arts Project Grant and Joan Mitchell Foundation Scholarship. Now there is only one man I like to kiss when he is unshaven. Heterosexuality! you are inexorably approaching. (How best discourage her?) Awards Winners - WGA". Writers Guild of America. Archived from the original on December 3, 2013 . Retrieved March 7, 2012.

The speaker sorrowfully says how he can be a legend in love when he sees his beloved in someone else’s arms. His love was as expressive as a lotus. He always brings forth his truthfulness like the flower. Like a hyacinth, he keeps his filth away. At the bottom of his heart, he knows, there are negative emotions. Therefore, he accepts how he is.Shana Moulton (b. 1976, Oakhurst, California) graduated from University of California Berkeley in 1999 and Carnegie Mellon University in 2004. In 2004, she attended Skowhegan School of Painting and Sculpture, and from 2004 to 2006 studied at De Ateliers, Amsterdam. Moulton has held over 40 solo exhibitions at museums and galleries worldwide, including: Palais de Tokyo, Paris (2016); Kunsthaus Glarus, Glarus, Switzerland (2016); MOCA Cleveland (2016); Yerba Buena Center for the Arts, San Francisco (2015); and 1646, Den Haag (2014). Recent group exhibitions include “Producing Futures: An Exhibition on Post-Cyber-Feminisms” (Migros Museum, Zurich, 2019); the 6th Athens Biennale (2018); “Dreamers Awake,” (White Cube, London, 2017); “Health as Metaphor,” (Museo de Arte de Zapopan, Zapopan, Mexico, 2017); and “The People’s Cinema,” (Salzburger Kunstverein, Austria, 2016). The speaker remarks he loved that little “Minx” and hopes for her happiness. She has vexed his spirit with her coquettish nature. That’s why he wishes if somebody whips her and in compensation gives her 10,000 pounds, he can feel quite pacified. However, I have never clogged myself with the praises of pastoral life, nor with nostalgia for an innocent past of perverted acts in pastures. No. One need never leave the confines of New York to get all the greenery one wishes—I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally regret life. It is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass. Do they know what they’re missing? Uh huh. Later, the speaker refers to a greenhouse. It is a metaphor for the world of love. In the last line, the poet uses enjambment to connect the idea of the next section with the last line of this part.