Funky Nothingness

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And then, in the middle of all this output, Zappa assembled another band and carved out time for something that might seem curiously extra: jamming.

Together the group recorded hours’ worth of original compositions, inspired covers and extended improvisations that drew from Zappa’s R&B and blues roots, while blending influences of the emerging jazz fusion scene. Largely instrumental, these recordings showcased the guitarist’s virtuosity, while offering what could have easily been the sequel to Hot Rats, had it ever been released. Offiziellecharts.de – Frank Zappa – Funky Nothingness" (in German). GfK Entertainment Charts. Retrieved October 2, 2023. Music Superstar YOSHIKI Will Become First Japanese Artist to be Immortalized in Cement at the World-Famous TCL Chinese Theatre Hollywood At this point, even the Frank Zappa faithful have reason to be wary of another vault bonbon: There’s been a steady stream of historical and live-performance releases, many of them interesting primarily to collectors. Zappa was restless and impossibly prolific, and the sheer volume of material runs the risk of diluting his legacy. Because, let’s be real, not every posthumous title adds substantially to the understanding of an artist and his work.The title of Funky Nothingness is more than a bit misleading. While the music may be funky, it's certainly not nothing! In fact, it's quite something, but most especially for those familiar with this period of Zappa's music who will savor hearing the alternate and extended versions of "Chunga's Revenge," "Sharleena," "Transylvania Boogie," and "The Clap." One recommends a listen to both Hot Rats and Chunga's Revenge before digging into the gems here. Then...bring on the Funk with this latest vault expedition.

Frank Zappa remains one of the most fascinating musicians and composers of his generation. Zappa was a rare individual who was equally skilled playing and writing in a number of different genres and styles, Funky Nothingness represents the brief era of a band which deserved to last longer than it did. Early on, Zappa realized the importance of recording whenever possible, as an impromptu studio jam or concert highlight might otherwise be lost for good. Especially after he dissolved his original Mothers of Invention band in 1969, Zappa sought out the best musicians possible. By the time of his death he had amassed a sizable library of unissued studio and concert performances. With the time Zappa spent composing, rehearsing bands and going on the road, it is little wonder that there was insufficient time for him to go through his entire archive to locate hidden treasures for release.Reed, Ryan (June 30, 2023). "Frank Zappa's Funky Nothingness Is Full of Meandering, Revelatory Jams". Spin. While this set is bookended by 1967’s “Funky Nothingness,” a short piece of blues that was originally planned as the opening to an early version of the Chunga’s Revenge album, and ’67’s brief “Fast Funky Nothingness,” the rest of this material was recorded in February and March of 1970. With the Mothers having disbanded in 1969, Zappa brought together Mothers member Ian Underwood (keyboard, saxophone, rhythm guitar), violinist/vocalist Don “Sugarcane” Harris, and bassist Max Bennett, all of whom had played on Hot Rats, plus English drummer Aynsley Dunbar, who had recently relocated to Los Angeles with his invitation to join Zappa.

Disc three opens with two lengthy percussion pieces: “The Clap” parts one and two. They’re not essential, but it’s nice to have them in full. There’s another version of “Chunga,” this time going long enough to take up a whole LP side. And there’s also the full version of “Tommy/Vincent Duo” which at 20 minutes is enough to satisfy any Zappa fan who wants to hear him and Dunbar really cutting loose with the tapes rolling. You don’t really get this freewheeling experience on any of the records he released at that time. Was the guitarist and composer’s aesthetic fully formed out of the gate, from those ribald first works with the Mothers of Invention? Or was there some sort of galvanizing moment a bit later on, as Zappa’s skills fell into alignment with his ambition, when his intentions clarified and his options multiplied?The more I consider the contents of Frank Zappa’s new 2LP set Funky Nothingness, the more I realize these once-buried archival recordings are not just the components of a lost album, but really are an insightful transitional link into Zappa’s compositional mindset. Made in the aftermath of FZ’s October 1969 landmark jazz fusion masterpiece Hot Rats, this new album also connects many musical dots from there to October 1970’s Chunga’s Revenge — and beyond. The Clap" (CD3: Zappa/Hot Rats '70 More Session Masters & bonus Nothingness - Unedited Master - part I) THREE-DISC EXPANDED DELUXE EDITION CONTAINS OUTTAKES, ALTERNATE EDITS, AND UNEDITED MASTERS FROM LITTLE KNOWN RECORDING SESSIONS Funky Nothingness, as an album, is special in that it features at least three written compositions, three cover versions, and multiple instrumental jam-oriented segments, all previously unreleased,” vaultmeister Joe Travers said in a statement. “It’s very rare to find that amount of music from one set of sessions that has gone unheard for such a long period of time.”