Cleopatra and Frankenstein: ‘Move over Sally Rooney: this is the hottest new book’ - Sunday Times

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I read this because everyone was comparing it to Sally Rooney, which I guess is appealing to me. But it brings all the stuff that irks me about Rooney— hipster millennials having endless navel-gazing pseudo-intellectual conversations about themselves and the universe —and misses out the key component that, for me, makes Rooney as engaging an author as she is irritating. Goodreads Librarians are volunteers who help ensure the accuracy of information about books and authors in the Goodreads' catalog. The Goodreads Libra Goodreads Librarians are volunteers who help ensure the accuracy of information about books and authors in the Goodreads' catalog. The Goodreads Librarians Group is the official group for requesting additions or updates to the catalog, including:

the book perfectly captures the messiness and complexities of relationships in the modern world, especially what happens when the honeymoon phase starts to wear off and reality sets in. mellors’ exploration of relationships also feels strikingly contemporary - in a fragmented world full of such choice and chaos, it’s becoming increasingly harder to figure out what you want, what you desire, to decide what it will take to bring ‘true happiness’, a notoriously obscure concept which everyone is still desperately trying to grasp anyway.I sometimes loved, and sometimes hated all the characters in this one: the title pair who marry mere months after meeting, and their eccentric circle of pals. Frank, though he is a workaholic alcoholic with a younger wife and thereby also a cliché, somehow pulls off the grand accomplishment of being consistently intriguing to read about, as does his very annoying sister Zoë and her rarely present friend Audrey. An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

This is Mellors’ debut novel, and it’s clear that she knows a world built on flash and substances (but not substance) is bound to crumble. She has written some extraordinary sentences and shows a great talent for dialogue. And she cannily sets Gen X artists who found a way to combine art with commerce against millennials who were raised to grasp at shiny objects that wound up beyond their reach. Her party scenes play out the inevitable clash: youth and money, mutually envious. Redemption for some of her characters will come with the recognition that the envy is misplaced and that developing a sense of self means reaching for higher-hanging fruit.A tender, devastating and funny exploration of love and friendship and the yearning for self-evisceration. Coco Mellors is an elegant and exciting new voice’ PANDORA SYKES, author of How Do We Know We’re Doing It Right The above excerpt is a ‘hint’….that what we’ll continue to read is….a PERFORMANCE of the greatest sentences, the greatest off-the-wall absurdities, the greatest exaggerated character descriptions…. yep, too much wit, swooning, tidbits, themes, dialogue, life quandaries, perplexing showy sentences, and cheesiness,…… Cleo and Frank run head-first into a romance that neither of them can quite keep up with. It reshapes their lives and the lives of those around them, whether that’s Cleo's best friend struggling to embrace his gender identity in the wake of her marriage, or Frank's financially dependent sister arranging sugar daddy dates after being cut off. Ultimately, this chance meeting between two strangers outside of a New Year’s Eve party changes everything, for better or worse. The last thing I'll say is that lately I have been holding a pen in my hand while I read, but I'm rarely prompted to use it.