Chopin: Preludes

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Bellman, Jonathan (Autumn 2000). "Chopin and His Imitators: Notated Emulations of the 'True Style' of Performance". 19th-Century Music. 24 (2): 149–160. doi: 10.2307/746839. JSTOR 746839.

Now that the Poles are in deep mourning [after the failure of the November Uprising of 1830], their appeal to us artists is even stronger... If the mighty autocrat in the north [i.e. Nicholas I of Russia] could know that in Chopin's works, in the simple strains of his mazurkas, there lurks a dangerous enemy, he would place a ban on his music. Chopin's works are cannon buried in flowers! [209] Rules of The Eighteenth International Fryderyk Chopin Piano Competition (PDF). Fryderyk Chopin Institute. Archived from the original (PDF) on 21 June 2022 . Retrieved 14 August 2021. The Prelude Op. 28, No. 20, in C minor by Frédéric Chopin has been dubbed the "Funeral March" by Hans von Bülow but is commonly known as the "Chord Prelude" due to its slow progression of quarter note chords. [1]

The Bauza piano eventually entered the collection of Wanda Landowska in Paris and was seized following the Fall of Paris in 1940 and transported by the invaders to Leipzig in 1943. It was returned to France in 1946, but subsequently went missing. [89] First published as: Zamoyski, Adam (1979). Chopin: A Biography. London: Collins. ISBN 0-00-216089-7. Walker, Alan (2018). Fryderyk Chopin: A Life and Times. London: Faber and Faber. ISBN 978-0-571-34855-8.

Atwood 1999, pp.412–413, translation of "Funeral of Frédéric Chopin", in Revue et gazette musicale, 4 November 1847. Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839.Załuski, Iwo; Załuski, Pamela (1993). "Chopin's Scottish Autumn". Contemporary Review (1 July 1993) . Retrieved 28 March 2021. Frédéric François Chopin– 17 Polish Songs, Op. 74". Classical Archives . Retrieved 14 February 2010.