Kenzo Power PF Edp Vapo 75ml

Product Information

World Power Eau De Parfum is distinctive, different, and grows in depth and strength. The perfect partner to the confident audacious woman who likes to be that bit different and embraces variations to her scent collection! She wakes each morning, knowing that day can be different if she wants it to be, and it quite often is! This extroverted Eau de Toilette is for a woman who dares to be different; unfazed by society or the norm, her need for exhilaration and enthusiasm acts as a magnet to all. The KENZO WORLD perfume complements her wild side. Its vivacious aroma and mischievous personality are the perfect match for her adventurous aura."

Produced by Kenzo, World Power is an unforgettable scent that is guaranteed to win you over. This long-wearing and intense eau de parfum lasts throughout the day with just a few dabs. The author behind this haunting fragrance is Jérôme Di Marino. Sweeten Your Day The first effect of the scent brings forth a note of cypress. Next a middle note of sea salt bursts on to the scene. As the scent matures, a deluge of almond-like tonka bean climbs to hone the experience. If your signature is sweet, then the combination of notes in this perfume makes it a good option. Kenzo Fragrance Price UKThe body of World Power though is centred on vanilla, or rather the interplay of vanilla and tonka bean. The former is sweet, spicy, creamy and rich, while the latter has nuances of hay, marzipan and bitterness. Together these notes create a soft, enveloping warmth that is starkly contrasted by the airy, mineral quality of the sea salt crystals. Together, these accords create a unique fragrance that is both heavy and light, warm and cold, edible and not. It’s truly fascinating to wear. The bottle, once again, takes the form of the iconic Kenzo eye but gains a new cheerful summery look, The cap is of a softy translucent finish. Kenzo World Eau de Toilette claims to portray excitement and allure with a fruity floral composition that features sparkling and powdery facets, intended for a joyful and playful woman and is presented in a powdery pink bottle of the signature, eye-shaped design as a 30, 50 and 75 ml Eau de Toilette.

Making a collection of fragrances to follow one another is a hard riddle, a puzzle that comes almost immediately with the concept of a pillar fragrance. Companies trademark the names for the flankers as soon as they do for the main fragrance to be launched. This presents its own little problems. The key note of the fragrance is Ambroxan: "Ambroxan gives the flowers the enticing quality that we need to forget them as such. It's a bit like the sfumato in the paintings of Leonardo da Vinci, when you juxtapose power. It acts like the fog, when the mist blurs the contours of things all around, and we only recognize their hazy outline."

For the Intense version, which came right between the original eau de parfum and the eau de toilette, as noted above, the brand came upon something which has retained a huge customer base in later years, namely the combination of an old "key note", that of plum (emphasized in classical fruity chypres due to the famous Prunol base), but aerated with modern aroma synthetics such as ambroxan and lots of vanillin. The result is a bit incongruous, as if a musky-woody is in drag: the sweeter elements overtake soon and there are no flowers to be smelled close by (not that there were much in the original, just saying). The rather odd combination of something very sweet and syrupy with a somewhat herbal top note is probably owed to the much more successful concept of Mugler's Aura (also a 2017 launch but no doubt worked upon for much longer), and the rather less convincing to me Decadence by Marc Jacobs which preceded both fragrances by a 2 year frame. The series of Kenzo World and its flanker fragrances has managed to bypass that by offering a very distinct visual presentation, literally "seeing you" in the sense of Lacan's "the mirror" concept. It's an interesting concept for all perfumes, because what is an artificial smell but an effort to transport images and feelings that we, as bipods, transpose to vision rather than more primal senses? Most fragrances heavily rely on visionary cues, from the perfume bottle design to the color schemes chosen (more on which in John Biebel's articles), right down to the advertising images that accompany their launch.