A Crown of Ivy and Glass: 1 (The Middlemist Trilogy)

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I think this book isn´t going to be everyone’s taste and many will make too early decisions and judgements, however I hope that more people will fall in love with this book as much as I did. I cannot wait for this book to come out next year and for everyone to dive into this world and story. Meanwhile, I´m going to sit here in misery wondering how many human sacrifices it will take to get an ARC of the second book too. Die Handlung klingt eigentlich ganz interessant, aber ich fand sie auch sehr chaotisch. Da ist natürlich der Dämon, der die Ashbournes verflucht hat, sodass sie sich mit Familie Bask bekriegen müssen, die aber den größten Teil des Buches nur eine Bedrohung im Hintergrund darstellen, sodass man kaum fühlen kann, warum man sie fürchten sollte. Man versteht auch kaum, warum die Ashbournes eigentlich so einflussreich sind, was Mara als Wächterin des Middlemist tut und auch generell erfährt man nur wenig über die Welt, weil Gemma in ihrer eigenen kleinen Blase lebt und nichts über ihre eigenen Probleme hinaus wahrnimmt.

Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy! She was such a special girl. Fully broken, but trying. Somewhat. She was trying to seem better than she was. Trying to not let people see how much she hurt. And the panic she often had. I loved reading about it. As it was so hurtful and raw and real and honest. I loved it so. Gemma was precious to me. Sure, she often did things I did not agree with, ha. But I loved her. Most especially at the end of the book. Oh, and her family. Gosh. Her mother was not there. Her father was pretty much the worst. Ugh. I truly hated him. I just finished this book and can say that I think I have a new favorite! The Empirium Trilogy is one of my all time favorites, so I was highly anticipating this book! I am so intrigued that it will be told as three connected stand-alone stories following each of the three sisters of the Ashbourne family, in a fully fantasy setting. I love the combination of conventions from the different genres. The only reason I didn’t DNF it was because I was listening to the audiobook while commuting and doing chores, otherwise I don’t think I’d have been able to finish it. But even though this was a huge disappointment for me and I won’t be continuing this series, I’ll still keep an eye out for Legrand’s future works. If you haven’t read anything by this author yet but you want to, I recommend starting with her Empirium trilogy. My biggest complaint is just that the romance felt a bit insta-lovey at first, but it does get better! Not my favorite kind of romance arc, but I definitely enjoyed it regardless. I've not been in the mood for spice recently, but this one had a light sprinkle throughout leading to one really hot part, and I found myself loving it actually. And the cast of characters was so good, I'm excited to be able to get to see (most of :') them again in the next one.What I loved most about their romance was how gentle Talan was with Gemma. How he took care of her and healed her and helped her. How she got better just by being near him. Though, of course, he did not heal her. She was still all kinds of broken. But she was better with him. And I so loved that. They had their problems, both of them, but oh, how they were perfect together even so. Sigh. Their steamy scenes were the best. But that ending. Ahh. I cannot deal with that ending. I must know more. About everything. Gosh.

Gemma finds herself drawn immediately drawn to Talan d’Astier, a foreign visitor who is seeking help from her father to redeem his family honor. Intrigued, Gemma proposes that she’ll help Talan navigate the ins and outs of high society and gain an audience with the queen if he assists her family in their ongoing feud with the neighboring Bask family. If this were all of the story, A Crown of Ivy and Glass might actually be better off—there’s something compelling about the competitive inter-family rivalry, and the prospect of Gemma’s grooming Talan to fit in with the rich and royal is fun.

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Then she meets the devastatingly handsome Talan d'Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She'll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families' blood feud—slay the demon, end the feud. It has the lightness and shimmer of a high society balls hosted at a beautiful mansion in the countryside that is covered in ivy from the out and inside. It has the softness of a silk gown and the magical aesthetic of a pre-Raphaelite painting. But it also has the weight and eerie darkness you would hope for in a fantasy world. The danger and mystery. Therefore, I absolutely adored the world building around the Mist, the Rosewarren, the history, folktales, and gods, since it was so characteristically “Claire Legrand” with its rich details, its depth and extended even further once the Fae and demons were introduced. Finally, the plot of this book actually irritates me. In the synopsis, it seems simple and kind of silly, but something I could read and potentially enjoy, especially since I enjoyed Claire Legrand's other book called Furyborn. It just goes all over the place and as said earlier it's just not fluid. I understand this is Legrand's Adult debut, but it's not her first novel and I expected more! Example six and probably the biggest issue I had with this book. The main character, Gemma is absolute WORST. She is annoying, spoiled and sometimes completely empty headed.

My first initial reaction to this book was that it is the perfect blend between an English high society period drama and an epic fantasy novel.The world-building was a interesting, even more so when it came to people's individual magic, but some of the infodumps throughout put me off it. This also took a turn in the second half that made me understand the ACOTAR comparison and I don't think it was that well developed. I have so much to write about this book. And I have already written too much. And yet I'm not done, ha. But I will not say too much about the plot of this story. As it was all over the place. And I loved that. This book is all about Gemma. About her slowly learning more about why she has zero magic. And how she might have it anyway. It was a little creepy and all kinds of awesome to read about. This is a book about demons. A book about curses. A book about magical travelling through hedges, haha. A book about love. Did I like everything about the writing style? No, definitely not. Was the story interesting and exciting? Yes, definitely. Was the story a bit chaotic and muddled? 100%, but it was still incredibly fascinating, engaging, and exciting. First off, this is apparently an adult novel but reads like horrible YA- from the awful lead character who is the worst kind of spoiled brat, to the tragically boring love at first sight with the bad boy leading male. None of the characters seem to grow, the characters that you're actually interested in barely get any time in the novel, and I still can't even tell you what happened because literally nothing happens for most of the book.

Lady Gemma Ashbourne seemingly has it all. She's young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin-embroiled in a deadly blood feud with the mysterious Bask family-often forget Gemma exists. Example three. The middle of the book what I guess supposed to a transition from bad fan fiction to the fantasy part of the book was completely boring. I honestly can’t tell you one thing that happened. Despite this disappointment, there’s still hope for this series. The subsequent books in the trilogy are meant to focus on Gemma’s sisters, Farrin and Mara, who both display more complexity in their brief appearances in this book than its intended heroine often does. (Plus, I’m not made of stone—the idea of eldest sister Farrin getting together with Ryder Bask, son of her family’s worst enemy is incredible .) Here’s hoping that the story’s second volume will find a more coherent way to tell their stories. This was one of my most anticipated books of 2023, so it kills me to say that I didn't love it as much as I wanted to. Pitched as Claire Legrand's version of Bridgerton X ACOTAR X Ballet Retellings with strong anxiety representation, it had literally everything I look for in a book. I think that might have been the problem; the author tried to do too much rather than focusing on a central storytelling element. If you asked me what the plot of ACOIAG was, I probably couldn't tell you. The two halves of the story didn't fit together at all. First, we had the Bridgertion high society plotline and then suddenly were thrown into the ACOTAR/Ballet Retelling halfway through. There was no consistency or coherency, either with the plot or the characters. That being said, I absolutely adored the second half of the book. It felt like a Claire Legrand novel and the characters found their footing. Gemma Ashbourne stammt aus einer der einflussreichsten Familien mit der stärksten Magie, doch sie selbst hat nicht nur keine magischen Kräfte, allein die Nähe zu Magie kann bei ihr starke Schmerzen auslösen.Honestly, I question why Gemma had to be the first character to focus on for this series. What I liked most about her was the chronic pain rep Legrand invested in her. For some reason, Gemma not only doesn't have magic of her own like the rest of her family, but the magic around her actively harms her. She has to limit where and who she spends time with to avoid being on bedrest for several days. But she is not weak or whiny, and that is what makes it so wonderfully and respectfully done. She is a strong individual even on her worst days. But personality-wise, the girl was not pleasant. Gemma is the youngest of three sisters, and it kind of shows in how she behaves. She is rather vain, somewhat selfish and dismissive of others if it doesn't suit her, and is often focused on appearances, and not just of her own. Normally, I wouldn't have an issue with an unlikeable character like this, especially when part of their arc is to turn those traits to good, but there was something about her that felt off and made me not want to be with her. The whole time, I wanted to be in her sisters' heads instead. Example five. I know I already mentioned zero chemistry between main love interests but It’s worth repeating because it doesn’t get better.