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Macbeth: York Notes for GCSE everything you need to catch up, study and prepare for and 2023 and 2024 exams and assessments: - everything you need to ... for 2022 and 2023 assessments and exams

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Antagonist: If Macbeth is taken as the protagonist, the play seems to revolve around him. Then every other character like Banquo and even Macduff are antagonists, stopping his progress. However, we see that Macbeth becomes an antagonist, the main villain of the play, after he is cursed by the witches. Foreshadowing: The first example of foreshadowing occurs in the very first action where the bloody battle continues. It shows that another somber murder is going to take place. Another example is when Macbeth hears some voices about losing his sleep when stabbing Duncan. It shows that he and his wife are going to face psychological issues. When Macbeth and Banquo discuss these prophecies, King Duncan’s representatives, Ross and Angus, arrive with the news. They tell that Macbeth is given the title of the Thane of Cawdor as a reward for winning the battle. Banquo and Macbeth are stunned as they see the witches’ first prophecy come true and wonder about the rest. These are some of the memorable soliloquies of Macbeth. The first two were delivered by Macbeth on different occasions to show how he is ready to act upon the prophecies. However, the third one sheds light on the Macbeth’s after he commits the crime of killing the king. Guilt: Guilt is one of the major internal conflicts that move the play further. Macbeth and Lady Macbeth suffer from guilt until their last breath. Lady Macbeth suffers from paranoia, hallucinations, and mental illness after King Duncan is murder. Macbeth feels guilty at first, and he is haunted by the past. He also sees Banquo’s ghost, which is the result of his guilt.

In the above examples, vowel sounds appear after some pauses in such a way that they create a sort of melodious impacts in the verses. The sounds of /oo/, /ee/ and /a/ are used in the above lines showing good use of assonance. Banquosaystothewitches ‘Ayefantasticalorthatindeedwhichoutwardlyyoushow’. Questioningtheirreality,instantlyrecognisedtheymaybemisleading.NotcaptivatedorcorruptedlikeMacbeth.

Reflecting the disruption of nature, the dialogue between Macbeth and Lady in the scene following the murder becomes heavy, graceless, and almost syncopated. Lady Macbeth, for example, says: In Macbeth, William Shakespeare's tragedy about power, ambition, deceit, and murder, the Three Witches foretell Macbeth's rise to King of Scotland but also prophesy that future kings will descend from Banquo, a fellow army captain. Prodded by his ambitious wife, Lady Macbeth, he murders King Duncan, becomes king, and sends mercenaries to kill Banquo and his sons. His attempts to defy the prophesy fail, however; Macduff kills Macbeth, and Duncan's son Malcolm becomes king. These are two beautiful metaphors among various other metaphors. The first one shows life compared with toys and second with wine. This kind of equivocation is similar to lying; it is intentionally designed to mislead and confuse. These three examples show sensory images, showing the use of the sense of sight and sense of hearing.

Conflict between Good and Evil: Macbeth and his wife represent evil, while King Duncan, his generals, Banquo, and Macduff represent the good. Shakespeare has shown that Lady Macbeth is schemer, just like the witches without magical powers. While her attempts to kill the king fails, Lady Macbeth persuades Macbeth to do the job by taunting him when he hesitates. However, ‘good’ is always victorious as the play ends when Macduff and his forces behead Macbeth as a punishment for his crimes.Analyseasifitisapoem.MovechronologicallyandbeSELECTIVE.Onlydwellon4-5images/momentsinthepassagethatallowyoutoreallyanalysethelanguage.Explorethesepointsreallywellinsteadofonlyslightlydescribingloadsofpoints. Outran the pauser, reason. Here lay Duncan, his silver skin lac’d with his golden blood; and his gash’d stabs look’d like a breach in nature for ruin’s wasteful entrance. (Act-II, Scene-III, Lines, 114-116) Macbeth: At first, Macbeth, a Scottish army general. He and Banquo defeat the Thane of Cawdor. King Duncan bestows the title ‘Thane of Cawdor’ to Macbeth, just when he meets the three witches who cast a spell on him. The witches’ fake prophecies also turn him into a despicable person making him make terrible decisions to fulfill them. He is also manipulated by his wife and kills King Duncan. Once he becomes the king, he goes on a killing spree after revisiting the witches. As Macbeth was fooled and cursed by the witches, we can call him an anti-hero, with the qualities of both hero and a villain. At the end of the play, he receives the punishment for all the crimes he had committed when Macduff beheads him. Hey Girls! What’s for dinner? Oh look, here’s Macbeth! With his buddy Banquo. I wouldn’t eat there boys. It’s whiffy. Oh, they’re witches! They prophesise that Macbeth will be promoted to Thane of Cawdor and eventually be king! They tell Banquo he won’t be king, but his kids will! Lady Macbeth: She is villainous by nature with immense strength. She mostly influences Macbeth’s decisions without worrying about the consequence. She also shows extraordinary femininity when she pushes Macbeth to kill anyone who comes in his ways of becoming the king. She even takes part in the killing of King Duncan. Eventually, she feels immense guilt for King Duncan’s death and becomes insane. She begins to sleepwalk and hallucinates bloodstains on her hand. When she could not bear the guilt, she commits suicide just before Macbeth is killed.

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