Joined in 2023 
82 
63 About this deal
Telling the camera the squeeze ratio of your lens also allows the S5 II to adjust its image stabilization system to accommodate the differing effective focal lengths of your vertical and horizontal capture, improving the stabilization performance. LUT-applied shooting Despite the familiar appearance, a lot has been redesigned or reworked. The most significant change is the addition of the fan to the camera's viewfinder hump. This is central to the camera's promises of video endurance, but is designed not to undermine the body's weather sealing. The styling of the S5 II is very much in keeping with that of the original model: it's a mid-sized, fairly squared-off design with a very distinct SLR-like shape to it (compared, say, to Nikon's Z-series cameras). Despite being the smaller model in the company's L-mount lineup, it has extensive external control points, including details such as a dedicated AF mode switch, that are unusual at this level. The S5 II gains a couple of additional functions, including 'Full-range HLG' shooting. This ignores the upper and lower brightness limits that are imposed by the HLG standard, meaning you retain a little more flexibility in the edit. This is handy both if you have HLG as your final intended output or if you're using it as a Log-like intermediate step. Anamorphic support Weighing in at a solid 740g with card and battery, the S5 II X is a well-made, 24MP mirrorless hybrid camera that inspires confidence in its manufacturing quality. It is fairly bulky, mainly due to the extended EVF housing that dominates the top of the camera. Dimensions are 134.3 x 102.3 x 90.1mm. The magnesium alloy chassis is dust and splash resistant, plus freezeproof down to -10C.
S5IIX takes Best Mirrorless Camera CES 2023: Panasonic Lumix S5IIX takes Best Mirrorless Camera
Both models are built around a newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine. The sensor supports Hybrid Phase Detection Auto-Focus, a first for LUMIX cameras, while the new engine provides superb image quality and high bit-rate video performance on a par with the LUMIX S1H. The Lumix DC-S5 II reminds me of the lenticular prints sold in museum gift shops, which show a different image depending on the angle from which you view them. From one perspective it appears to be the two-year-old S5 with phase detection added, but looked at from a different position, its specs make it look like a credible competitor to Canon's recent EOS R6 II (which we consider to be the best of the current enthusiast full-frame bunch). and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD] I really like the screen display layout of video settings, which clearly includes the most useful info like live audio levels, shutter speed, FPS, aperture (iris), and color profile, with the option to adjust by a touch of the screen.Conventional zoom lenses require firmware update to use Continuous AF during zooming. The firmware will be released on 10/Jan 2023, UTC 1:00. As well as offering external recording of full-frame 5.9K (16:9) 5888×3312 12-bit 29.97p, 23.98p or 25p footage, the S5IIX can record to an external device from an APS-C section of its sensor in 4.1K (17:9) 4128×2176 12-bit at 59.94p, 29.97p, 23.98p, 50p or 25p, or in 3.5K (4:3) 3536×2656 12-bit 29.97p, 23.98p, 50p or 25p. The cameras are built to robust standards for in-field use, with magnesium alloy die-cast front and rear frames and a splash- and dust-resistant 1 construction. There’s also a clutch of video-centric display options shutter angle, waveform, vectorscope, and histogram. The biggest news is the inclusion of on-sensor phase detection: a technology Panasonic has not previously used. Phase detection essentially works by generating two views of the scene from slightly different perspectives (typically by forming separate images that 'look' through the left and right sides of the lens) and comparing them. Just as with human vision that uses two eyes set apart from one another, this enables the camera to establish an understanding of distance and depth in the scene.
Hands on with the Panasonic Lumix DC-S5 II: Digital
Panasonic Lumix S5II: full-sensor internal 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) footage at 30fps, 4:2:2 C4K and 4K at up to 60fps Lumix S5 IIX: 5.8K Apple ProRes to SSD via HDMI or USB and All-I recording, Apple ProRes RAW to Atomos I particularly appreciate the S5II paired with the 20-60mm lens that I used for this review, which is available as a kit with the camera for only a little extra outlay. Together, they're a well-made and compact combo that cover most stills and video scenarios, the wider-than-normal angle of view being particularly helpful for filmmaking. The full-frame ‘S’ lens range is coming together nicely, too. Panasonic’s use of phase detection as well as contrast detection focusing in the Lumix S5IIX and S5II is very welcome. It enables a significant step up in the autofocus performance in comparison with the company’s previous cameras that rely exclusively on contrast detection. As you’d expect, the S5IIX’s screen preview matches the captured image/video well but as usual, it can be hard to see some details in bright conditions. This makes an external monitor with greater brightness and/or a hood an attractive option in some instances.Lumix menus are logical to navigate and the camera has enough customizable function buttons to limit menu-diving expeditions. Everything you need regularly is at your fingertips except for the USB-C SSD recording option, which is buried in the setup menu. Inexplicably, there’s also no option to add it to shortcuts at the time of writing. That aside, the S5II X is easy to get comfortable with, even for someone who’s never used a Lumix before. https://www.slashcam.de/images/texte/1987-Vergleich-Vergleich_Dynamik.jpg, native lenses corrected for focus breathing without crop utility, stabilization without crop and utility, anamorphic,rolling shutter, ergonomics etc). So now I could say that the A7IV was years behind the S5I, which appeared in 2020? Or are you limiting everything to the Af, which Pana has now improved, also added other things (6k Open Gate, Realtime Lut, Active I.S., video recording (ex 6k) without temperature issues, better body due to full magnesium frame, etc.)? The vari-angle hinge also means that the screen can be made clearly visible whether the camera is in portrait or landscape orientation. Lumix S5 II: 6K ‘open gate’ up to 30p, 5.9K up to 30p, C4K/4K 10-bit 4:2:2 internal up to 60p (APS-C/Super35 crop)
Panasonic S52X Lumix S5IIX Mirrorless Camera DC-S5M2XBODY
The LUMIX S5IIx will be available from June 2023 as a body only, as well as S 20-60mm lens kits and S 20-60mm with S 50mm F1.8 Twin lens kits.This camera has a 2200mAh high-capacity battery that can capture 1,250 images or continuously record 90 minutes of 4K 60fps video on a full charge. It can be recharged via AC or USB. What is the difference between the S5 IIX and the S5 II? Maximum continuous shooting rate: Mechanical shutter: 9fps with S-AF, 7fps with C-AF or manual focus, Electronic shutter: 30fps with S-AF or C-AF Dual Native ISO sensitivity, which minimizes noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51200 (Extended: 204800) high sensitivity recording. The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Great Deal 
New Comment