Zoom L-20 - UK Version

Product Information

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Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute, and more. Sound quality is great, loads of headroom on preamps, channel tweaking is easy. Greatest of all though is the ability to have 6 individual headphone/monitor mixes. Six Custom Monitor Mixes: The “Fader Mode” buttons allow you to design custom mixes for both the master and monitor outs. For each output, easily switch between a powerful headphone output and a balanced line output for stage monitors. The Zoom LiveTrak L-20 allows total control by using a 3-band EQ, fader and compressor dial for all mono inputs, and solo and mute buttons. There are also 20 built-in chorus, delay and reverb effects to get the right sound. These can be applied to any channel using two EFX busses. Physically speaking, the L‑20 is somewhat deeper and slightly taller than its smaller brother, but the same width. Given that it boasts eight more mic inputs and mixer channels, a second effects engine, additional monitor outputs and a full set of solo buttons, this means the top panel looks more crowded, with the faders much closer together. Thankfully, though, this doesn’t have much impact on the ergonomic aspects of the design, and it remains simple, intuitive and fast to use. My only quibble is that it’s hard to find space to attach a scribble strip to label the channels.in/4-out USB audio interface for your Mac, PC, or iOS device (Apple Lightning to USB Camera Adapter is required for iOS) And One for the House The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction. Custom Scene Settings: Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute, and more. Zoom has kept the performer in mind when creating the LiveTrak L-20. The six monitor outputs can each have their own custom mix and effects for easy listening through either headphones or stage monitors. A seventh output runs to front of house so they can oversee the bigger picture, while still adjust for individuals on the fly.

A seventh output for the FOH engineer means they can see the big picture, while being able to adjust for individuals when necessary. The sound engineer can monitor the main mix and any of the sub mixes, adjusting them to the musicians’ satisfaction.I bought this to use in a rehearsal room with a band. We are a four piece but use drums, 2 guitars, bass, 3 synths (stereo),laptop and 3 vocals so needed lots of inputs. The L-20 provides a smooth 3-band mid-parametric EQ and a variable frequency low-cut for each channel. Use the "Select" button to apply Channel Strip settings to the selected channel.