Birdsong

Product Information

The force that drove through him could not be stopped. The part of his mind that remained calm accepted this; if the necessity could not be denied, then the question was only whether it could be achieved with her consent."

When the book begins Stephen is an impetuous twenty year old. War is not yet in his future. There are a few references to the song of birds and how this sound is annoying to him. This will not always be the case. As we follow Stephen through his horrific war experiences, we realize how he is maturing - not just aging but developing a new humanity. His courage and his desire to survive are vivid and beautifully detailed. The song of birds, once so annoying, becomes the sound of hope and life. What doesn't kill us makes us stronger really applies here. a b c d Slade, Paul (1 January 1999). "Review of A Book That Changed Me: "Birdsong" ". BMJ: British Medical Journal. 319 (7224): 1583. doi: 10.1136/bmj.319.7224.1583a. JSTOR 25186653. PMC 1117289. PMID 10591744. Elizabeth continues researching the war and talks to war veterans Gray and Brennan (who knew Stephen) about their experiences. During this period, she also becomes pregnant with Robert's child. In my younger, braver years, I'd already read a fair amount on the subject in Delderfield's many novels, and my heart couldn't take another volley of shrapnel, blood, guts and gore! Gorra described the novel's split into parallel narratives as the critical fault in the reading experience of the novel. [9] For de Groot, however, the split structure provides one of the most sophisticated elements of the novel. [8] De Groot writes that Benson's investigation of personal history allows Faulks to examine the difference between the two perspectives on the memory, highlighting the "unknowability of the horror of war" and of history more generally. [8] Trauma [ edit ] Death surrounded British soldiers on the front line, often to the point of breaking their psychological endurance. Faulks explores this historical trauma, throughout the novel. Painting by C. R. W. Nevinson, 1917.

Reader Reviews

a b c d e Gorra, Michael (11 February 1996). "Tunnel Vision". The New York Times. ISSN 0362-4331. Archived from the original on 13 September 2016 . Retrieved 29 August 2016. It was not his death that mattered; it was the way the world had been dislocated. It was not all the tens of thousands of deaths that mattered; it was the way they had proved that you could be a human yet act in a way that was beyond nature.” In the story, a young Cree girl named Katherena is sad because she and her mother are leaving their home in a city by the sea for a new home in the country. Her sadness is short-lived as she starts to spend time with her elderly neighbor, Agnes. Katherena and Agnes do many things together. Agnes shows Katherena her pottery and teaches her about the moon phases and Katherena teaches Agnes about the Cree language. The time they spend together inspires Katherena to draw. As time goes on, Agnes grows weaker and is unable to leave her bed. Katherena decides to hang her pictures all around Agnes' room for her to admire. Agnes is moved my the action saying, "It is like a poem for her heart."

This book rips you apart, scares you to death, rolls you in passionate, sensual love, one minute has you giggling and then later pondering the essence of life and death and fear. The book is an emotional roller coaster. And you will learn what it was really like to fight in the first world war. You can swallow the horror because it is balanced by humor and love and passion and even hope and happiness. Stephen has a chance encounter with Jeanne, Isabelle's sister, while on leave in Amiens. During this encounter, Stephen persuades her to allow him to meet with Isabelle. He meets her but finds her face disfigured by a shell with scarring from the injury. Stephen discovers that Isabelle is now in a relationship with Max, a German soldier.

Several episodes depict a downtrodden Stephen whose only respite is his friendship with Captain Michael Weir and his men. Stephen gains the reputation of a cold and distant officer. He refuses all offers of leave, because he is committed to fighting the war. It was not his death that mattered; it was the way the world had been dislocated. It was not all the tens of thousands of deaths that mattered; it was the way they had proved that you could be human yet act in a way that was beyond nature." The contemporary historian Simon Wessley describes the novel, alongside Barker's Regeneration, as an exemplar of contemporary fiction which uses the experience of the World War I trenches to examine more contemporary understandings of PTSD. [14] De Groot argues that this reinvestigation of a traumatic history mirrors a growing interest among both literary authors and historians in trauma as a thematic subject. [8] There's a love affair, so passionate, but yet illicit and at first I thought that this is what was going to get to me in this novel. It did, but the most powerful, thought provoking thing about this book is what happened to the men in the trenches during WW I.

There are lines you must ponder. Why does one fight in a war? Who do we fight for? Do you fight for your land, your family, your friends....or for those comrades who have fought and died next to you? You are in the trenches and in tunnels, in the middle of bombardments. You are in a tunnel and you may be suffocated and buried alive. This book is about fear. This book is about the warfare of WW1. Lisette – Sixteen-year-old daughter of Azaire, and step-daughter of Isabelle. Lisette is attracted to Stephen, to whom she is nearer in age than Isabelle. She makes suggestive remarks to Stephen throughout his time at the house in Amiens, but goes on to marry a man named Lucien Lebrun. Escaped from extermination, Stephen feared nothing any more. In the existence he had rejoined, so strange and so removed from what seemed natural, there was only violent death or life to choose between; finer distinctions, such as love, preference or kindness, were redundant.” Note: It makes it even more personal to me as I was in the Royal Engineers (Sappers) during my military career. I'm happy to report, though, that I never had to get involved in the activity of sapping, or tunnelling.

Book Summary

In 2012 it was adapted as a two-part television drama for the BBC. [20] The production starred Eddie Redmayne as Stephen Wraysford and Clémence Poésy as Isabelle Azaire, and was directed by Philip Martin, based on a screenplay by Abi Morgan. The historian Edward Madigan favourably compared the television adaptation to Steven Spielberg's War Horse as a successful evocation of the experience of the World War I trenches. [20] However, the crowning achievement of Birdsong is its unflinching depiction of war. The earsplitting cacophony of the artillery, the claustrophobia of the tunnels, the never-ending mud, the smell of sweat and shit, the horror of seeing a head explode in front of your eyes. The heartbreaking letters sent home from the Somme, its writers knowing that they were almost certainly going to die in the coming hours. The bodies in pieces, pale and rotting in no man's land. The senseless brutality of it all, summed up by a roll call after the battle, ringing with unanswered names: "Names came pattering into the dusk, bodying out the places of their forebears, the villages and towns where the telegrams would be delivered, the houses where the blinds would be drawn, where low moans would come in the afternoon behind closed doors; and the places that had borne them, which would be like nunneries, like dead towns without their life or purpose, without young men at the factories or in the fields, with no husbands for the women, no deep sound of voices in the inns, with the children who would have been born, who would have grown and worked or painted, even governed, left ungenerated in their fathers' shattered flesh that lay in stinking shellholes in the beet crop soil, leaving their homes to put up only granite slabs in place of living flesh, on whose inhuman surface the moss and lichen would cast their crawling green indifference." a b c d e de Groot, Jerome (2010). The Historical Novel. Abingdon, Oxon: Routledge. pp.100–104. ISBN 978-0-415-42662-6. Halfway through the story we jump to 1978, where Elizabeth Benson has taken a sudden interest in her grandfather, Stephen Wraysford and the fate of the men who died in or limped home from the trenches of World War I. Here the narrative stumbles a bit. Elizabeth, now in her late 30s, seems entirely unaware of the horrors of The Great War. This rang utterly false. "No one told me," she says upon seeing the battlefields and monuments of the Somme. I think a British citizen of her generation would have been well aware of the magnitude of that war. But Faulks gives Elizabeth a strong voice and her own personal dilemmas that bring the existential quest for meaning and truth full circle. We don't stay in late 70s London for long, but we dip in and out until the novel's end as Elizabeth's story becomes woven into her grandfather's. I loved the characters and they are so well developed that I found they not only had faces but voices and I had such a connection with each and every one of them.

If I am fighting on behalf of anyone, I think it is for those who have died. Not for the living at home. For the dead, over here." Francoise: “I was sent to Jeanne from Germany, where I had been living, because my real mother had died. She died of flu.” Birdsong is a historical drama about WWI. Whenever I read about the tragedies of war I realize that had I been a soldier I never would have mentally recovered from the atrocities witnessed. Stephen, the main character, does recover but at a great cost. I have to say I approached it a bit offhandedly. Its reputation preceded it and I’m always wary under such circumstances. I must also confess I had become a little tired of talk of the trenches, almost war-weary if you like, and thought there must be other aspects of WW1 that we could learn about. I expressed this feeling in my recent review of PRIVATE PEACEFUL by Michael Morpurgo, which I unfairly accused of being rather lightweight until I realised it was intended for a younger age group. I hoped to redeem myself by adding a postscript relating to something I had genuinely gained from it. What I might gain from BIRDSONG was open to question. Elizabeth’s love story echoed her grandmother’s but with its own spirals— History Does Not Repeat Itself, But It Rhymes .

A hundred years have passed after World War I, one of the biggest atrocities in our history. The last surviving veteran passed away two years ago, taking the last living memory of those horrible years along with her. It is now up to us to keep alive the memories of those who have endured the war and of those who have not. It is up to us to remember. It is up to us to keep history from repeating itself. This book has everything. It is exciting and horribly moving and oh so wonderful. It is like life: full of the worst and most wonderful. I could not stop listening to this book. It is wonderful. I just finished. I haven't been able to do anything except listen to this book. Excellent narration by Peter Firth. I loved it. I loved all the emotion - horror of war and passionate love. And great lines and so much to think about...... Can I collect my thoughts?!