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Inside No. 9: Collector's Edition: The Scripts: Series 1-3

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The relationship between a single mother ( Jessica Hynes) and her teenage son (Noah Valentine) is steered into the right direction by a stranger (Pemberton). Inside No. 9 is somewhat more grounded and realistic than the writers' previous work, such as Psychoville and The League of Gentlemen. [11] [24] Pemberton said that he and Shearsmith decided not to mix the worlds of Inside No. 9 and their previous projects, but nonetheless include the occasional reference; for example, a character called "Ollie" is mentioned in one Inside No. 9 episode, and the writers imagined that this was Ollie Plimsoles of Legz Akimbo, a character from The League of Gentlemen. [25] Similarly, Inside No. 9 was referenced in the 2017 reunion specials of The League of Gentlemen. Tubbs and Edward are seen living in flat number 9, and the Inside No. 9 hare is visible on their shop counter. [17] In the 2018 Halloween special, in which Pemberton and Shearsmith play versions of themselves, both the League of Gentlemen and its third writer, Mark Gatiss, are directly referred to in the dialogue. The 2020 episode "Death Be Not Proud" directly referenced Psychoville by featuring various characters from the series in that particular episode. [26] Production and development [ edit ] Gee, Catherine (18 March 2015). "Claudia Winkleman wins best presenter for Strictly Come Dancing at the RTS awards". The Daily Telegraph. Archived from the original on 18 March 2015 . Retrieved 18 March 2015.

I treasure not ordinariness but originality, which is ill-advised, because how are you supposed to do that? Being ordinary, that is something you can be. Being original… maybe not. But recognisable details are then not something I treasure but something I want to escape from. Honestly, it just rules. If you like horror, psychological thrillers, anything remotely supernatural, or Twilight Zone-esque, I would HIGHLY recommend this to you! The 100 best TV shows of the 21st century". The Guardian. 16 September 2019. Archived from the original on 1 November 2019 . Retrieved 23 September 2019. a b c "The Comedy.co.uk Awards 2017". British Comedy Guide. 29 January 2017. Archived from the original on 30 January 2018 . Retrieved 29 January 2017. Lee, Veronica (6 February 2014). "Inside No 9, BBC Two". The Arts Desk. Archived from the original on 23 February 2014 . Retrieved 19 February 2014. (subscription required)

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Mellor, Louisa (6 February 2018). "Inside No. 9 renewed for series 5". Den of Geek. Archived from the original on 18 March 2018 . Retrieved 17 March 2018. a b Billen, Andrew (20 February 2014). "Last night's TV: First Dates". The Times. Archived from the original on 4 March 2014 . Retrieved 21 February 2014. (subscription required) a b Kendall, Paul (5 February 2014). "Inside No9, BBC Two, review". The Daily Telegraph. Archived from the original on 6 February 2014 . Retrieved 6 February 2014. (subscription required) a b "Writers' Guild Awards winners 2018". Writers' Guild of Great Britain. 15 January 2018 . Retrieved 16 January 2018. a b c d e Lawson, Mark (5 February 2014). "Inside No 9: How Shearsmith and Pemberton have revived a lost genre". The Guardian. Archived from the original on 18 January 2015 . Retrieved 6 February 2014.

The Comedy.co.uk Awards 2015". British Comedy Guide. 1 February 2016. Archived from the original on 23 December 2017 . Retrieved 29 January 2018. Wild, Rose (15 February 2014). "Why it has been all quiet on the royal front". The Times. Archived from the original on 4 March 2014 . Retrieved 21 February 2014. (subscription required) I seem to have, I’ve noticed recently, a complicated relationship with the ordinary. It keeps cropping up in my writing as something characters resent, or have allowed to wash over them too much, such that they have lost their true paths in life. a b c d Harrison, Phil (30 October 2018). "How did Inside No 9 spring the biggest live TV surprise of the year?". The Guardian. Archived from the original on 30 October 2018 . Retrieved 31 October 2018.Ordinary details–with which Inside No 9 is shot through—fill me with dread, depression, irritation, resentment, guilt. I’ll make no claims that this is rational, but I will explain where these reactions come from. Three friends (Shearsmith, Pemberton, Mark Gatiss) reunite for a boat ride, with at least one unexpected guest ( Diane Morgan).

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