Makbet: Wydanie z opracowaniem (LEKTURA Z OPRACOWANIEM)

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Historyczne Tło: Postać Makbeta była inspirowana rzeczywistym królem Szkocji, Makbetem z XI wieku, choć wiele wydarzeń i cech postaci zostało znacznie zromanizowanych. Macbeth–a general in the army of King Duncan; originally Thane of Glamis, then Thane of Cawdor, and later king of Scotland Billington, Michael (2003). "Shakespeare and the Modern British Theatre". In Wells, Stanley; Orlin, Lena Cowen (eds.). Shakespeare: An Oxford Guide. Oxford: Oxford University Press. pp.595–606. ISBN 978-0-19-924522-2. Sennet sounded. Enter MACBETH, as king, LADY MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and Attendants

The ‘moral’ of Macbeth, if we can run the risk of reducing the play to an ethical message in this way, is that to usurp the ruler of a kingdom is usually a Bad Idea, at least if the ruler is generally thought to be a good one and your motivation for wanting to kill and replace them is your own grasping ambition to be monarch yourself. Which brings us to the last major theme of Macbeth worth mentioning in this short analysis (before the analysis becomes somewhat less than short)… Wells, Stanley; Taylor, Gary, eds. (2005). The Complete Works. The Oxford Shakespeare (2nded.). Oxford University Press. ISBN 978-0-19-926718-7. In August 1040, he killed the ruling king, Duncan I, in battle near Elgin, Morayshire. Macbeth became king. His marriage to Kenneth III's granddaughter Gruoch strengthened his claim to the throne. In 1045, Macbeth defeated and killed Duncan I's father Crinan at Dunkeld.

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Hardy, Jessie Moniz (16 October 2014). "In Bermuda, Shakespeare in all his glory". The Royal Gazette . Retrieved 30 January 2018. Moody, Jane (2002). "Romantic Shakespeare". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp.37–57. doi: 10.1017/CCOL0521792959.003. ISBN 978-0-511-99957-4– via Cambridge Core. Po udanej bitwiedwóch dowódców wraca do domu. Jedento Makbet, drugi to jego przyjaciel Banko. Na wrzosowisku przyjaciele spotykają trzy czarownice, które przepowiadają im przyszłość.

Gatunek utworu„Stary człowiek i morze”„Stary człowiek i morze”: opisy bohaterów„Stary człowiek i morze”: plan wydarzeń Taylor, Gary (2002). "Shakespeare plays on Renaissance stages". In Wells, Stanley; Stanton, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp.1–20. doi: 10.1017/CCOL0521792959.001. ISBN 978-0-511-99957-4– via Cambridge Core. Performances outside the patent theatres were instrumental in bringing the monopoly to an end. Robert Elliston, for example, produced a popular adaptation of Macbeth in 1809 at the Royal Circus described in its publicity as "this matchless piece of pantomimic and choral performance", which circumvented the illegality of speaking Shakespeare's words through mimed action, singing, and doggerel verse written by J. C. Cross. [94] [95] Ellen Kean and Charles Kean as the Macbeths, in historically accurate costumes, for an 1858 production A print of William Charles Macready playing Macbeth, from a mid-19th century performance Macbeth was a king of the Scots whose rule was marked by efficient government and the promotion of Christianity, but who is best known as the murderer and usurper in William Shakespeare's tragedy.Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6. Everything that happens afterwards – his dispatching of the hired killers to murder Banquo, the attempted murder of Fleance, the killing of Macduff’s wife and children, and the final battle at Dunsinane – is a result of this one act, an act that was inspired by both Macbeth’s private ambition and his wife’s lust for power. It’s worth remembering that Macbeth was almost certainly written shortly after the thwarting of the Gunpowder Plot in November 1605. (There are a number of local allusions to this recent attempt at politically and religiously motivated terrorism: the numerous instances of the word ‘equivocation’ in the play refer to the Jesuit Father Garnet, who knew of the Plot and consorted with the conspirators.) Soon afterwards, King Duncan names Macbeth Thane of Cawdor as a reward for his success in the recent battles. The promotion seems to support the prophecy. The King then proposes to make a brief visit that night to Macbeth's castle at Inverness. Lady Macbeth receives news from her husband about the prophecy and his new title. She vows to help him become king by whatever means are necessary (*ominous music*).

Wells, Stanley; Orlin, Lena Cowen, eds. (2003). Shakespeare: An Oxford Guide. Oxford: Oxford University Press. ISBN 978-0-19-924522-2. Paul, Henry Neill (1950). The Royal Play of Macbeth: When, Why, and How It Was Written by Shakespeare. New York: Macmillan. hdl: 2027/mdp.39015012064237. OCLC 307817. OL 6084940M. Bezpośrednią inspiracją do napisania tego dzieła byłazmiana na tronie Anglii. Pisząc „Makbeta”Szekspir korzystał z dzieła Raphaela Holinsheda pod tytułem „Kroniki Anglii, Szkocji i Irlandii”, wydanego w 1577 roku. Pisarz zaczerpnął z tej historii szkielet i stworzył opowieść o mechanizmach władzy oraz ludzkich tragedii.

William Shakespeare: Makbet

Braunmuller, Albert R., ed. (1997). Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0-521-29455-3. Sprague, Homer B., ed. (1889). Shakespeare's Tragedy of Macbeth. Silver series of classics. New York: Silver, Burdett, & Co. hdl: 2027/hvd.hn3mu1. Hawkes, Terence (2003). "Shakespeare's Afterlife: Introduction". In Wells, Stanley; Orlin, Lena Cowen (eds.). Shakespeare: An Oxford Guide. Oxford: Oxford University Press. pp.571–581. ISBN 978-0-19-924522-2. Macbeth also asks whether Banquo's sons will ever reign in Scotland, to which the witches conjure a procession of eight crowned kings, all similar in appearance to Banquo, and the last carrying a mirror that reflects even more kings. Macbeth realises that these are all Banquo's descendants having acquired kingship in numerous countries.