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The nature of Miyazaki’s oeuvre is such that it brims with an embarrassment of riches, each film in its own part situated indelibly into the continuum that is the anime canon. His films garner so much acclaim for their visual storytelling and emotional virtuosity that even those few that could be considered his “worst” movies still rank leagues above those animators who only aspire to his status. Case in point: Lupin III: The Castle of Cagliostro. Miyazaki’s take on Kazuhiko Kato’s notorious master criminal is at once a rip-roaring heist film with heart and what might arguably be Miyazaki’s lesser films. Chalk it up to Miyazaki’s nascent efforts as a director, Castle of Cagliostro suffers from a plodding middle-half and a disappointingly simplistic antagonist while still somehow managing to sparkle with his signature charm peeking through the baggage of a preexisting work. Fans of the series passionately criticized the film for relieving Lupin of his anarchic predilections and instead casting him in the mold of a true gentleman thief, stealing only when his nebulous sense of honor permits it. In any case, The Castle of Cagliostro remains an important and essential artifact of Miyazaki’s proto-Ghibli work. A flawed Miyazaki film is a triumph all the same.— Toussaint Egan Mamoru Oshii’s work on the anime series Patlabor and its subsequent feature film are considered by many, including the director himself, as the turning point in his career. After leaving Studio Pierott and striking out on his own as a freelancer on a few projects, Oshii would join the independent creative collective Headgear and become a major influence in shaping the aesthetic of their first project, Mobile Police Patlabor. Although Patlabor: The Movie can be described as a pure pop entertainment film, it still manages to incorporate the elements of history, politics and religion that define Oshii’s signature as a director. With a solid mix of action, mystery, and not-so-subtle post-WII era commentary, the first Patlabor film is not only an essential installment in Oshii’s filmography but in the canon of anime history.— Toussaint EganEndless Waltz was originally produced as a three-part OVA wrapping up the story of the Gundam Wing TV series, which takes place outside the normal continuity of the Gundam “Universal Century” timeline. The movie cut is the superior viewing experience, however. Endless Waltz takes place one year after the events that wrapped up Gundam Wing, and involves the Gundam pilots, and their enemy Zechs Merquise, coming out of retirement to battle one last threat—and in some cases, each other. Where the Gundam Wing TV series had a plot that tended to meander, and sometimes used cheap animation or repeated cels, Endless Waltz is a feast for the eyes—filled with gorgeous, fluid battle scenes that any fan of giant robots will appreciate. Add to that the very smart decision to have the great Katoki Hajime ( Short Peace, Gundam 0083) redesign the Gundams into their “evolved” forms, and this becomes much more than a simple end of series cash-in. For this film version, several shots from the OVA were retouched, and there are some mild adjustments to the original animation. As a payoff to the TV series, it’s a great way to visit with the Gundam pilots one last time, and as a stand alone, it works well enough that even if one is not familiar with the source material, it’s a fun ride. The usual questions about the cost of war, the price of peace, and human determinism that run through virtually all Gundam series are on full display here. If you want a concise example of what Gundam does so well relative to other types of giant robot anime, this is a dance worth taking. —J.D. The first season of the One Piece anime came out in 1999, and now, 24 years later, it's still ongoing. This massive anime, comprised of well over 1000 episodes, is one of the longest-running anime of all time. Based on Eichiro Oda's manga of the same name, this anime is set in a world where humans and other mythical creatures all co-exist together. The story mainly focuses on the protagonist Luffy and his pirate crew, but there are many other different arcs and plots since the anime is so long. The manga is said to end sometime in 2024 or 2025, so if someone wants to start watching or reading it, they will have plenty of episodes to binge. Custer County is a mountainous area just northeast of the Great Sand Dunes National Park and Preserve and is home to about 4,700 people, according to the 2020 census.

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30. Monster (2004 – 2005)

The show’s longevity itself speaks volumes to how good it is. Gintama has been going on for hundreds of episodes, with specials and movies, all of which are highly critically acclaimed. Patlabor 2 is Mamoru Oshii’s most formative work, an atmospheric political thriller that set the template for the aesthetic and mood that would later become his signature and distinguish the tone and substance of his most famous work, Ghost in the Shell. Set three years after the original, Patlabor 2 once again follows the Tokyo Metropolitan Police Department’s 2nd Special Vehicles unit as they are drawn into the throes of another crisis, this time concerning a rogue military commander’s plot to orchestrate a controlled state of fear and panic through which to mount a coup d’etat to overthrow the government. Where in his previous films, Oshii only flirted with political commentary that was otherwise relegated to the margins of more standard pop-action plotlines, Patlabor 2 is a full-on political thriller that’s low on giant robot showdowns and heavy on ambiance, emotion and careful pacing. It’s a work of consummate technical achievement, maturity and philosophical poignance as enduring today as it was nearly twenty-three years ago. It is the culmination of a master animator coming into the fullness of his creative faculties and the spiritual preface to the film that would later go on to become his magnum opus.— Toussaint Egan