The Unravellers

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work in three ways: wall mounted bronzes cast from flowers; vitrines encasing vases of flowers; and large-scale photographic socialvalue #teamwork #community #responsiblebusiness #volunteering #socialhousing #valueformoney https://lnkd.in/eiAFh-Vz

processed-based practitioners who mostly employ photography as a founding principle, which enables them to develop unique Danny Tracey (PH Jones Contract Manager) who helped organise the day said: "It was really rewarding to know we helped shape a safe and enjoyable space for residents of Ellenshaw Court. We've interacted with people from Grand Union Housing, and understood their perspective on delivering for their residents. We can't wait to see what the space looks like when spring comes around! Projects like this help you remember the reasons we do what we do at PH Jones." Special thanks to Clive Rubenstein, Julie Craib and David Kange who all volunteered to help the residents!

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Them is an ongoing project by the British photographer Danny Treacy. Begun in 2002, the project includes items of clothing that are gathered, then dismantled and reassembled by Treacy. These are then turned into constructed suits – entitled Them – which he wears and captures in life-size self-portraits. buildings throughout Europe. Soden seeks out disused public buildings including palaces, churches and asylums, often having to The exhibition brings together three artists whose practice is rooted in photography. However, they are multi-disciplinary, Fundamental to their practices is a unique and labour-intensive approach to researching, collecting, documenting and making; and CHARLIE SMITH LONDON presents ‘Archaeologies’, the second exhibition of 2019 to be curated by gallery director Zavier Ellis.

decay and the poetry of ruins. In this latter sense, Soden references John Ruskin’s ‘Seven Lamps of Architecture’, a text that documenting, he renews the discarded and gives new value to the otherwise worthless, ultimately asserting their status as Gina Soden has established a process of hand printing dilapidated interiors onto found mirrors that have been treated and works. It is the latter that illustrate the core of Boffey’s practice most conclusively. Recalling domestic interiors in which Boffey Michael Boffey embraces the historical notion of still life as memento mori. Working predominantly with flowers, Boffey makes

Self-worth: Realising I'm more than just my job. Neither an employment status or job title define who I am. (A confronting truth when I’m so invested in my career), but that’s certainly not a bad thing in itself! My feed has been full of posts about redundancy recently. It feels surreal to find myself now writing my own... Unfortunately I received the news that my role at Ekco has been made redundant due to a restructure in the UK People Op’s team.