Carmilla and Laura

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Interviews - TV. Elise Bauman – Carmilla". Starrymag.com. 9 January 2015 . Retrieved 24 April 2015. Carmilla” exhibits the primary characteristics of Gothic fiction. It includes a supernatural figure, a dark setting of an old castle, a mysterious atmosphere, and ominous or superstitious elements. [8] Cover Innocent Eyes and Ears: In the Christmas special, LaFontaine does this to Laura while Carmilla is tearing up the baker. Her father sets out with Laura, in a carriage, for the ruined village of Karnstein, three miles distant. They leave a message behind asking Carmilla and one of the governesses to follow once the perpetually late-sleeping Carmilla awakes. En route to Karnstein, Laura and her father encounter General Spielsdorf. He tells them his own ghastly story. The novel Carmilla: The Wolves of Styria is a re-imagining of the original story. It is a derivative re-working, listed as being authored by J.S. Le Fanu and David Brian. [32]

Laura | Castlevania Wiki | Fandom Laura | Castlevania Wiki | Fandom

Spangler, Todd (2016-10-06). " 'Carmilla' Lesbian Vampire YouTube Series to Become Feature-Length Movie (EXCLUSIVE)". Variety . Retrieved 2017-10-08. a b c Vincent Terrace (2015): Internet Lesbian and Gay Television Series, 1996-2014. North Carolina: McFarland & Company. P.24-27 Lilita Morgan (played by Sharon Belle, Elise Bauman and more commonly Annie M. Briggs) [22] is the Dean of the Silas University and Carmilla's adoptive vampire mother. She is also revealed to be the Goddess Inanna during Season 3. She initially uses Carmilla to lure young girls to be her human sacrifice for the Angler Fish God. In Season 2, she possesses Perry and uses her in an attempt to open the gates of Hell to reunite with her former lover in Season 3.Cavett Binion (2016). "Carmilla - Trailer - Cast - Showtimes - NYTimes.com". Movies & TV Dept. The New York Times. Archived from the original on 7 March 2016 . Retrieved 10 November 2015. Afternoon Play: Carmilla - BBC Radio 4 FM - 5 June 2003 - BBC Genome". genome.ch.bbc.co.uk . Retrieved 14 November 2015. Celebrating Lesbian Sexuality: An Interview with Inoue Meimy, Editor of Japanese Lesbian Erotic Lifestyle Magazine Carmilla". Intersections (12). Ancient Conspiracy: The Dean leads a cabal of vampires who sacrifice five people every 20 years to appease an entity know as the Hungry Light.

Carmilla and Laura by SD Simper | Open Library

Interview: Carmilla Producer Steph Ouaknine Talks Season 2". thegeekiary.com. 2 July 2015 . Retrieved 21 May 2016. In Season 1 Episode 36, between Laura and Carmilla, FOUR TIMES lasting nearly TWENTY SECONDS. Season 2 starts with one as well, although its slightly more than a simple kiss.. The Dean then notes a flaw in the plans of Laura and the others, specifically the fact that the Blade of Hastur, the weapon the group plans on using against the vampires, will consume it's wielder. After Carmilla questions her reasons for telling her this, The Dean explains that she doesn't want to kill her. Following this the Dean offers a deal to Carmilla, if she keeps Laura out of the way of her plans, she will spare her. When Carmilla expresses skepticism over her claims, the Dean brings Will in, the latter of whom is accompanied by Kirsch. From there, the Dean explains that it is tradition that girls be used in the sacrifice, but as the ritual specifically calls for virgins, the usage of Kirsch in Laura's place is a viable alternative should Carmilla accept her offer.

Although Laura had spent much of her childhood by herself in her Schloss, she was a very social person. She expressed her loneliness to her father on multiple occasions, and whenever she expected a visitor she would be very excited to meet them. For example, in chapter 2 when Laura found out that her expected visitor (General Spielsdorf's daughter) had died, she grew very upset because she had looked forward to it for months to be able to finally socialize and befriend a girl her age [1].

Laura Character Analysis in Carmilla | LitCharts

A sociable person who easily befriends others, Laura is an idealistic young woman with a strong sense of justice. She is selfless, willing to assist others simply because they need help and shows care and empathy for those in need. Likely due to her sheltered upbringing, she has some trouble dealing with morally grey areas and complicated aspects of life. She is also prone to being stressed easily, which causes her to act with emotion instead of logic. Her caring and quirky personality at times gives way to fiercer side when her emotions are stirred. The David MacDowell Blue adaptation of Carmilla was performed by The Reedy Point Players of Delaware City in October 2016. [55] This production was directed by Sean McGuire, produced by Gail Springer Wagner, assistant director Sarah Hammond, technical director Kevin Meinhaldt and technical execution by Aniela Meinhaldt. The performance featured Mariza Esperanza, Shamma Casson and Jada Bennett with appearances by Wade Finner, David Fullerton, Fran Lazartic, Nicole Peters Peirce, Gina Olkowski and Kevin Swed. Through Laura's body, The Dean chastises Carmilla for her failure to return to her side, noting that her usage of Laura's body in lieu of showing up in person is because she didn't want anyone else listening in on their conversation. The Dean subsequently destroys J.P.'s USB, noting his status as an annoyance and taking joy in having eliminated hi. Following this, she explains to Carmilla that the younger vampire will eventually understand the need for the sacrifices. Carmilla responds by stating that she doesn't want to know The Dean's reasoning behind killing Ell and is in turn, rebuked by her mother, who notes that the differences between Carmilla and her previous and present loves makes her a fool.Carmilla and Laura grow to be very close friends, but occasionally Carmilla's mood abruptly changes. She sometimes makes romantic advances towards Laura. Carmilla refuses to tell anything about herself, despite questioning by Laura. Her secrecy is not the only mysterious thing about Carmilla; she never joins the household in its prayers, she sleeps much of the day, and she seems to sleepwalk outside at night. Kirsch, after some begging, gains access to the room, despite Danny's protests, and through a combination of the ongoing brawl outside and the argument over who will defend the campus, he nearly comes to blows with her. Laura defuses the situation by pointing out fighting each other leaves the campus vulnerable, and both leave to try to stop the fighting.