The Good, the Bad and the Ugly [4KUHD] [Blu-ray]

Product Information

The 301 Greatest Movies Of All Time". Empire. Archived from the original on 12 July 2014 . Retrieved 29 May 2014. In the United States, all three of Leone's Dollars Trilogy films were released during 1967: A Fistful of Dollars was released 18 January; [74] For a Few Dollars More was released 10 May (17 months); [75] and The Good, the Bad and the Ugly was released 29 December (12 months). [76] The original Italian domestic version was 177 minutes long, [77] but the international version was shown at various lengths. Most prints, specifically those shown in the United States, had a runtime of 161 minutes, 16 minutes shorter than the Italian premiere version, but others, especially British prints, ran as short as 148 minutes. [10] [78] Box office [ edit ] Frayling, Christopher (2000). Sergio Leone: Something To Do With Death. Faber & Faber. ISBN 0-571-16438-2– via Internet Archive. After being betrayed by Blondie, surviving the desert on his way to civilization, and assembling a good revolver from the parts of worn-out guns being sold at a general store, Tuco meets with members of his gang in a distant cave, where he conspires with them to hunt and kill Blondie. Frayling, Christopher. "Shooting Star". The Spectator. Archived from the original on 14 November 2020 . Retrieved 3 March 2020.

The Good, The Bad and the Ugly (4K UHD Blu-ray, 1966) for The Good, The Bad and the Ugly (4K UHD Blu-ray, 1966) for

The Good, the Bad and the Ugly". Metacritic. Fandom, Inc. Archived from the original on 10 November 2020 . Retrieved 17 January 2021. Three generations of acclaimed actors team up in The Score, an intriguing crime thriller that marks the first and only time that film legends Robert D...a b c d e f g h i Sir Christopher Frayling, The Good, the Bad and the Ugly audio commentary (Blu-ray version). Retrieved on 26 April 2014. Jar Jar Stinks In its depiction of violence, Leone used his signature long drawn and close-up style of filming, which he did by mixing extreme face shots and sweeping long shots. By doing so, Leone managed to stage epic sequences punctuated by extreme eyes and face shots, or hands slowly reaching for a holstered gun. [52] This builds up the tension and suspense by allowing the viewers to savor the performances and character reactions, creating a feeling of excitement, as well as giving Leone the freedom to film beautiful landscapes. [52] Leone also incorporated music to heighten the tension and pressure before and during the film's many gunfights. [10] Mansell, John. "The Good, the Bad and the Ugly". Music from the Movies. Archived from the original on 17 February 2007 . Retrieved 26 May 2007.

THE GOOD, THE BAD, AND THE UGLY 4K ULTRAHD BLU-RAY REVIEW THE GOOD, THE BAD, AND THE UGLY 4K ULTRAHD BLU-RAY REVIEW

The return of the Gorillaz". EW.com. Archived from the original on 25 July 2014 . Retrieved 8 September 2014. Charles Leinberger, Ennio Morricone's The Good, The Bad and the Ugly: A Film Score Guide. Scarecrow Press, 2004. The Good, the Bad and the Ugly ( Italian: Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". [9] Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), [10] based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score, including its main theme. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain. We All Love Ennio Morricone". Metallica.com. Archived from the original on 2 February 2007 . Retrieved 11 March 2007.James Crossley (19 June 2016). "Once Upon a Time this West was full of Radicals: Sergio Leone, Revolution and Religion". Culture Matters. Archived from the original on 8 December 2020 . Retrieved 8 December 2020.

The Good, the Bad and the Ugly 4K Blu-ray Review | AVForums

Turner, Rob (14 June 2004). "The Good, The Bad, And the Ugly". Entertainment Weekly. Archived from the original on 30 September 2009. With a greater sense of operatic violence than their American cousins, the cycle of spaghetti westerns lasted just a few years, but it has been said to have rewritten the genre. [123] Proposed sequel [ edit ] Eli Wallach as Tuco. Eli Wallach as Tuco Benedicto Pacífico Juan María Ramírez (known as "The Rat" according to Blondie): The Ugly, a fast-talking, comically oafish yet also cunning, cagey, resilient, and resourceful Mexican bandit who is wanted by the authorities for a long list of crimes. The director originally considered Gian Maria Volonté (who portrayed the villains in both the preceding films) for the role of Tuco, but felt that the role required someone with "natural comic talent". In the end, Leone chose Eli Wallach, based on his role in How the West Was Won (1962), in particular, his performance in "The Railroads" scene. [15] In Los Angeles, Leone met Wallach, who was skeptical about playing this type of character again, but after Leone screened the opening credit sequence from For a Few Dollars More, Wallach said: "When do you want me?" [16] The two men got along famously, sharing the same bizarre sense of humor. Leone allowed Wallach to make changes to his character in terms of his outfit and recurring gestures. Both Eastwood and Van Cleef realized that the character of Tuco was close to Leone's heart, and the director and Wallach became good friends. They communicated in French, which Wallach spoke badly and Leone spoke well. Van Cleef observed, "Tuco is the only one of the trio the audience gets to know all about. We meet his brother and find out where he came from and why he became a bandit. But Clint and Lee's characters remain mysteries." [17] In the theatrical trailer, Angel Eyes is referred to as The Ugly and Tuco, The Bad. [18] This is due to a translation error; the original Italian title translates to "The Good [one], the Ugly [one], the Bad [one]". Variety Staff (31 December 1965). "The Good, the Bad and the Ugly". Variety. Archived from the original on 16 October 2018 . Retrieved 16 October 2018.Good, the Bad and the Ugly, The (live-action)". CrystalAcids.com. Archived from the original on 17 September 2014 . Retrieved 17 September 2014. Retrieved 17 September 2014. a b c d The Good, the Bad & the Ugly (2-Disc Collector's Edition) (DVD). Los Angeles: Metro-Goldwyn-Mayer. 1967.

Good, The Bad and The Ugly, The: 50th Anniversary Special Good, The Bad and The Ugly, The: 50th Anniversary Special

The bridge in the film was constructed twice by sappers of the Spanish army and rigged for on-camera explosive demolition. On the first occasion, an Italian camera operator signaled that he was ready to shoot, which was misconstrued by an army captain as the similar-sounding Spanish word meaning "start". Nobody was injured in the resulting explosion. The army rebuilt the bridge while other shots were filmed. As the bridge was not a prop, but a rather heavy and sturdy functional structure, powerful explosives were required to destroy it. [45] Leone said that this scene was, in part, inspired by Buster Keaton's silent film The General. [10]Negative themes such as cruelty and greed are also given focus and are traits shared by the three leads in the story. Cruelty is shown in the character of Blondie in how he treats Tuco throughout the film. He is seen to sometimes be friendly with him and in other scenes double-cross him and throw him to the side. It is shown in Angel Eyes through his attitudes in the film and his tendency for committing violent acts throughout the film. For example, when he kills Stevens he also kills his son. It is also seen when he is violently torturing Tuco later in the film. It is shown in Tuco how he shows concern for Blondie when he is heavily dehydrated but in truth, he is only keeping him alive to find the gold. It is also shown in his conversation with his brother which reveals that a life of cruelty is all he knows. Richard Aquila writes "The violent antiheroes of Italian westerns also fit into a folk tradition in southern Italy that honored mafioso and vigilante who used any means to combat corrupt government or church officials who threatened the peasants of the Mezzogiorno". [69] Towlson, Jon. "10 great spaghetti westerns". BFI. Archived from the original on 14 November 2020 . Retrieved 3 March 2020. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. [55] The unique vocals of Edda Dell'Orso can be heard permeating throughout the composition "The Ecstasy of Gold". The distinct sound of guitarist Bruno Battisti D'Amorio can be heard in the compositions 'The Sundown' and 'Padre Ramirez'. Trumpet players Michele Lacerenza and Francesco Catania can be heard on 'The Trio'. [56] The only song to have a lyric is 'The Story of a Soldier, the words of which were written by Tommie Connor. [57] Morricone's unmistakable original compositions, containing gunfire, whistling (by Alessandro Alessandroni), [58] and yodeling permeate the film. The main theme, resembling the howling of a coyote (which blends in with an actual coyote howl in the first shot after the opening credits), is a two-pitch melody that is a frequent motif, and is used for the three main characters. A different instrument was used for each: flute for Blondie, ocarina for Angel Eyes, and human voices for Tuco. [59] [60] [61] [62] The score complements the film's American Civil War setting, containing the mournful ballad, " The Story of a Soldier", which is sung by prisoners as Tuco is being tortured by Angel Eyes. [11] The film's climax, a three-way Mexican standoff, begins with the melody of " The Ecstasy of Gold" and is followed by "The Trio" (which contains a musical allusion to Morricone's previous work on For a Few Dollars More).