Baby Driver (Music From The Motion Picture)

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Chitwood, Adam (May 16, 2016). "Baby Driver: Filming Wraps on Edgar Wright's New Film". Collider. Archived from the original on May 17, 2016 . Retrieved May 17, 2016. Klimek, Chris (June 27, 2017). "In 'Baby Driver,' The Action, The Script And The Music Go Full Throttle". NPR. Archived from the original on June 28, 2017 . Retrieved January 9, 2019. Worse yet, the fake-stereo version of "Harlem Shuffle" featured on the album is saturated in muddy reverb, and it suffers from some of the worst tape hiss I've ever heard. It's drab in comparison to the warm, clear mono mix heard in the movie. "B-A-B-Y", "Let's Go Away for a While" and "Smokey Joe's La La" are faithfully presented in their original mono versions here, so I'm surprised the same care and attention to PROPER sourcing wasn't applied to "Harlem Shuffle". a b c d e Desowitz, Bill (November 9, 2017). " 'Baby Driver': How Edgar Wright's Sound Team Choreographed Squealing Brakes Against Pop Classics". IndieWire. Archived from the original on December 4, 2018 . Retrieved December 7, 2018. a b c d Anderson, Kyle (June 1, 2017). "How Baby Driver Reveals Characters Through Colors". Nerdist. Archived from the original on December 8, 2018.

Hollingshead, David; Hu, Jane (July 26, 2017). "Oh Hell Yeah Baby, Le Chauffeur". Los Angeles Review of Books. Archived from the original on December 7, 2018.

Dowd, A.A. (June 27, 2017). "Edgar Wright drifts out of comedy and into the crime-musical bliss of Baby Driver". The A.V. Club. Archived from the original on December 24, 2018 . Retrieved February 28, 2022. Lane, Anthony (July 3, 2017). " 'Baby Driver' and 'My Journey Through French Cinema' ". The New Yorker. Archived from the original on January 8, 2019 . Retrieved January 8, 2019. In August 2017, Rolan Feld, son of T. Rex lead vocalist Marc Bolan, sued Sony Pictures, Media Rights Capital, and Bambino Films for using the band's song "Debora" without permission. [27] Both parties reportedly settled during a mediation on January 12, 2018. [28] Baby Driver Volume 2: The Score For a Score [ edit ] Baby Driver Volume 2: The Score For a Score A waitress employed at Bo's Diner who becomes Baby's love interest. Emma Stone was an early candidate for the role during development. [12] Edgar Wright's Baby Driver Heads to SXSW 2017". ScreenRant. January 31, 2017. Archived from the original on May 17, 2022 . Retrieved May 17, 2022.

Collis, Clark (June 20, 2017). "Jon Hamm opens up about his bank-robbing Baby Driver character". Entertainment Weekly. Archived from the original on December 7, 2018 . Retrieved October 26, 2018. Edelstein, David (June 21, 2017). "Edgar Wright's Baby Driver Is a Cinematic Joyride". Vulture. Archived from the original on December 24, 2018 . Retrieved December 24, 2018. a b White, Terri (June 19, 2017). "Baby Driver Review". Empire. Archived from the original on July 1, 2017 . Retrieved July 1, 2017. a b Bhattacharya, Sanjiv (June 17, 2017). "Jon Hamm: 'Therapy is like going to the dentist' ". The Guardian. London, England. Archived from the original on October 27, 2018 . Retrieved December 7, 2018. Roffman, Michael (June 26, 2017). "Film Review: Baby Driver". Consequence. Archived from the original on December 25, 2018 . Retrieved February 28, 2022.Long, Christian (June 30, 2017). "Kid Koala talks working on 'Baby Driver' and how he identified with the title character (Interview)". Glide. Archived from the original on March 28, 2019 . Retrieved December 7, 2018. Chitwood, Adam (July 30, 2019). "Ansel Elgort and Edgar Wright Tease 'Baby Driver 2' Likely Happening Soon". Collider. Archived from the original on August 1, 2019 . Retrieved July 30, 2019. In their piece for the Los Angeles Review of Books, David Hollingshead and Jane Hu examine race as an important thematic element in Baby Driver. They contend that certain aspects of the film, such as the casting choices and the appeal to a "white innocence" narrative for Baby's redemption arc, underscore a race consciousness and subtext about the ethics of cultural appropriation. [65] Marketing and release [ edit ] Prop display at the Essen Motor Show in Germany (pictured in 2017). Wright, lead film editor Paul Machliss, and Los Angeles-based editor Evan Schiff devised a pre-edit of Baby Driver with animatics in the initial stages of production. With Avid Media Composer, Machliss was tasked with syncopating each animatic to a corresponding song. He and Wright had an existing professional relationship from Scott Pilgrim vs. the World and The World's End. In addition, Machliss worked on set providing input for the shoot, which is unusual for a film editor. [33] Filming [ edit ] Baby Driver was primarily filmed in downtown Atlanta, where location shots showcase local landmarks such as Peachtree Center (pictured in 2019). Ceron, Ella (June 19, 2017). "Teen Choice Awards 2017: See the First Wave of Nominations". Teen Vogue. Archived from the original on June 20, 2017 . Retrieved June 19, 2017.

Baby Driver (Foreign)". Box Office Mojo. Archived from the original on April 11, 2018 . Retrieved February 28, 2022.Koski, Genevieve (July 1, 2017). "Edgar Wright's wildly entertaining Baby Driver is a lean, mean, genre-smashing machine". Vox. Archived from the original on December 24, 2018 . Retrieved December 24, 2018.