Sound Affects

Product Information

Sheffield, Rob (1995). "Jam". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp.195–96. ISBN 0-679-75574-8. Jam - Down in the Tube Station at Midnight". British Phonographic Industry . Retrieved 13 October 2023.

The Jam were huge in the UK during the punk era, scoring four top ten albums and four number-one singles. Emerging from Woking, on the outskirts of London, the three-piece band were fast and aggressive enough to initially be considered as punk. Subsequent albums showed a heavy influence from mid-1960s bands like The Who and The Kinks, as leader Paul Weller developed as an excellent songwriter. Do you know where I learned that moths have the best hearing of any animal on the planet? Snapple bottle caps. I wonder what title they give to the person who comes up with those essential bits of knowledge. Man, I would love that job. However, I would probably recommend only 'Dead End Street' as Weller doing covers has never sat well with me; mostly because they never seem to sit well with him. I think it comes down to Weller being a terrible liar. His covers usually sound unenergetic and uninspired (probably why covers LP Studio 150 is the only consistently awful record in the man’s otherwise upstanding catalogue).Another terrific review of another terrific Jam album. Sound Affects has always been my favorite because of its musical and lyrical consistency (with one glaring exception, which you note and dismiss as appropriate) and the brighter production is a good choice for an album referencing Revolver — which is my favorite album by anyone ever. The denser production of Setting Sons wouldn’t have worked as well here. I would give a bit more credit to Set the House Ablaze, probably the most propulsively angry anti-fascism song ever recorded, but you are right that Weller’s vocals do get a bit buried in the mayhem. He is much easier to understand in the equally fiery live version on Dig the New Breed. British certifications – Jam – That's Entertainment". British Phonographic Industry . Retrieved 7 January 2023. Before I get to the meat of the very Kinks-like “Man in the Corner Shop,” I’d like to express my deepest appreciation for Bruce Foxton’s outstanding bass part, a masterful mix of melodic counterpart and rhythmic thrust, a “side” contribution that is so damned good that I often tune out the rest of the song to focus solely on what Bruce is up to (kinda like what I do when I tune out the motley crew on early ELO records and just listen to Bev Bevan’s drum parts). This one is right at the top of the list of favorite bass parts along with Entwistle’s performance on “The Real Me.” The band’s final studio album was The Gift in 1982, which includes the Jam’s third No.1 A Town Called Malice; the album went on to top the charts and in 2012 was reissued in a super deluxe format. Soon after The Gift came out Paul Weller left to form The Style Council and later, of course, he had his own very successful solo career.

On that note, it’s probably best to start an appreciation of the album with the tune that both encapsulates Weller and that also most shamelessly shows off its roots.The boy responds with similar disdain, reflecting Lennon’s take on the insanity of modern existence: “Everybody seems to think I’m lazy/I don’t mind, I think they’re crazy/Running everywhere at such a speed/’Till they find there’s no need”: Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish) (1sted.). Helsinki: Tammi. p.221. ISBN 951-31-2503-3. The Jam signed to Polydor on 25 February 1977 to record their debut album In The City, which was also the title of their debut single. Their second album This Is The Modern World, followed just seven months later. In the Autumn of 1978 out came the single, Down The Tube Station At Midnight that made the UK Top 20 and it was immediately followed by All Mod Cons which became their highest-placed to that point when it made No.6 on the album chart.