Biomechanics

Product Information

Arriving on PC and Amiga in 1992, the original title is set in a mansion somehow connected to a parallel universe rendered in typical Giger-esque style: hive-like environments, psychosexual horror and visual references to the Kleinian Archaic Mother concept. While the drawings were intriguing and fascinating, and the various articles interesting, the rest of the written information was extremely poorly written. It includes a signed and numbered print of one of Giger’s drawings, which can be removed and framed. Oddly enough this determined my path as a reader too, since Giger turned me onto Lovevecraft, who turned me onto Dunsany, Clark Ashton Smith, Howard, etc. Giger could likely be named a turpist – his art celebrates something most of us would rather not think about.

In another example, Giger followed Louis Wain’s example by presenting portraits of giant-eyed Siamese cats belonging to his friend, which look quite friendly despite the ghoulish surroundings. Giger’s work, Satan I , appeared as the cover of the famous album To Mega Therion by the Swiss metal band Celtic Frost.The xenomorph is only seen in terrifying glimpses, accentuating its initial power to shock and seduce. Giger’s fascination with all things surreal and macabre began at a young age and this led to an interest in expressing himself through visual arts.

Born on February 5, 1940 in Chur, Switzerland, Hans Rudolf “Ruedi” Giger (HR Giger) was a surrealist painter, sculptor, and set designer. Irem's horizontal scrollers R-Type and X-Multiply feature weird pulsating landscapes – part geography, part living beings – as well as giant swollen-headed aliens with phallic extrusions. Satanistic inspirations, deformed bodies, the free union of eroticism and decay – if the pop-culture mainstream did not numb us to it, its sub-genres definitely have: from the metal subculture, through cyberpunk, ending at body horror. R. Giger Necronomicon – including Satan I, a painting depicting the titular Satan using the arms of the crucified Christ as a slingshot.When the embryo becomes a larva, it bites its way out through the host’s chest – causing, of course, a painful death.

Tightly bound and exceptionally neat in crisp edged and uniformly bright color pictorial dust jacket.R. Giger found particularly interesting was reproduction – shown from his perspective as a mechanical replication or an act of violence, rather than “the miracle of birth”. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. R Giger’s book in that particular publishing niche, but the unnerving exploration of the deepest, darkest fantasies says otherwise. There is similar imagery in Konami's Gradius series, as well as modern indie titles Hellbound and Galshell from Akira Hut Original, which max out on the sexual undertones.