Russ Meyer Collection [DVD]

Product Information

List of all movies directed by Russ Meyer, listed alphabetically. These popular films directed by Russ Meyer include trailers of the movies when available. This collection includes some of the best movies directed by Russ Meyer, so use the list to find some movies you haven't already seen. From Russ Meyer's studio films to Russ Meyer's independent films, this Russ Meyer filmography includes movies from all genres. Bummer, I was wondering this myself and thought it might follow this title sometime in the new year. You never know though, things might change...a shame though. Jean Eustache's The Mother and the Whore is in limbo for the latter reason, and a dream project that I was trying to develop with the BFI collapsed thanks to the filmmaker's granddaughter's wildly unrealistic revenue expectations. Yes, the films she represented are of staggering historical importance, but they're only ever going to attract a niche audience, and no amount of clever marketing is going to change that. German postcard by Krüger, no. 902/302. Photo: Bernard of Hollywood / CCC-Zugsmith Co-produktion. Publicity still for Fanny Hill (1964, Russ Meyer). German postcard by Krüger, no. 902/358. Photo: Bernard of Hollywood. Publicity still for Fanny Hill (1964).

Blossoming out in all the right places to a voluptuous 38-21-35, blue-eyed, brown-haired Iris is capable of out-Mansfielding Jayne at the drop of a flash bulb. Photog Russ Meyer dropped quite a few flash bulbs in photographing the Worcester, England, born and bred belle." I highly recommend the Arrow boxset of Russ Meyer films. 18 films on 12 discs some with commentaries and featurettes. I just watched Vixen last night. Great stuff! Britt Lindberg was born in Berlin, Germany. Although IMDb does not mention the film on her resume, the Krüger postcard proves that proves that she appeared with Renate Hütte in the erotic farce Fanny Hill (1964, Russ Meyer), featuring Letícia Román. They probably had bit roles as two prostitutes. Her IMDB resume does include the comedy Die Lümmel von der ersten Bank/The clown of the first bank (1968, Werner Jacobs) with Theo Lingen. Jan Onderwater notes in his review on IMDb: “Social attitudes were changing in the late 60's and the film history attributed to these changes. A notorious attribution from the German cinema are the so-called ‘Lümmel films’ (6 in total) in which the young students and other youths dissociate themselves from the older generation. But as this series was made as comedy within the mainstream German cinema, its rebellion is toned down to say the least and no more than a standard farce is the outcome.“ Next she appeared in another farce with a lot of female nudity, Die Nichten der Frau Oberst/Guess Who's Coming for Breakfast (1968, Erwin C. Dietrich) featuring Kai Fischer. She was a bit of eye candy in the thriller Der Tod im roten Jaguar/Death in the Red Jaguar (1968, Harald Reinl) starring George Nader as G-man Jerry Cotton. 1968 was a good year for her, because she also had a small part in the crime drama Der Arzt von St. Pauli/Bedroom Stewardesses (1968, Rolf Olsen) featuring Curd Jürgens. After 1968, Britt Lindberg’s film career went downhill. She had a bit part in the TV series Finke & Co. (1969, Otto Meyer) with Michael Ande. A year later she played her final film part in Liebesmarkt in Dänemark/Golden Bananas (1970, Benno Bellenbaum, Günter Vaessen). She was last seen on TV in the miniseries Coralba (1970, Daniele D’Anza) starring Rossano Brazzi and Valérie Lagrange. Once again she played bit part as a prostitute, just like in her first film. Britt Lindberg is not to be confused with Swedish actress and model Christina Lindberg, who was born as Britt Christina Marinette Lindberg in 1950.

One time I was a bad girl,’ she reminisced. ‘I was doing cocaine and I met a young a waiter. I told Russ, “I can’t see you tonight. I’m gonna be out with the girls and home late. I’ll see you tomorrow.” So I was with the guy, screwing him. After we finished we were lying in bed under the covers and all of a sudden someone just dragged the covers off and I looked and it was Russ. He took the guys clothes and threw them out the window. But Russ forgave me. Another time when we were living in Beverly Hills, we had a huge fight. I was desperate for him not to leave me but he started to drive off in his car. I was totally naked in the street and I dived onto the hood and was literally clinging onto the wipers screaming for him not to go. The car was going all over the place and all the neighbours were out watching us!’

I wasn't involved in the negotiations, so I've absolutely no idea. A key problem is often that these people aren't film-industry professionals and consequently have no idea of the value of their assets - or in some cases have an unrealistically inflated idea. Mondo Topless and Vixen! are included in this list.Almost all Russ Meyer director credits are included. If you’re wondering, “What movies did Russ Meyer direct?” or “What is the best Russ Meyer movie?” then this list will answer your questions. Special Features: Brand New commentary by the Pussycats on Faster Pussycat Kill Kill | Original Audio Commentary by Russ Meyer on Vixen, Supervixens, Beneath the Valley of the Ultravixens and Faster Pussycat Kill Kill | Vixen Featurette | Erica Gavin Photo Album | Featurette with Kitten Natividad | Interview with Kitten Natividad | Interview with Russ Meyer by Jonathan Ross | Brand new Featurette with Ravon Delacroix | Featurette - "Go Pussycat Go" | Trailer Reel Sexy blond actress Renate Hütte appeared under the names of Rena Horten and Renate Hutter in several German and American films and TV series of the 1960´s. She dated and worked with sexploitation director Russ Meyer. Russ Meyer's cult favorite follows sadistic go-go dancers Varla (Tura Satana), Rosie (Haji) and Billie (Lori Williams) as they break free from the nightclub where they perform and race out to the desert to stir up a little mayhem. After karate expert Varla kills an innocent man, the voluptuous trio takes his girlfriend (Susan Bernard) hostage as they attempt to wheedle a hidden fortune from a misogynistic old man (Paul Trinka) and his muscle-bound, brain-damaged son (Dennis Busch).

Too much… for one man! A collection of international posters, front-of-house stills, video sleeves, film festival posters and rare UK press ads for cinema club screenings in the 1960s for Russ Meyer’s remarkable, unique and revolutionary film catalogue. That most of these are currently unavailable for viewing is a crime…