The Odyssey

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Within this floating world, something darker is taking place. Ingrid is selected to participate in a ‘self-improvement’ scheme by the ship’s enigmatic captain-CEO, Keith. His philosophy of wabi sabi – a Japanese world-view centred on transience and imperfection – requires total commitment from his employees. The ship falls into disrepair as certainties about time and place slip away. All that remains is a relentless corporate culture that asks for disconcerting and farcical sacrifices from those on board. In a very paltry attempt to be fairer to the work.... The book features an imaginative hook and the writing is intentional and intelligent.

As someone who doesn’t generally find cruise ships appealing (and especially so in 2022), I thought the setting of the WA was quite brilliantly done. An entire, carnivalesque world unto itself where Ingrid has endless choices at her fingertips but is also trapped. The ship seems enormous but her own space is small and limited. As the novel progresses, the atmosphere of the WA becomes more dangerous, more hideous, and more satirical. The WA, it turns out, is something more like a cult than an ordinary workplace and the things it asks of its employees become more jarring and horrific. Williams does a good job of establishing Ingrid as the sort of character who will go along with these things. And while I actually really dislike reading books where characters make one bad decision after another, I also didn’t struggle to believe that the employees of the WA would do these things. It reminded me of the cults you read about, like NXIM or even some of the more intense MLMs, that demand utter devotion. Ingrid is a character looking to be utterly devoted to something. I'm a big fan of an unreliable narrator, and in Ingrid, this is exactly what we get. Williams was effective in creating a protagonist so erratic that I felt physically uncomfortable while reading, jarred not only by the story’s events but by the whiplash of rooting for – and sympathizing with – Ingrid one moment, and then being afraid of her the next. much can be interpreted from each facet of the novel, which ultimately i think is where i struggled. in places, it reads as a classic case of too many ideas and not enough development. certainly, we can decipher ingrid's appetite for destruction as reminiscent of the implications and expectations placed on women in contemporary capitalist society. she chooses to shun a stable marriage for the unconventional, where the possibilities are endless. the chapters flit between her life on sea and on land, the latter making for some of the most compelling reading in the novel. as a character, ingrid is both predictable and out of reach - we are never really sure where we stand with her, nor are we able to fully understand how much of her narrative voice is reliable. Ingrid works on a gargantuan luxury cruise liner where she spends her days reorganizing the gift-shop shelves and waiting for long-term guests to drop dead in the aisles. That is, until the day she is selected by the ship's enigmatic captain and self-appointed lifestyle guru, Keith, for his mentorship program. Things start getting weird, Ingrid’s personal and professional life falls apart and the days she gets to disembark from the ship become less exciting to her. Much like Odysseus from Homer’s The Odyssey, Ingrid is wandering at sea trying to find her way home, or more specifically, trying to find her way to herself.

I was intrigued by this book as it was pitched as similar to JG Ballard's High Rise, which it is in some respects, with the closed off cruise ship gradually decaying, but The Odyssey is much more focused on one person's mental state than the cruise ship itself. The blurb compares the book to Ottessa Moshfegh’s, My Year of Rest and Relaxation, Sayaka Murata’s Convenience Store Woman and Sally Rooney’s novels and while it contains similar themes to all three – the dangers of capitalism, alienation and search for meaning and belonging and the descent into madness – I have never read anything like this. Reading this story is a disorienting experience, with the feel of a fever dream that becomes increasingly sobering as Ingrid nears closer and closer to her home: both on land, and within herself. It is a book that demands of the reader just as much as it rewards them with. All of the characters were so unique, interesting and flawed that I would have liked to have known a bit more about them. It felt like they floated in and out of the novel and could disappear at any time, perhaps onto land without a real explanation of why they were on the boat on the first place, why they left and where they went. And while Ingrid is British, she uses a lot of Americanisms (i.e., “apartment”, “garbage can”), which is confusing as the reader tries to piece together her character. The Odyssey, Lara Williams’ dystopian modern retelling of Homer’s epic poem, is a surreal trip through a troubled woman’s psyche that examines the profound alienation of the contemporary workplace. A Most Anticipated Book of 2022 by The Millions • A Best Book to Read in April by Town & Country and The AV Club • One of 2022’s Best Beach Reads by Southern Living

Until one day she is selected for the employee mentorship scheme - an initiative run by the ship's mysterious captain and self-anointed lifestyle guru, Keith, who pushes Ingrid further than she thought possible. But sooner or later, she will have to ask herself: how far is too far? A few years ago I came across a Grace Paley interview in which she stated she cannot write a character until she knows who their family are and where they get their money: a writing practice I fully endorse. And so all fictional characters generally need a terrible job. Here are my top 10 …So, there is this brand of fiction: "I'm disenfranchised and miserable and self-destructive; and join me for awhile and then I'll reveal my inciting incident and you can empathize with me." And, I'm not not here for that. I'm not an entirely unsympathetic human and I have the occasional millennial (Though let's not pretend for a second that this gen invented the trope, okay???) self-pitying instinct, so you know, I get the brand. Ingrid works on a gargantuan luxury cruise liner where she spends her days reorganizing the gift shop shelves and waiting for long-term guests to drop dead in the aisles. On her days off, she disembarks from the ship, wasting the hours aimlessly following tourists around, drinking the local alcohol, and buying clothes she never intends to wear again. It's not a bad life. At least, it distracts her from thinking about the other life--the other person--she left behind five years ago. In New York City during the Great Depression, an unnamed male narrator responds to letters for his advice column, which he writes under the pen name “Miss Lonelyhearts”, in perhaps the ultimate book about a terrible job. Growing increasingly despondent and burdened by the miserable New Yorkers seeking his advice, Miss Lonelyhearts searches for ways to escape – through alcohol and religion to name a couple – as he barrels towards a full-blown existential crisis. A gorgeously written and pleasingly short and sharp satire.

We all have that fiction trope that isn't for us. That fills us with rage. That, just, ruins everything. This is mine; this book was not for me. I didn't not enjoy the reading of most of it, but then that happened and now, if I'm honest, I'm going with: I really freaking hated this book.From the prize-winning author of Supper Club--a debut novel that Vogue called " Stephanie Danler's Sweetbitter meets Donna Tartt's The Secret History"--comes The Odyssey, a fresh twist on the epic journey and an unapologetic takedown of capitalism and "lifestyle" that will appeal to fans of Melissa Broder and Ottessa Moshfegh (Molly Young, New York Times)

The Odyssey follows an unhinged, depressed, alcoholic Ingrid who works at the gift shop on a luxury cruise line. She’s got that classic dry british humor and is fumbling aimlessly through life until she gets tapped for a special mentorship program run by the ships ecentric captain. The program pushes Ingrid to reflect on her past mistakes while indoctrinating her into a cult like wabi-sabi way of life. Perceptive, enigmatic and thought-provoking—I couldn’t put it down. Wonderful!” - Amelia Horgan, author of Lost in Work Discussing ones self and the extents in which we can go to to not only feel accepted, wanted and seen but to also mend and forgive our past tribulations. What I particularly loved about this theme was how as a reader it was blatantly obvious and appalling when Ingrid would do certain acts just to feel accepted and part of a group, though she never saw how horrific these requests were. It really made me contemplate in our everyday life, what we may do as individuals to feel accepted and seen even when we inherently know they're wrong; a conversation I had never read about before, but one that was done in such a unique and somber way.This strange, beautiful cruise liner of a book interweaves a biting sendup of corporate, work, and wellness culture with an astute exploration of the emotional icebergs that lie below its protagonist’s placid exterior . . . deeply unsettling and unexpectedly moving.” - Lydia Kiesling, author of The Golden State This subversive satire on consumer capitalism and the millennial search for meaning is darkly comic existential fiction at its best.” - Culture Whisper (UK) Ingrid works on a gargantuan luxury cruise liner where she spends her days reorganizing the gift-shop shelves and waiting for long-term guests to drop dead in the aisles. That is, until the day she is selected by the ship’s enigmatic captain and self-appointed lifestyle guru, Keith, for his mentorship program.