A Fatal Crossing: Agatha Christie meets Titanic in this unputdownable mystery

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There is certainly plenty to like about "The Murder Game" and the influence of those aforementioned authors is plainly evident. There is a nice prologue to set the scene and introduce the key protagonists in true "Golden Age" mystery fashion. The setting, too, is very Christie-esque and I liked the way the author made use of a 1920s themed murder mystery game to create a mystery within a mystery. Not only did this allow homage to be paid to that classic era, but it also reminded me of the technique employed by Anthony Horowitz in his "Magpie Murders" and "Moonflower Murders" books. It won't escape fans of Horowitz that there is something of a "Midsomer Murders" feel to this story too.

It’s quite clear that on a ship you’re a captive audience, but imagine being on said ship with a killer on board! This historical murder mystery set on an atlantic crossing in the 1920s is unlike my usual reading choices but it turned out to be a good choice nonetheless. This was a story that started out with what seemed to be a reasonably easy to fathom death that may or may not be a crime. All this evolved into an incredibly knotted web of shenanigans. I was hooked from the first chapter. The suspects? Everyone involved in the murder mystery party. From the actors, the guests, to the staff in Hamlet Hall. The action unfolds at a rip-roaring pace in this perfectly executed homage to the Golden Age of crime, which features a deviously devised plot boasting a final twist worthy of Christie herself. I absolutely loved it' Anita Frank Thanks to Sarah Harwood for putting this book into my hands – I am grateful. As always, opinions are entirely my own.Birch is an intriguing character. He's reeling from a recent family trauma, the details of which emerge over the course of the narrative, and his resulting taciturn introversion ostracises him from the majority of his fellow officers and crewmen aboard Endeavour. Nevertheless, he makes an intuitive and increasingly engaged associate for the acerbic Temple as together they view the body, search a cabin and interview several passengers who may have known the victim. They are to take part in a murder mystery game with a 1920s twist, and everyone has their own part to play.

This book was actually such a fun book to read, it was a bit slow at some places, but I think it has the perfect amount of tension and cliffhangers between each hour of the night were delectable I was at the edge of my seat whenever I finished a part and had to sleep because I had to wake up early the next day. With twist after gut-punching twist, A Fatal Crossing really is an ingenious thriller. Highly recommended.' M. W. Craven Whilst the plot was generally well structured, it felt too slow - the whole story takes place over just four days, but the narrative made it feel like several weeks. Fewer clichéd descriptions and less outrage on Birch's part would have gone some way towards remedying this, but the whole book would have benefited from more stringent editing and refinement. For the above reasons, whilst I genuinely did enjoy the story and wanted to know how it ended, I do not think I would have persevered to the end had I not felt obliged to leave an informed review. The ending I personally thought was absolutely ridiculous. I was actually quite annoyed that i’d read so much just get that ending. Not only that but it left a major unanswered question and made me dislike the main character even more than i thought possible.The setting of the ship had such potential for a real air of mystery and suspense but I didn’t get a sense of this at all. I requested this ARC from NetGalley last year, it was what prompted me to read the author's debut, A Fatal Crossing, which I DNF'd two thirds in. I thought it only fair to give The Murder Game a fair shot, but as 20% in, have decided to also DNF.

The characters were mostly unlikeable apart from Theo, one of the actors hired for the party, and Lily, the victim’s daughter. I would have quite liked to see them team up and try and solve the mystery together. Temple and Birch make an interesting partnership, particularly as it’s a very reluctant one! As an intelligent, competent and experienced detective, Temple is not at all happy about having an inept and bumbling ship’s officer shadowing his every move, saying the wrong things and interfering with the investigation. Birch is our narrator, and as we only see things from his point of view, Temple comes across as bad-tempered, rude and hostile, but there are hints that there’s more to each character than meets the eye. While Temple’s past and his reasons for boarding the Endeavour are shrouded in mystery, we learn that Birch is haunted by the disappearance of his young daughter Amelia and the breakdown of his marriage. Literally the worst thing I have ever read. I only finished it because it was chosen by my book club. It felt like I was reading a year 11’s GCSE coursework for creative writing, the descriptions were so poor and repetitive. How many times can character’s nostrils flare? They were also so one dimensional. The ending was also disappointing and felt unfinished. I appreciated a few twists, but all felt rushed and put together at the end as if the author was deliberately leaving it unfinished to try and get a sequel out of it.A very clever plot and a final twist which will delight Agatha Christie fans. You will love it!!!' Ragnar Jónasson For some unknown reason (most likely my inability to read a synopsis properly) I thought this was going to be a historical who dunnit in the style of Agatha Christies And Then There Were None but while there are some similarities it's a little bit different. For one thing it's set in the present day with a group of residents from a small village, and a few unexpected guests, attending a murder mystery party on New Year's Eve at the local hotel. As a lifelong fan of Agatha Christie and any kind of murder mystery set in a hotel or a manor house this book instantly appealed to me. The author is clearly a fan as well, as scattered throughout are subtle nods to the Queen of Crime and her works. The party is thrown by Will, a young man who works in the antiques shop and among the guests are the head of the local tourist board and Damian White, a very rich man who has just bought the local lighthouse. Mr White is universally despised in the town and so when he is found dead in an upstairs room there are no shortages of suspects. It’s November 1924, when the ship Endeavour sets sail from Southampton for New York, with a total of 2000 passengers and crew.