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Devotions: The Selected Poems of Mary Oliver

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It’s as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration.” — Chicago Tribune In It Was Early Oliver woke with the dawn to look at the world – the owl under the pines, the mink with his bushy tail, the soft-eared mice, the pines heavy with cones – and was astounded by the many gifts that greeted her, which prompted this thought: I began my time with these poems while in the high hills, in a sunny meadow brimming with daisies and birdsong and surrounded by deodars stretching out to meet the sky—so you see how I felt these verses, completely entangled in the way in which Mary Oliver wrote, her unsophisticated but ecstatic dispensing of hope like a clear and sweet stream set never to run out.

It then transpires that the speaker is referring to a specific grasshopper, which is eating sugar out of her hand at that precise moment. Once again, Oliver takes us into particular moments, specific encounters with nature which surprise and arrest us. In fact, I heard Oliver read her poems in a church, though not as part of a service. Christ Church Cathedral in St. Louis, the Episcopal cathedral for the diocese of Missouri, decorated in purple tones for Advent, sponsored a poetry reading in December 2007. I remember a feeling of calmness, enhanced by the low lights of the church. Oliver, slight and dark-haired, read slowly and thoughtfully. Many of the poems centered around dogs (her 2013 collection is titled Dog Songs) or scenes from nature in and around Provincetown, Mass., where she lived with her life partner, Molly Malone Cook, for more than five decades.. I don’t know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day.” The shortest poem on this list, running to just four short, accessible lines of verse, ‘The Uses of Sorrow’ once again provides us with a concrete image for an abstract emotion: here, sorrow, rather than joy. Born in a small town in Ohio, Mary Oliver published her first book of poetry in 1963 at the age of 28. Over the course of her long career, she received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She led workshops and held residencies at various colleges and universities, including Bennington College, where she held the Catharine Osgood Foster Chair for Distinguished Teaching. She died in 2019.Featured in Red Birds (2008) are poems that show her love of animals that share our world. In Night Herons, Oliver observed the herons fishing at night. Only a poet with her sensitivity would have contemplated what it meant for the fish who were ‘full of fish happiness’ one moment and then became the herons’ supper the next. In Invitation, Oliver invited us to linger just to listen to the ‘musical battle’ of the goldfinches because their ‘melodious striving’ revealed the ‘sheer delight and gratitude...of being alive.’ The saddest poem is Red about two gray foxes that were run over by cars and how she carried them to the fields and watched them bleed to death ('Gray fox and gray fox. Red, red, red.') THREE THINGS TO REMEMBER As long as you’re dancing, you can break the rules. Sometimes breaking the rules is just extending the rules. Sometimes there are no rules.”

From Dog Songs (2013) is a heartwarming collection of poems that will resonate with readers who love dogs. Oliver wrote with deep affection for her dogs and devoted a handful to Percy ‘our new dog, named for the beloved poet.’ Newbies not interested in this whole big book might do well to start with Dog Songs. The charm of the subject of dogs & of the poems, and the mutual devotion (yes) between Oliver and her canine companions touches me, despite that I've never had a desire to own a dog. What made Mary Oliver so popular, so that she was at one time the bestselling poet in America? One answer we might venture is that she is an accessible nature poet but also effortlessly and brilliantly relates encounters with nature to those qualities which make us most human, with our flaws and idiosyncrasies. Imagine... I have heard the name Tecumseh before but never knew who he was... now, because of a poem, I'm going to go learn some history. Death is something that comes ‘out of the dark’ or ‘out of the water.’ It is grotesque given it has ‘the head the size of a cat but muddy and without ears.’ Yet, right in the middle of seven stanzas we read:PRAYING It doesn’t have to be the blue iris, it could be weeds in a vacant lot, or a few small stones; just pay attention, then patch a few words together and don’t try to make them elaborate, this isn’t a contest but the doorway into thanks, and a silence in which another voice may speak.” On a return visit to Austerlitz, in the late fifties, Oliver met the photographer Molly Malone Cook, ten years her senior. “I took one look and fell, hook and tumble,” she would later write. “M. took one look at me, and put on her dark glasses, along with an obvious dose of reserve.” Cook lived near Oliver in the East Village, where they began to see each other “little by little.” In 1964, Oliver joined Cook in Provincetown, Massachusetts, where Cook for several years operated a photography studio and ran a bookshop. (Among her employees was the filmmaker John Waters, who later remembered Cook as “a wonderfully gruff woman who allowed her help to be rude to obnoxious tourist customers.”) The two women remained together until Cook’s death, in 2005, at the age of eighty. All Oliver’s books, to that date, are dedicated to Cook. Oliver tells us that no matter how lonely we get, the whole world is available to our imagination. What makes us human, aside from the ability to feel love and despair, is our imaginative capability, and this human quality can enable us to forge links with the rest of nature and find a place within the ‘family of things’. Here are excerpts from two poems I love. The first is prose-like and too lovely not to reproduce in full. Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information. Mary Jane Oliver was an American poet who won the National Book Award and the Pulitzer Prize. Her work is inspired by nature, rather than the human world, stemming from her lifelong passion for solitary walks in the wild.

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