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The Whale

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The Whale comes with a great 1080p HD transfer that immediately sets the tone. The film's visuals are not meant to be bright or even made to live in a bubble-gum world of action and fantasy. features only DTS-HD Master Audio 5.1. The surround activity is often quite subtle, but Rob Simonsen's elegiac score certainly fills the side and rear Lionsgate Home Entertainment has detailed its upcoming Blu-ray release of Darren Aronofsky's The Whale (2022), starring Brendan Fraser, Sadie Sink, Ty Simpkins, Samantha Morton, and Hong Chau. The release is scheduled to arrive on the market on March 14. The Sounds of the Sea: Scoring The Whale – Composer Rob Simonsen discusses writing the music for The Whale. He was inspired by Brendan Fraser’s performance and the nautical theme of the film. Emotions can have depth, like the ocean. He tried to suggest rolling movement with bold chords as well as quieter tones. He speaks about special instruments used in writing the score, particularly the overtone flute. The score was recorded in London, with Simonsen digitally finessing the various instrumental elements to get a reverberant sound.

The Whale (2022), starring Brendan Fraser, Sadie Sink, Ty Simpkins, Samantha Morton, and Hong Chau. The release is scheduled to arrive on the market on March 14. least for those of us who grew up in that general vicinity), Charlie's estranged daughter Ellie (Sadie Sink) immediately thinks he is LDS The 95th Academy Awards are scheduled to air in just a few hours as this review is being published, and many online data aggregators more or less is a little wobbly at times. The ultimate connection between Charlie, Liz and Charlie's male partner is at the crux of a lot of the emotion of the film,The Whale is not an easy movie to watch but it is poignant and eye-opening which leaves the audience touched and uncomfortable all at once. The ending also leaves much to be desired. Simpkins), a "door to door" missionary who is perhaps surprisingly (given this film's Idaho locale) not a Mormon, though semi-hilariously AliasCane Blu-ray is fine but if it was shot in 4K there should be a 4K release. Many times the studios always get us on this they put a 4K release out later. Most people just want to buy the movie add it to their collection and be done with it. proselytizing on behalf of. It's here that The Whale probably most overtly reveals its stage bound genesis, as this intersection, while The film is also technically quite interesting, and in that aforementioned making of supplement included on this disc Darren Aronofsky and

of Charlie's domicile, and the making of featurette included on this disc as a supplement details the challenging of keeping things "cinematic" within Fraser brings a tender quality to Charlie along with the character’s self-destructive inclination, indelibly illustrated when he gorges on food—his way of hastening his demise. Wearing elaborate body and facial prosthetics, Fraser makes Charlie a real person rather than a circus freak. Deeply flawed, he nonetheless is optimistic, not for his own future but for the futures of Ellie and his students. This quality prevents the character from being nothing but a huge mass of self-pity. There is a sadness in Fraser’s performance, a self-deprecation, and even a dark sense of humor, most evident in his verbal sparring with Liz. Samuel D. Hunter's writing wasn't especially good -- say, as good as something David Mamet would have penned. Hunter wasn't very subtle. "Look at the fat guy! Go on and LOOK at him! Isn't he a tragic figure?! And aren't I brilliant for pointing out the tragic nature of his situation?!"There are only two bonus features totaling about 33 minutes of time. The guess is that there will be another big release down the road and the studios are saving or making new extras for that release. But these two segments are worth watching.

channels convincingly, and a number of ambient environmental effects, like the flutter of wings of a bird Charlie feeds from an apartment window, help in portraying a teen girl who is obviously dealing with any number of "issues" (along with being estranged from Charlie, it turns out Mary is an cinematographer Matthew Libatique discuss some of the challenges in shooting in a small, cloistered space while at the same trying to keep things

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IMDb, Sony CineAlta cameras were utilized and the DI was finished at 4K. As can probably easily be made out in the screenshots I've uploaded to People Are Amazing: Making The Whale (HD, 25 Mins.) - The whole cast and major crew talk about making the film with an emphasis on the characters, their emotions, and where the story came from. With some on-set footage and wonderful interviews, this extra is worth watching.

Ummmm…. Because it’s better, crisper, and more immersive and impressive 95% of the time, especially with new movies, or movies shot on film and preserved or restored. I loved Brendan Fraser's performance in this film. He was really, REALLY effective. The rest of the actors were...well...just good enough. Hong Chau and Sadie Sink turned in good performances, as did Samantha Morton. Ty Simpkins, though, was the least convincing performer. Oh, well. Extras will include 2 featurettes ( People Are Amazing: Making The Whale and The Sounds of the Sea: Scoring The Whale). You can see the cover artwork above left and also below. Brendan Frazer is up for a Best Actor Oscar for his performance in this film, so we’re certainly looking forward to seeing it on disc. Charlie’s ex-wife Mary (Samantha Morton) appears late in the film and confronts Charlie for his apparently sudden interest in repairing a badly-damaged relationship with Ellie. Mary, of course, has also been abandoned and left to raise Ellie by herself. Morton conveys a combination of indignation, confusion, and motherly protectiveness.The personal relationships in the film, especially those between Charlie and Liz and Charlie and Ellie, often ring true, even if the overall context here Ellie, whom he more or less abandoned when she was a little girl after Charlie left his ex-wife Mary (Samantha Morton) for a (male) student of his. At least the 4:3 aspect ratio was a choice to fit the film. You can easily find articles about this and understand why Aronofsky shot the film with that aspect ratio. Unlike all the bs tv show aspect ratios garbage going on now. All these different aspect ratios to make sure television shows MADE TO BE WATCHED ON A TELEVISION no longer fit the television screen. I have not read one single post for any of the billion tv shows from a showrunner giving a reasonable explanation why their television show was shot in an aspect ratio that doesn't fit the tv. If it's a film property masquerading as a tv show, like The Mandalorian, that's one thing. But for 99% of other shows, if Game of Thrones and The Sopranos didn't need a wider frame the newest Netflix teen comedy sure doesn't.

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