Art Forms in Nature: Prints of Ernst Haeckel

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Deane W (1894) The Ware Collection of Blaschka glass models of flowers at Harvard. Bot Gaz 19(4):144–148 Ceccato C (1999) The architect as toolmaker: computer-based generative design tools and methods. In: CAADRIA ‘99 (Proceedings of the fourth conference on computer aided architectural design research in asia/ISBN 7-5439-1233-3) Shanghai (China) 5–7 May 1999, pp 295–304 Lazarus D (1986) Three-dimensional measurement of microfossil morphology. J Paleontol 60(4):960–964 Matsuoka A, Yoshino T, Kishimoto N, Ishida N, Kurihara T, Kimoto K, Matsuura S (2012) Exact number of pore frames and their configuration in Mesozoic radiolarian Pantanellium: an application of X-ray micro-CT and layered manufacturing technology to micropaleontology. Mar Micropaleontol 88–89:36–40 Sabin JE, Jones PL (2008) Nonlinear systems biology and design: surface design. In: International conference ACADIA proceedings

Art forms of nature by Ernst Haeckl : Free Download, Borrow Art forms of nature by Ernst Haeckl : Free Download, Borrow

Delue RZ (2010) A combined review of: Darwins Korallen: Frühe Evolutionsmodelle und die Tradition der Naturgeschichte; Endless Forms: Charles Darwin, Natural Science, and the Visual Arts; The Art of Evolution: Darwin, Darwinisms, and Visual Culture; and Darwin’s Pictures: Views of Evolutionary Theory, 1837–1874. Art Bull 92(4):386–391 Sustainable art is a movement whose aims are to ignite discussion (and adjust our perception) about the way we use our resources. Sustainable art seeks to make us think more deeply about the impact that our lifestyle choices have on the planet. Sigwart JD (2008) Crystal creatures: context for the Dublin Blaschka Congress. Hist Biol 20(1):1–10 Wagner RC, John RJ, Denis VL (2015) Sub-micrometer X-ray tomography of radiolarians: computer modeling and skeletonization. Microscopy Today 23(5):18–23 So if you want to create a work of art based on the theme of "nature", you've really got a whole planetful of ideas to work from!

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Shaw MD, Szczepanski JZ, Murray SF, Hodge S, Vink CJ (2017) Ideas made glass: Blaschka glass models at Canterbury Museum. Rec Canterb Mus 31:5–84 Cohen PS, Naginski E (2014) The return of nature: sustaining architecture in the face of sustainability. Routledge, Abingdon

Nature in Art: Detailed Discussion of Nature Inspired Art and Nature in Art: Detailed Discussion of Nature Inspired Art and

Dyer R (2008) Learning through glass: the Blaschka marine models in North American post-secondary education. Hist Biol 20(1):29–37 Waddington CH (1951) The character of biological form. In: Whyte LL (ed) Aspects of form: a symposium on form in nature and art. Publishes, New York, Pelligrini and Cudahy, pp 43–52 Artists for Conservation is a group of artists who, in various ways, support nature through their artwork. They paint nature in art in the form of beautiful and idyllic images of animals and landscapes. In addition, they also donate a portion of their art sales to conservation efforts. Brill ER, Huber F (2016) Sea creatures in glass: the Blaschka Marine Animals at Harvard. Scala Arts Publishers, New York

Smithsonian Institution

Gardner M (2001) The colossal book of mathematics: classical puzzles, paradoxes, and problems. In: Mathematical zoo, WW. North, New York, p 643 (Originally GARDNER, MARTIN. "MATHEMATICAL ZOO OF ASTOUNDING CRITTERS, IMAGINARY AND OTHERWISE." Scientific American 238, no. 6 (1978): 18.) Wertheim M (2007) A field guide to hyperbolic space: an exploration of the intersection of higher geometry and feminine handicraft. Institute for Figuring, Los Angeles Hopwood N, Chadarevian S (2004) Dimensions of modelling. The third dimension of science, Models, pp 1–15 flowers, plants, trees, botany, animals, cells, anatomy, bodily systems, weather, geology, matter, energy, fossils, any of the natural sciences, water, fire, environment, conservation, natural history, processes, evolution, birth, growth, aging, decay, change... Breidbach O (2003) The beauties and the beautiful—some considerations from the perspective of neuronal aesthetics. In: Voland E, Grammer K (eds) Evolutionary aesthetics. Springer, Berlin, pp 39–68

Art Forms in Nature: radiolaria from Haeckel and Blaschka to

Bergdoll B (2007) Of crystals, cells, and strata: natural history and debates on the form of a new architecture in the nineteenth century. Archit Hist 50:1–29 Emmer M (2002) Mathland: from topology to virtual architecture. In: Emmer M (ed) Mathematics and culture II. Visual perfection: mathematics and creativity. Springer, Berlin, pp 65–78

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Today’s discoveries about our planet’s biological diversity build upon the research of previous generations of scientists. The Biodiversity Heritage Library (BHL) is a digital library committed to providing free and open access to this treasure trove of information, much of which is held in the libraries of natural history research institutions around the world.