METEORA (20th Anniversary 3CD Edition)

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Chart of the Year 2003" (in Danish). TOP20.dk. Archived from the original on October 1, 2012 . Retrieved December 20, 2020. POP 음반 판매량" (in Korean). Recording Industry Association of Korea. Archived from the original on June 16, 2007 . Retrieved June 2, 2021. Mike Shinoda – rap vocals, vocals, samples, strings arrangement (7, 9), rhythm guitar (3, 6, 7, 10), piano (3, 12, 13), keyboard (4, 6, 8–10, 12)

Worldwide representation: Machine Shop Entertainment - Bill Silva, Jessica Sklar, Ryan DeMarti, Trish Evangelista and Alex Melgosa a b "The Impact And Legacy Of LINKIN PARK's Work - Metal Injection". July 25, 2017 . Retrieved August 21, 2017. ARIA - Top 100 Albums 2004". Australian Recoridng Industry Association . Retrieved December 18, 2020.Singapore album certifications – Linkin Park – Meteora". Recording Industry Association Singapore . Retrieved February 18, 2023. Scarlett, Liz (March 24, 2023). "Listen to Linkin Park's previously unreleased Meteora-era banger, Fighting Myself". Louder Sound . Retrieved April 28, 2023. Last year, Linkin Park released a 15th anniversary version of their third album ‘Minutes To Midnight’ on streaming. However Delson said that he doesn’t see that as the same as the ‘Meteora’ and ‘Hybrid Theory’ 20th anniversary reissues. The first list is the list of best-selling domestic albums of 2003 in Finland and the second is that of the best-selling foreign albums: It’s so surreal to be sitting here 20 years later – and still being able to hear a song from this album play out in my head – by only just reading the title. Not many bands from our lives can have that effect on you, but LP did and still do to this day.

We really learned the meaning of pressure. But it wasn't pressure from outside people. It was artistic pressure from ourselves. You can't control the commercial success of a record, so there's no point in investing energy in that. But the quality of your record is entirely up to you, and you can't blame anyone else if you write crappy songs. Before we did Meteora, I listened to "Hybrid Theory" and "Reanimation", and I was like, "Dude, I'm really proud of these records. I don't remember how we did it, and I don't know how we're gonna do it again. We're kind of screwed. Then, fortunately, we were able to invest ourselves fully in the process for 18 months, and that helped us make a really great record." [8] The Official Swiss Charts and Music Community: Awards (Linkin Park; 'Meteora ')". IFPI Switzerland. Hung Medien . Retrieved March 4, 2020. Contains elements of "Gacela Of The Dark Death" Written by Federico García Lorca and Stephen Spender The promotion for the album began well ahead before its release, as pictures of the band recording were distributed to the media. To support the album, there were many photo shoots of the band on October 29 at the Ambassador Hotel, where the band took a break from recording the album for two days, for designing the cover art of the album. "The Flem" and "Delta" helped the band for the art works, for the album as well as for the singles spawned by it. A TV commercial for the album was premiered on January 1, 2003.He continued: “I don’t think we were nervous about ‘Meteora’ being good. We were just so bent on making it great, that if we heard anything that could possibly be made better, we would work as hard as we could to change it. Legal for Linkin Park: David Lande, David Byrnes, Mitch Tenzer and Irina Volodarsky for Ziffren Brittenham LLP

O'Connor, Rachael (January 28, 2023). "Linkin Park tease major announcement as they poke fun at themselves with Limewire virus-themed countdown". Metro . Retrieved February 10, 2023. Williams, John (2003-04-02). "Celine's 'One Heart' debuts at No. 1". Archived from the original on 2004-11-01 . Retrieved 2020-04-27.

Lyrically, the album contains elements including depressing emotions, anger, and recovery. Explaining to MTV, Bennington said: "We don't talk about situations, we talk about the emotions behind the situations. Mike and I are two different people, so we can't sing about the same things, but we both know about frustration and anger and loneliness and love and happiness, and we can relate on that level." In the same interview, Shinoda explained it as: "What we really wanted to do was just push ourselves and push each other to really find new ways to be creative." He continued: "We wanted each sample that was in each song to be something that might perk your ear – something that you might not have ever heard before." [13] Top 50 Global Best Selling Albums for 2003" (PDF). International Federation of the Phonographic Industry. Archived from the original (PDF) on November 17, 2008 . Retrieved September 18, 2020.

Shinoda continued: “When we made ‘Meteora’ and every album that followed, it was this real period of introspection, experimentation and soul searching. We weren’t just asking who we were as people, but what creative statement did we want to make?” Q Review. "Meteora is less an artistic endeavour than an exercise in target marketing. [May 2003, p.104]". Writing for AllMusic, Stephen Thomas Erlewine described the album as "nothing more and nothing less than a Hybrid Theory part 2.", but added that the band "has discipline and editing skills, keeping this record at a tight 36 minutes and 41 seconds, a move that makes it considerably more listenable than its peers... since they know where to focus their energy, something that many nu-metal bands simply do not." [20] Sputnikmusic writer Damrod criticized the album as being too similar to Hybrid Theory, but praised the album's production quality and catchiness, stating "the songs just invade your brain". [31] Shinoda released his debut solo album ‘ Post Traumatic’ in 2018 and a handful of singles and EPs have followed but for the past couple of years, he’s been writing and producing for other artists – we asll ew writing more songs for himself.

Live In Nottingham 2003 is the full performance from the BBC Radio 1 Secret Show during the LP Underground Tour. This show was previously broadcasted by BBC Radio 1, however omitting both " Hit The Floor" and " Easier To Run", making this the first time both songs from this show were included anywhere. It's also the first time that a soundboard recording of "Hit The Floor" got released. It’s weird to make songs without an idea of what they’ll end up being,” he said. “If I were to write a Linkin Park Song, I’d be thinking, ‘This is a Linkin Park song that goes on a Linkin Park album’. If I were to write a song for Demi Lovato, I’m thinking I’ve got to do right by her. Right now, I’m just making the stuff I want to make. I don’t know what it’ll end up being and at this point, I don’t care about defining that. I just want to make songs.” Being in the studio on ‘Hybrid Theory’ was hard because the label didn’t necessarily trust us yet,” said Shinoda. “They were second-guessing everything and it made for a very chaotic and negative experience.”