Hickory Dickory Dock

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In the UK the novel was first serialised in the weekly magazine John Bull in six abridged instalments from 28 May (Volume 97, Number 2552) to 2 July 1955 (Volume 98, Number 2557) with illustrations by "Fancett". [6] The opinionated statements by Christie about the suspects and her constant defense as to the innocence of one suspect was a bit tiresome and this deliberate attempt at misleading the readers was not too pleasing. Poirot's ingeniousness was in its best element, and he solves the mystery which was baffling to both the police and the readers. But even with Poirot, certain inferences that he made sounded too fantastic. For example, his knowledge of the contents of a certain letter by a dying man to his solicitor, the true relationship between two characters, came out of the blue without any previous hint as to how Poirot could draw such a conclusion. Also, the student characters were so stereotyped which made them uninteresting. Pretty soon several people connected to the boarding house are dead and residents' dark secrets start to come to light. Unos robos sin importancia en una residencia de estudiantes dan paso a un misterioso caso de asesinato. Otro caso a resolver por Poirot, aunque en este caso su protagonismo es menor.

In this 32nd book in the 'Hercule Poirot' series, the detective investigates mysterious occurrences at a rooming house. Like all Agatha Christie books, it can be read as a standalone. The murderer is Nigel Chapman, who was known to have the morphine in his possession. He killed Celia because she knew about his dual identity and also knew that Valerie travelled abroad on a false passport. He killed Mrs Nicoletis because she was sure to give the smuggling operation away under pressure, and killed Patricia because she was likely to draw his father's attention to the recent events, as she was on the verge of writing a letter to him in the hope of reconciling him with his son before his death. When Poirot outlines to Nigel's father's solicitor the case against Nigel, the solicitor provides final proof. Nigel's mother had been poisoned not by his father but by Nigel. When the father discovered this (Medinal is a poison slow to act, and the mother told her husband), he forced him to write a confession and left it with his solicitor together with a letter explaining that it should be presented to the authorities in case of any further wrongdoing by Nigel. Valerie placed the call to the police station, which had apparently come from Patricia, to establish an alibi for Nigel who had already bludgeoned Patricia. The green ink was a double-bluff intended to divert suspicion away from him. Valerie is willing to incriminate Nigel fully because Mrs Nicoletis was actually her mother. When the students are attempting to place Hercule Poirot, during Chapter 4, one of them mentions the case retold in Mrs McGinty's Dead (1952). When Poirot comes to lecture to the students about his cases in the same chapter, he retells the story of The Nemean Lion, published in book form in The Labours of Hercules (1947). In chapter 5 Poirot also remembers Count Vera Rossakoff’s "exotic splendour...even in decay", something that he has only observed in The Capture of Cerberus, also from The Labours of Hercules. In Chapter 21, Poirot visits a solicitor by the name of Mr. Endicott to confirm his suspicions of Nigel Chapman. Endicott says to Poirot, "...I'm deeply in your debt. You cleared up that nasty Abernethy business for me." This may be a reference to the events in After the Funeral (1953), though Abernethie is mistakenly spelt "Abernethy" and not "Abernethie" as it is in After the Funeral. Furthermore, the catalyst to Poirot's direct involvement to the events in After the Funeral is a solicitor named Entwhistle, not Endicott At the end, I was diverted, amused, and irritated in equal measures by the resolution. A corking Dame Agatha experience? Mm...on balance no, but made me seek out the forty-years-newer TV adaptation.As the Poirot Buddy Read draws to a close (5 books to go) after 2 and a half years I am still happily surprised when I come across a book, that not only do I not remember but I thoroughly enjoy and give 5 stars to. When the students are attempting to place Hercule Poirot, during Chapter 4, one of them mentions the case retold in Mrs McGinty's Dead (1952). When Poirot comes to lecture to the students about his cases in the same chapter, he retells the story of The Nemean Lion, published in book form in The Labours of Hercules (1947). In chapter 5 Poirot also remembers Count Vera Rossakoff's "exotic splendour...even in decay", something that he has only observed in The Capture of Cerberus, also from The Labours of Hercules. In Chapter 21, Poirot visits a solicitor by the name of Mr Endicott to confirm his suspicions of Nigel Chapman. Endicott says to Poirot, "...I'm deeply in your debt. You cleared up that nasty Abernethy business for me." This may be a reference to the events in After the Funeral (1953), though Abernethie is mistakenly spelt "Abernethy" and not "Abernethie" as it is in After the Funeral. Furthermore, the catalyst to Poirot's direct involvement to the events in After the Funeral is a solicitor named Entwhistle, not Endicott. This novel is set at a student hostel. Poirot is initially asked to investigate petty thefts and vandalism in the hostel, and easily discovers that most of these acts were committed by resident Celia Austin. Then Celia is murdered.

The novel was also adapted as a 2015 episode of the French television series Les Petits Meurtres d'Agatha Christie. Philip John Stead's review in the Times Literary Supplement of 23 December 1955 began: "Poirot's return to the happy hunting grounds of detective fiction is something of an event. He is called upon to solve the mystery of a series of apparently trivial thefts at a student's hostel but soon finds himself partnering the police in investigating murder. Mrs. Christie rapidly establishes her favourite atmosphere by her skilful mixture of cheerfulness and suspense." After summarising the plot he concluded, "The amount of mischief going on in the hostel imposes some strain on the reader's patience as well as on Poirot's ingenuity; the author has been a little too liberal with the red herrings. Yet the thumb-nail sketches of the characters are as good as ever and in spite of the over-elaborate nature of the puzzle there is plenty of entertainment." Agatha Christie also wrote romance novels under the pseudonym Mary Westmacott, and was occasionally published under the name Agatha Christie Mallowan. An intriguing beginning gone awry and a clever plot defiled by implausible events is all I could say about this novel of the Poirot series. The idea of a possible kleptomaniac in a student hostel sounds interesting, isn't it? Yes, it is. And this original theme attracted me very much to the story. It started well, I must say, with the problem being brought to the notice of our dear Poirot by his secretary Miss Lemon and Poirot assisting Miss Lemon's sister, Mrs. Hubbard, the warden of the hostel. But when the disappearance of items comes to an end with the confession of the "false" kleptomaniac, and in its stead murder takes place and the whole plot is changed, the story begins to go downhill with the monotony of the criminal investigation.

When Poirot threatens to call in the cops a young woman, Celia Austin, confesses to some of the small thefts but claims innocence of the other incidents. His voice held incredulity. For Miss Lemon, that hideous and efficient woman, never made mistakes. She was never ill, never tired, never upset, never inaccurate. For all practical purposes, that is to say, she was not a woman at all. She was a machine - the perfect secretary. She knew everything, she coped with everything. She ran Hercule Poirot's life for him, so that it, too, functioned like a machine. Her first novel, The Mysterious Affair at Styles, came out in 1920. During her first marriage, Agatha published six novels, a collection of short stories, and a number of short stories in magazines.