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Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.” His eponymous brand is committed to creating staple yet unique statement pieces that can be innovated from season to season. Designing for the woman who stands out, Michael Lo Sordo is made for the romantic minimalist and razor-sharp sophisticate. Appropriately enough, Lo Sordo’s mission to dress an actress who could probably make a paper bag look good began in cloak and dagger fashion. In a world without SARS-CoV-2, a year and a half would have passed since Daniel Craig had retired as James Bond. Instead, cinema’s leading spy has spent the last 18 months on furlough, while successive waves of Covid sloshed around the globe. It was all hush-hush, as they were unable to mention the film’s name… They let me know that the dress was for an action sequence and would probably be destroyed along the way.”
To an extent, No Time to Die is in keeping with its immediate predecessors, 2012’s Skyfall and 2015’s Spectre. The stakes are simultaneously global and personal, and there are many ritualistic re-tracings of ideas and images from Bond adventures past. But there are differences, too. For one thing, it’s unfashionably colourful. Thank La La Land cinematographer Linus Sandgren for the gorgeous dawns and dusks, plus the rich, sun-blush tones of an early chase scene through the mazy alleys of Matera, the Italian hill town where Bond goes with Dr Madeleine Swann (Léa Seydoux) to lay his grudge against Eva Green's Vesper Lynd to rest. DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry. Stardom is such a weird roll of the dice, and also not necessarily something you’d wish on someone you consider a friend,” Johnson says. “But I’m confident Ana’s something special. She’s an incredible actor who is making daring choices both on screen and in her career. I can’t wait to watch whatever she does next.” Despite the fact No Time To Die is Daniel Craig’s final outing as James Bond, Ana de Armas has been receiving her fair share of media attention – more specifically, the silk gown de Armas wore as rookie CIA agent Paloma. At the Australian premiere last Tuesday, designer Michael Lo Sordo finally witnessed his Bond dress on the big screen, which – just about everyone will tell you – stole the bloody show in one of the film’s central fight sequences. QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork. FRENCH PostersA poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation. By any measure, de Armas fits the profile of “next big thing”. However, her research on Marilyn Monroe for the eagerly awaited Blonde biopic has made her deeply aware of the emotional toll that kind of attention can bring. “I read everything I could about Marilyn,” she says. “It wasn’t just about transforming physically to look the part, it was about understanding her emotional life, how intelligent she was, and how fragile.” Ana de Armas and stunt double Mounia Moula on the set of No Time To Die (left) and Mounia Moula on the set at Pinewood Studios Is the dress still available? And if so, is the dress exactly the same as in the film? Eventually, all roads lead Bond and his successor to Lyutsifer Safin, Rami Malek’s robustly vile arch-crook, given to concealing his chemically burned face behind an eerie Japanese Noh mask. Safin has a secret history with Dr Madeleine Swann (Seydoux), Bond’s romantic partner as of the end of Spectre, which drives a wedge between the couple and ushers in the possibility of lasting heartbreak – as if Hans Zimmer's score’s regular nods towards both We Have All the Time in the World and John Barry's theme from On Her Majesty’s Secret Service weren’t enough of a hint. By the time de Armas was a teenager, she was studying at the National Theater School in Havana and had already worked on three local films, but she had never been away from home. The average income in Havana is the equivalent of about 30 US dollars per month, and travel visas can be hard to come by, which makes leaving the country something of a challenge.
That savvy choice of roles, and the awards attention it brought, has made her the kind of star directorswill do anything to have in their films. Recently, a promotional video for “No Time To Die” included de Armas’ revelation that director Cary Joji Fukunaga essentially created the role of Paloma to get de Armas in the film: “This character, I think it didn’t exist in the film. It was just [through] talking to Cary that he really wanted me in the movie. And they just made it happen. So I was in the conversation a long time before it became real,” she says in a video, as reported by CinemaBlend. x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
Bringing Bond’s Jamaican Retreat to Life
Michael Lo Sordo first realized his dress was going to be used for a Bond film was when he saw this character poster for No Time To Die. After an extremely successful advertising campaign on “SKYFALL”& “SPECTRE” Empire Design have been retained by EON for the latest Bond spectacular “No Time To Die”& it’s fair to say they have hit the target again. This original “November” Advance US one sheet for Cary Joji Fukunaga‘s Bond film has a real exciting feel with Bond (Daniel Craig) poised for action. These “November” advance posters are extremely collectable, not only because they look great but are now dated wrongly, with the release being postponed (due to Covid 19) until April 2021. Originally rolled (as issued) this stunning example displays and presents to excellent effect. Guaranteed original this represents a highly desirable piece of James Bond movie memorabilia for what is reported to be Craig’s last appearance as the spy with a ‘Licence to Kill’.
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