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Led Zeppelin I

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Black Sabbath, meanwhile, would bolt it’s powerchord chugging to the breakdown in Dazed And Confused to come up with Paranoid. The original album, newly remastered, in a gatefold sleeve that replicates the original album with 8-color embossed cover printing.

Dixon got his credit but only the intro and outro – with the feel of a loose late night jam, all mumbled lyrics and harmonica – bear any relation to the original. The truth is, the acoustic roots of Led Zeppelin III shouldn’t have been a surprise to anyone paying attention. Led Zeppelin conclude their reissue campaign with a new edition of the soundtrack to the concert film ‘The Song Remains The Same’, originally released in 1976 and featuring newly remastered audio supervised by Jimmy Page. Babe I’m Gonna Leave You, was Page’s reworking of a traditional ballad first heard outside contemporary folk circles on a Joan Baez album (and later credited to American folk singer Anne Bredon). If the back cover lists Polydor Records and has the brighter green cover, it’s the valuable version.Deluxe 2 CD package in a tri-fold softpack, with the original artwork, plus the newly created negative artwork for the companion audio.

The 2nd pressing has orange sleeve lettering with grey stripe at bottom on front cover and without Superhype credits but with instead Warner Bros/7 Arts. Dazed And Confused provides Page with his broadest canvas for live extemporization, while How Many More Times defines the Zeppelin template of über rock pomp and power. CD1: Original album newly remastered in vinyl replica gatefold sleeve, including the wheel and die cut holes.

The song was written about Texan groupie Audrey Hamilton, which explains its down-home, cowboy-booted ambience. Namely, the executive producer is listed as Peter Grant on the original, the publishing credit is “Warner Bros. Original remastered LP, plus an album of companion audio, on 180 gram vinyl in a tri-fold sleeve, featuring previously unreleased studio outtakes. While Your Time Is Gonna Come, the third of the three originals on the album, is something else again: a wonderfully understated pop song built, in the fashion of the time, around a Bach fugue, played by Jones, then swept into a completely different musical zone by Page’s pedal steel guitar – an instrument he had literally picked up in the studio that day and begun to play. In the edit page, go to the 'Metadata' tab and add your Juno artist, label or release page for listeners to purchase your release / releases.

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