Kind Of Blue

Product Information

Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. IPS / Dolby SR analog remix master to DSD 256 to analog console to lathe Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Therefore, unlike recent uber-fi vinyl reissues that were sourced from the original 3-track session tapes (which was the extent of multi-track recording at that time), this is NOT a remix. Didn’t seem to bother “Cannonball” that much, he’s no cissy worrying about a misprint, he’s bigger than that.

If a second press was in use, which seems likely, the opposite pairing was mounted in the second press. All sessions took place at Columbia’s old 30th Street Studio, supervised by Columbia staff producer Irving Townsend, and recording engineer Fred Plaut. Despite that, once ones ears have adjusted and the volume tweaked upwards to compensate for the disc being quieter than modern versions, it has a lovely, natural feel, with great dynamics. These are for your convenience so that you do not have to fill in your details again when you leave another comment.Knowing that Columbia had several lacquers cut at the same time for different presses, isn’t it possible they cut at least 12 or more different lacquers in a row and went up straight to 1AA/1AA or even further up the latter before sending them out to the plants? It seems to me unlikely anyone would “fake” a promo, so the balance of probability suggests it is genuine. Johnson at Skywalker Sound in Marin County, California, Break The Chain has twelve new MacLeod songs.

The reverb tails and the decay of each note are so deliciously real, you just can’t do this on vinyl! We present the original album in remastered form plus an extra LP containing 2 tracks that weren't available on vinyl before (an alternate take of "Flamenco Sketches" and a version of "On Green Dolphin Street" recorded prior to the Kind of Blue sessions, with the legendary line-up of Bill Evans, John Coltrane, Paul Chambers, and Jimmy Cobb.There are numerous instances where Kind of Blue reveals the influences that Miles brought with him to the sessions, as related by Francis Davis. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune. but you still have a great piece of music and a cutting that is probably indistinguishable from any other copy manufactured around this time. The final track on CD Two is a mesmerizing 17-minute live concert version of “So What” (without Adderley, with Kelly), recorded in Holland, April 1960.

These with the location of Columbia principal record plants East and Central US, which makes good sense, but not from the point of view of West Coast distribution. LJC: so 1G and 1H would be the 2nd cut from Santa Maria) “That way they could easily keep track of how many replacements were needed for each plant. The source for this tape is a Columbia production master – moreover, it’s a flat master, hence unequalised and uncompressed – essentially a safety copy of the original stereo master. The twice Grammy-nominated effort is also Davis' final studio record to blend standards with originals.Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches – the likes of which fill Davis' boldest and most controversial – undertaking.