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Echols, Alice (March 29, 2010). Hot Stuff: Disco and the Remaking of American Culture. W. W. Norton & Company. p. 24. ISBN 9780393066753– via Internet Archive. shaft disco. House music displayed a strong disco influence, which is why house music, regarding its enormous success in shaping electronic dance music and contemporary club culture, is often described being "disco's revenge." [112] Early house music was generally dance-based music characterized by repetitive four-on-the-floor beats, rhythms mainly provided by drum machines, [113] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalist, [113] and the repetitive rhythm of house was more important than the song itself. As well, house did not use the lush string sections that were a key part of the disco sound. In Washington, D.C., large disco clubs such as "The Pier" ("Pier 9") and "The Other Side", originally regarded exclusively as " gay bars", became particularly popular among the capital area's gay and straight college students in the late '70s. But the pre-Saturday Night Fever dance underground was actually sweetly earnest and irony-free in its hippie-dippie positivity, as evinced by anthems like MFSB's Love Is the Message." – Village Voice, July 10, 2001.
Discothèque" became used in French for a type of nightclub in Paris, after they had resorted to playing records during the Nazi occupation in the early 1940s. Some clubs used it as their proper name. In 1960, it was also used to describe a Parisian nightclub in an English magazine. The anti-disco movement, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night. Starting in the 1980s, country music began a slow rise on the pop chart. Emblematic of country music's rise to mainstream popularity was the commercially successful 1980 movie Urban Cowboy. The continued popularity of power pop and the revival of oldies in the late 1970s was also related to disco's decline; the 1978 film Grease was emblematic of this trend. Coincidentally, the star of both films was John Travolta, who in 1977 had starred in Saturday Night Fever, which remains one of the most iconic disco films of the era. Steve Hillage Terrascope Feature". terrascope.co.uk. Archived from the original on November 4, 2012 . Retrieved October 27, 2017. Further, in addition to gay sex being illegal in New York state, until 1973 the American Psychiatric Association classified homosexuality as an illness. [41] This law and classification coupled together can be understood to have heavily dissuaded the expression of queerness in public, as such the liberatory dynamics of discotheques can be seen as having provided space for self-realization for queer persons. David Mancuso's club/house party, The Loft, was described as having a " pansexual attitude [that] was revolutionary in a country where up until recently it had been illegal for two men to dance together unless there was a woman present; where women were legally obliged to wear at least one recognizable item of female clothing in public; and where men visiting gay bars usually carried bail money with them." [43] History [ edit ] 1940s–1960s: First discotheques [ edit ] Chris Eigeman as Des McGrath: A manager at the disco Alice and Charlotte frequent, casually dating Alice at one point. He provides comic relief in many sequences and provides much insight in conversations. He is intelligent but somewhat conniving, and hooks up with many women, with a routine of pretending to come out as homosexual when he has lost interest in them.
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Alice and Charlotte learn their employer has merged with a larger publishing house and layoffs are expected. Some time later, Charlotte, Josh and Des are seen leaving the unemployment office. Josh announces he is going to Lutèce for lunch, treated by Alice, who is celebrating her promotion and her book that was published after she switched it from nonfiction to self-help. Des and Charlotte discuss how their big personalities are too much for normal people like Alice, Josh and Jimmy. Des says that pairing off monogamously detracts from their glamorous lifestyle and Charlotte agrees. Robert Sean Leonard as Tom Platt: A charming, wealthy environmental lawyer with whom Alice has a one-night stand. He gained interest in Alice after meeting her at the disco but proved to not be relationship material. In her sexual encounter with him, Alice contracts both gonorrhea and herpes. In Sacramento, California, Disco King Paul Dale Roberts danced for the Guinness Book of World Records. He danced for 205 hours, the equivalent of 8½ days. Other dance marathons took place afterward and Roberts held the world record for disco dancing for a short period of time. [28]
Whether you are the bride-to-be or the maid of honor, this guide has everything you need for disco bachelorette party outfits and disco bachelorette party ideas and decorations. Sequin Dresses with Go-Go Boots Ready for the Disco in Go Go Boots! You’ll Love these Silver and Sequin Disco Outfits Aletti, Vince (2009). The Disco Files 1973–78: New York's underground week by week. DJhistory.com. ISBN 978-0956189608. a b Moore-Gilbert, Bart (March 11, 2002). The Arts in the 1970s: Cultural Closure. Routledge. ISBN 9780415099066 . Retrieved May 30, 2012. Don Henley commented on "One of These Nights"'s disco connection in the liner notes of The Very Best Of, 2003.
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This record was a collaboration between Philip Oakey, the big-voiced lead singer of the techno-pop band the Human League, and Giorgio Moroder, the Italian-born father of disco who spent the 1980s writing synth-based pop and film music." Cater, Evan. "Philip Oakey & Giorgio Moroder: Overview". AllMusic . Retrieved December 21, 2009.
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