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Where required by applicable law, express or implied consent to marketing exists and has not been withdrawn. If you have made adjustments to the individual images prior to choosing Merge to Panorama, not all of them carry over to the merged file. For example, if you have made local adjustments on individual exposures, those adjustments will not be applied to the merged file. Because of this, I would suggest that you don’t spend a great deal of time making adjustments to each of the individual exposures but, instead, merge the images and then make adjustments to the resulting Panorama image. Note: For a Panorama, the merge tool is changing geometric attributes, and will therefore not copy over existing geometric settings such as Lens Corrections/Upright (with the exception of Chromatic Aberration and Defringe settings). Lens Correction Profiles are applied if Camera Raw can auto-detect which profiles to use. If Camera Raw can’t auto-detect the correct profile, an alert appears asking you to apply a lens profile correction for best results. Camera Raw always remove chromatic aberration as part of the merge.

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Command + 1, 2, 3-9 (Mac) | Control + 1, 2, 3-9 (Win) displays the corresponding edit panel (Basic, Curve, Detail etc.). When presets that include masks are applied to images, the masks are additive (they won’t replace existing masks).

When you copy and paste a mask to a different image, if the destination image has any masks, you will have the option to Merge the masks (add the pasted masks to the existing masks) or replace the masks (deleting any existing masks). Tap the Y key to toggle Visualize spots. Tap “, “or “.” to decrease/increase the visualization threshold. Add the Shift key to move in larger increments Drag to reposition the point in the Tone Curve panel or use the up, down, left, right arrow keys to precisely reposition the point as necessary. Camera Raw supports pressure-sensitive devices such as Wacom and Microsoft Surface Pro tablets. Pressure applied to the pen affects the Flow. Turning the pen over and using the “eraser” side automatically switches the brush to the eraser mode (if your pen supports this feature). Not all adjustments made to individual images carry over when selecting Merge to HDR. For example, if you have made local adjustments on individual exposures, those adjustments will not be applied to the merged file. Because of this, I would suggest that you don’t spend a great deal of time making adjustments to each of the individual exposures but instead, merge the images and then make adjustments to the resulting RAW, HDR image.

Option + P (Mac) | Alt + P (Win) copies After settings to the Before settings for the primary selected image only. If you make adjustments to an individual exposures that can be copied over to the merged file (such as conversion to B/W or Color Range adjustments), make sure that the exposure with the adjustment(s) is the active or “most selected” image before running Merge to HDR Panorama.

Try using 20 luminance noise reduction if you need to offset any unwanted noise created by the clarity slider. Use the “Preset” drop-down menu (in the Mask Setting panel) to save presets for frequently used settings. It also adds a bit of saturation, so you may wish to use -5 to -10 saturation or use it on a separate layer set to luminosity blend mode if you prefer more neutral color treatment in the image. Shadow and highlight clipping warnings are great tools for monitoring lost tonal values. This feature can be toggled on and off in the ACR sliders of both Lightroom and Photoshop. Tap the O key (overexposed) to preview areas in an image that are clipped to pure white by displaying a red overlay.Hold Option + Y (Mac) | Alt + Y (Win) to temporarily enable the mask overlay for the currently selected mask component. Note: this shortcut can be combined with the up/down arrow keys to display the mask overlay while targeting different masks.