The Bear

Product Information

Rarely-seenoriginal illustrations from Raymond Briggs go on display at Cambridge University Library this weekend until August 26, 2023. The free exhibition showcases the beloved author-illustrator behind some of the UK’s most influential children’s books and graphic novels. Summary: Teby has a dream about a giant polar bear entering her room through a window and spending the day with her. Teby gets the experience of a lifetime spending the day loving this bear, cleaning up after it, and trying to talk to her parents about her friend. Big kid, 'old git' and still in the rudest of health". Rachel Cooke. The Observer. 10 August 2008. Confirmed 4 December 2012. From the creator of The Snowman, Father Christmas and Fungus the Bogeyman - now a live theatre show! About This Edition ISBN:

a b Bailey, Jason M. (10 August 2022). "Raymond Briggs, Who Drew a Wordless 'Snowman,' Dies at 88". The New York Times . Retrieved 10 August 2022. I listened to 'The Bear' on audio tape a lot when I was little, and I remember it well today, even more so than Raymond Briggs' other works for children. A warm (despite the cold content) and touching little story that contains the familiar Briggs themes of care, responsibility, and letting go: from the point of view of Tilly, a little girl protagonist. Wroe, Nicholas (18 December 2004). "Bloomin' Christmas". The Guardian. London . Retrieved 22 May 2010. Fungus the Bogeyman (2015) A 3-part television adaptation, featuring Timothy Spall and Victoria Wood shown on Sky1 in December 2015. [72] [73] Guardian book club: Week two: Raymond Briggs on Father Christmas's terrible job ...". Raymond Briggs with John Mullan. The Guardian. 20 December 2008.

Tilly soon finds out that a big bear can cause big problems - he takes a LOT of looking after! When she describes the bear's latest antics to her parents they think he's a figment of her imagination - but is he?

Discussing the impact of Raymond Briggs’ work, Judge Shami Chakrabarti said: "Raymond is a true artistic genius who has touched the hearts of millions of children of all ages. They say that a picture is worth a thousand words and his particular style of illustration is unmistakable as are his understated and poignant words of narrative and dialogue. His talent expresses his values and with his choice and treatment of subjects he brings our history and contemporary challenges to life." Most of my ideas seem to be based on a simple premise: let's assume that something imaginary - a snowman, a Bogeyman, a Father Christmas - is wholly real and then proceed logically from there.' a b "Hans Christian Andersen Awards". International Board on Books for Young People (IBBY). Retrieved 28 July 2013.

Author-illustrator Raymond Briggs dies age 88:: NEWS". School Library Association . Retrieved 11 August 2022. Briggs has recently returned to illustrating, with Alan Ahlberg’s interactive children’s books The Adventures of Bert and A Bit More Bert (2001-2), but his own latest, The Puddleman (2004) is another idiosyncratic work, about a child’s appreciation of a character who puts puddles in the ground. He has now achieved a subtle and expressive form, equally able to move and entertain us. He has, says Nicolette Jones, ‘elevated the standing of the art of strip illustration and added status to children’s books’.

He was very amused when Liz Benjamin's three-year-old granddaughter announced one day at the dining table that “Raymond is not a normal person”. “The best compliment I have ever had,” he said. And words that he would like as his epitaph. Briggs had a stable childhood in the 1930s and 40s, growing up in a terraced house in Ashen Grove, Wimbledon Park, southwest London. The house and its old-fashioned kitchen, scullery and outside lavatory feature repeatedly in Briggs’s work, from Father Christmas onwards—where Briggs based the title character, and his “blooming” cursing at the anti-social hours and conditions of his work, on the grind of his father Ernest’s labour, delivering milk to people’s doorsteps at all hours and in all weathers. In the half-century following his parents’ death in 1971, Briggs made regular return visits to the house, whose later owners kept it largely as Ethel and Ernest had left it, down to the 1930s wallpaper that still lined the inside of a hallway cupboard.

a b c d e (Greenaway Winner 1966). Living Archive: Celebrating the Carnegie and Greenaway Winners. CILIP. Retrieved 14 July 2012. LoveReading4Kids exists because books change lives, and buying books through LoveReading4Kids means you get to change the lives of future generations, with 25% of the cover price donated to schools in need. Join our community to get personalised book suggestions, extracts straight to your inbox, 10% off RRPs, and to change children’s lives. Hello Yellow - 80 Books to Help Children Nurture Good Mental Health and Support With Anxiety and Wellbeing - Briggs was uneasy at being described as a pioneering graphic novelist—he preferred to describe his creations as “picture books”. But the barely concealed emotional charge of his children’s tales, and their bucolic charm, acquired a stinging, subversive power when deployed, in an unaltered visual style, in his adult, satirical and autobiographical books, including Gentleman Jim (1980) and When the Wind Blows (1982). This is a must have Briggs' movie, all the charm and warmth of the first two animations are contained inside. Children and adults watch spellbound through another half hour of music and storytelling.

After briefly pursuing painting, he became a professional illustrator, [1] and soon began working in children's books. In 1958, he illustrated Peter and the Piskies: Cornish Folk and Fairy Tales, a fairy tale anthology by Ruth Manning-Sanders that was published by Oxford University Press. They would collaborate again for the Hamish Hamilton Book of Magical Beasts ( Hamilton, 1966). In 1961, Briggs began teaching illustration part-time at Brighton School of Art, which he continued until 1986; [14] [15] one of his students was Chris Riddell, who went on to win three Greenaway Medals. [16] Briggs was a commended runner-up for the 1964 Kate Greenaway Medal ( Fee Fi Fo Fum, a collection of nursery rhymes) [17] [a] and won the 1966 Medal for illustrating a Hamilton edition of Mother Goose. [1] According to a retrospective presentation by the librarians, The Mother Goose Treasury "is a collection of 408 traditional and well loved poems and nursery rhymes, illustrated with over 800 colour pictures by a young Raymond Briggs". [3] His best known work, The Snowman (1978), has sold more than 5.5 million copies in 21 countries and the animated film of the same name has been broadcast every Christmas Eve by Channel 4 since its first transmission in 1982. Raymond Briggs was born in London in 1934, and studied at Wimbledon School of Art and the Slade School of Art, London. Father Christmas | | raymond briggs | raymond briggs | V&A Explore The Collections". Victoria and Albert Museum: Explore the Collections . Retrieved 11 August 2022. In 2014, Briggs received the Phoenix Picture Book Award from the Children's Literature Association for The Bear (1994). The award committee stated:

Retailers:

The essence [of being an illustrator] is to be a mini actor. If the figure is to crouch low in fear, you have to feel that from the inside... At the same time you have to be observing the figure from the outside. It’s an odd business really." Jim and the Beanstalk (1970) marked the first occasion that Briggs both author and illustrated a book. This was followed by Father Christmas (1973) in which Briggs started to use a comic strip format in his picture books. Briggs won the 1966 and 1973 Kate Greenaway Medals from the British Library Association, recognising the year's best children's book illustration by a British subject. [3] [4] For the 50th anniversary of the Medal (1955–2005), a panel named Father Christmas (1973) one of the top-ten winning works, which composed the ballot for a public election of the nation's favourite. [5] For his contribution as a children's illustrator, Briggs was a runner-up for the Hans Christian Andersen Award in 1984. [6] [7] He was a patron of the Association of Illustrators. [8] Early life [ edit ] The show won a Peabody Award in 1998. [2] In 2000, it won the Golden Butterfly Award for the best short film in the international cinema competition of the 15th Isfahan International Film Festival for Children and Youth in Iran. [3] Briggs’s life moved into a minor key in the 2010s with the death in 2015 of his partner of 40 years Liz Benjamin, who had brought a stepson, a stepdaughter and stepgrandchildren into his life. He remained as involved as ever in his writing and adaptations of his work, and was the executive producer on the film of Ethel & Ernest, although his health kept him from attending as many production sessions as he would have liked. One of his final works was Time for Lights Out (2019), which he described as a "big fat book on old age and death".