Parallel Lines [VINYL]

Product Information

Classifiche". Musica e dischi (in Italian) . Retrieved May 31, 2022. Select "Album" in the "Tipo" field, type "Blondie" in the "Artista" field and press "cerca". Matrix / Runout (Runout side B, stamped / 1 etched, variant 5): 10 AA6307632 2Y 320 1 [D (sideways)] Top 100 Albums". RPM. Vol.32, no.13. December 22, 1979. ISSN 0315-5994– via Library and Archives Canada. Parallel Lines' 30th anniversary collector's edition press release (May 2008)". deborah-harry.com. Archived from the original on February 4, 2014 . Retrieved February 4, 2014. La pop-star che fa impazzire i teenagers – Arriva Debbie dei Blondie". La Stampa (in Italian). May 25, 1981. p.32 . Retrieved March 20, 2021. Tra l'altro, il cosciente tentativo di rendere la loro musicati piii commerciale possibile ha funzionato, dal momento che solo negli Stati, Uniti ne sono state vendute un milione e mezzo di copie

Blondie – Parallel Lines (Santa Maria, Vinyl) - Discogs Blondie – Parallel Lines (Santa Maria, Vinyl) - Discogs

Adams, Cameron (May 13, 2015). "Great albums to only reach number two in Australia". The Daily Telegraph. Sydney . Retrieved April 9, 2019. Offiziellecharts.de – Blondie – Parallel Lines" (in German). GfK Entertainment Charts. Retrieved July 6, 2017. Chapman took an unorthodox approach when recording with Harry whom he describes as "a great singer and a great vocal stylist, with a beautifully identifiable voice. However... also very moody". Chapman was far more cautious of demanding much from Harry as he saw her as a highly emotional person who would vest these emotions in the songs they made. He remembers Harry disappearing into the bathroom in tears for several hours at a time during recording. [1] During a day of recording, Harry sang two lead parts and some harmonies, less work than she did previously with Gottehrer. This was due to Chapman encouraging her to be cautious about the way she sang, particularly to recognise phrasing, timing and attitude. [2]Parallel Lines' 30th Anniversary collector's edition artwork". deborah-harry.com. Archived from the original on February 4, 2014 . Retrieved February 4, 2014. Sheffield, Rob (1995). "Blondie". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp.49–50. ISBN 0-679-75574-8. In 2000, Parallel Lines was voted number 57 in Colin Larkin's book All Time Top 1000 Albums. [27] Three years later, it was ranked at number 140 on Rolling Stone 's list of the 500 greatest albums of all time, [8] maintaining the rating in a 2012 revised list; [28] an accompanying essay said the album was "where punk and New Wave broke through to a mass U.S. audience". [8] It has also been placed at number 18 and 45 on NME 's 100 Best Albums of All Time (2003) [29] and 500 Greatest Albums of All Time (2013) lists, [30] respectively; number 7 on Blender 's 100 Greatest American Albums of All Time; [31] number 94 on Channel 4's 2005 list of the 100 greatest albums of all time; [32] and number 76 on Pitchfork 's list of the best albums from the 1970s. [33] Reissues [ edit ]

Blondie - Parallel Lines (Vinyl, UK, 1978) For Sale | Discogs Blondie - Parallel Lines (Vinyl, UK, 1978) For Sale | Discogs

Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. Parallel Lines (liner notes). Blondie. Chrysalis Records. 1978. CHR 1192. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Greatest Albums of All Time". Rolling Stone. New York. May 31, 2012 . Retrieved September 18, 2019. Blondie's New York... and the Making of Parallel Lines". BBC Four. August 25, 2017 . Retrieved February 12, 2021.In June 1978 the band entered the Record Plant in New York to record their third album, and first with Chapman. [2] However, Chapman found the band difficult to work with, remembering them as the worst band he ever worked with in terms of musical ability, although praising Frank Infante as "an amazing guitarist". Sessions with Chris Stein were hampered by his being stoned during recording, and Chapman encouraged him to write songs rather than play guitar. Similarly, according to Chapman, Jimmy Destri would prove himself to be far better at songwriting than as a keyboardist, and Clem Burke had poor timing playing drums. As a result, Chapman spent time improving the band, especially Stein with whom Chapman spent hours rerecording his parts to ensure they were right. [1] Bassist Nigel Harrison became so frustrated with Chapman's drive for perfection that he threw a synthesizer at him during recording. [2] Chapman recalls the atmosphere at the Record Plant in an interview for Sound on Sound: