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And of course, the results were mixed. Upon initial release of the film, some hated the overt sexiness Megan Fox brought to the film. How could the girl from Transformers portray a feminist icon? Perhaps, Fox grew tired of the reliance of her body in her past work with, so she utilized Kusama’s film as a way to subvert the reliance of the male gaze in mainstream cinema. She uses both her and Jennifer’s body to counteract the stigma from Transformers.

I’m sure that if the film opened today, it would be a sleeper hit,” said Horror Geek Life in February. “As it is, one day they’ll be teaching it at the intersections of cinema studies, film theory, and women’s studies.” Jennifer's Body - DVD Sales". The Numbers. Archived from the original on February 17, 2010 . Retrieved April 24, 2010. When Jennifer is lighting her tongue with the lighter, her hair is front of her ear in distant shots, then behind her ear in the close-up.On creating the story, Spears stated, "The best part for me as a writer was to show some events from the movie from a different point of view, sort of like Rashomon for you Kurosawa fans. And with comics we can get into the character's [ sic] heads in a way that works well in comics and novels more so than in film." [72] He stated, "... I was using the medium to change what we really know about these characters and twist around what we see in the movies. All the academics aside, it's also very funny and gore splattered." [72]

Faraci, Devin (February 5, 2008). "Jennifer's body is going authentically Emo!". Chud.com. Archived from the original on February 8, 2008 . Retrieved February 11, 2008. Exclusive Behind-the-Scenes Clip from Jennifer's Body Home Video Release". July 2, 2012. Archived from the original on May 19, 2014 . Retrieved April 20, 2020.

Storyline

Neumaier, Joe (September 18, 2009). " 'Jennifer's Body': Megan Fox zombie horror satire needs more fleshing out". New York Daily News. Archived from the original on September 22, 2009 . Retrieved September 20, 2009.

The novel features less of Jennifer than the film, but does capture her "going in for the kill" several times. It focuses heavily on following her soon-to-be victims and provides information on their personalities not elaborated on in the film so that readers can better conclude whether the boys deserved to be murdered. The novel consists of four chapters, with a prologue and an epilogue, with art provided for each by different artists. Each one follows a different boy and what is happening in his life just before Jennifer kills him. [72] The next morning at school, Jennifer appears fine and dismisses Needy's concerns, appearing apathetic to the fire tragedy. She seduces the school's football captain and disembowels him. Meanwhile, Low Shoulder gains popularity due to their falsely rumored heroism during the fire, and offer to make a charity appearance at the school's spring formal. Obviously we knew people were going to totally sensationalize it. They're beautiful girls, the scene is hot—I'm not afraid to say that. There is a sexual energy between the girls which is kind of authentic, because I know when I was a teen-aged girl, the friendships that I had with other girls were almost romantic, they were so intense. I wanted to sleep at my friend's house every night, I wanted to wear her clothes, we would talk on the phone until our ears ached. I wanted to capture that heightened feeling you get as an adolescent that you don't really feel as a grownup. (laughs) You like [your] friends when you're a grownup, but you don't need to sleep in the same bed with them and talk to them on the phone until 5 a.m. every night. [17] There's the scene where Jennifer's sitting alone smearing makeup on her face. I always thought that was such a sad image. She's so vulnerable. I don't know any woman who hasn't had a moment sitting in front of the mirror and thinking, 'Help me, I want to be somebody else.' What makes it extra affecting is that [Megan Fox] is stunning. [3]Giving a partially negative review of the film was Joshua Rothkopf of Time Out New York, who said the "movie has a centerfold sheen to it—and some lesbianic soft-core flirtation to match—as its plot dives deeply into Twilight-esque heavy-melo meltdown in the last act" and that "Cody throws one too many losses at Needy; the screenwriter loses her satiric way about halfway through. But for a while, this has real fangs". [45] Ann Hornaday of The Washington Post said, "There's a certain kooky, kinky fun to be had with Jennifer's Body" but that "[a]dmittedly, this is the stuff of lurid adolescent distraction, not great cinema" and "is strictly a niche item but provides a goofy, campy bookend to Drag Me to Hell (2009) on the B-movie shelf. Watch it, forget it, move on". [46] San Francisco Chronicle 's Peter Hartlaub stated, "Enjoy the film for its witty dialogue and fun performances, but know that there isn't a single good scare. An episode of Murder, She Wrote has more thrills." [8] Hartlaub felt the film is not bad, is "almost always pleasing" and that Fox "proves that she has some [acting] range" but "the chances that it will be somebody else's pop culture reference 27 years from now are slim to none". [8] Joe Neumaier of New York Daily News said, "Fox merely needs to look either vacant or evil, which the Transformers boy-toy does spookily well" but "[w]ords and story are still the lifeblood of a movie, and Jennifer's Body is filled like a Twinkie with half-fleshed-out ideas". [47] Disagreeing with Fox's performance, Chicago Tribune's Michael Phillips called Fox "a pretty bad actress" who "doesn't seem to get Cody's sense of humor. At all". [48] He reasoned the "movie's partially redeemed by Seyfried, who makes her character more than a repository for audience sympathy" and "her make-out scene with Fox is handled with more suspense and care than anything else in the movie". [48] Chavez, Kellvin (January 8, 2008). "Exclusive: Jennifer's Body Story Details". Latinoreview.com. Archived from the original on January 19, 2008 . Retrieved February 11, 2008. In a 2022 essay on its status as a classic queer and bisexual film, Carmen Maria Machado wrote that Jennifer's Body speaks to "what it means to experience parallel sexualities with your best friend as you punch through the last vestiges of childhood." Machado rejects accusations that the film is guilty of queerbaiting, considering it instead an effective depiction of the "central body of water that is bisexuality" which many queer people spend at least some of their life in. [54] Box office [ edit ] Charity, Tom (September 18, 2009). " 'Jennifer's Body' is a winner". CNN. Archived from the original on October 3, 2009 . Retrieved September 24, 2009.

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