Abara: Complete Deluxe Edition

Product Information

Two stars because the execution of both the main story Abara and the extra (very short) short story Digimortal wasn't what it could've been. The story of Abara is strange and for the first time in my life I'm not sure that's a good thing. The introduction to the story seemed really cool but after that I got lost in basically a lot of talking that wasn't all that interesting and didn't help me figure out at all what was happening til I was about done.

The name Guana would eventually be used again as the name for the primary antagonists in Nihei's latest series, Knights of Sidonia. Set in the same universe as all Tsutomu Nihei's manga are: the nondescript urban landscape of our nightmares. The architecture is as suffocatingly bleak as usual; the story is faster paced than Nihei's most well known work, Blame, due to this manga's short length. Maybe it would be a good litmus test for newcomers to his world. Instead of getting a rich and nuanced story in Abara, displayed through strong visual style and gorgeous art you only get the latter. In a way it makes the story feel like a short form poem, with more to be pulled from it by the reader than is displayed by the author them-self. Like you're reading an artbook, it presents lavish visuals with a barebones story that adds very little to it's body. However, given Niheis phenomenal artistic direction in this manga it lead me to enjoy it to an extreme amount; but that it obviously a problem that other people may find with this story.and you will wonder if you accidentlly skiped some dialogue. When you get to the end you will probably have the story figured out, so all I said here does not really mean anything. I like the climax. Abara” és el primer manga que llegeixo de Tsutomu Nihei i m’ha deixat amb ganes de provar amb “Blame!” o amb “Biomega”, dues de les seves obres més aclamades. There’s even the pure, unadulterated CREATIVITY of introducing a few not-exactly-human characters, with more than a dash of humor to them, and still using them as & insisting the reader treat them as Perfectly Serious Characters. Nihei, firing on all cylinders! for the short story it is. The story is relatively simple and most of the information of the story is given, even more so than Blame!. Um so enttäuschender war es in der Handlung voranzukommen, denn Erklärungen zu dieser dystopischen Welt oder den genannten Gaunas gab es nicht. Ich musste den Band ganze 3-mal beginnen, da ich nach einer kleinen Lesepause nicht wieder ins Geschehen hinein fand.

Oh what decapitations! You will not see any as swift and graceful, as humorously mundane as the ones in this manga. The action is striking, occasionally a mess of clouds and lines, but often crowd-pleasing with clarity, and all building to a shattering climax that even Nihei has to introduce with dialogue. of questions and no answers and the Authors style of no dialogue this, is number 2 of the no read confusion story. Maybe an hour worth of reading not even. Before I begin I will say that I don't know if there was a movie or something that this is based on. If there is I would gladly watch it and consider changing the score here. The art conveys the atmosphere of the story decently and is great, but it does suffer from some problems. The art may be beautiful, but it misses some detail, which causes the implications of the concept and story to be only partly visible. Especially since about 95% of the panes don't have any dialogue and where dialogue appears it's not comprehensive enough to paint the full extent of the story. After reading several of Tsutomu’s stories, I have come to the conclusion that the major flaw keeping me from enjoying any of them is the way the characters are presented and developed throughout the story. Short, long, it doesn’t seem to matter; the characters are introduced all at once and in a manner that makes it impossible to remember who is who. We get the names in roundabout ways without any characterization, making it very difficult to follow the plot. Abara is no exception.facts about a Japanese gem, manga, would be a big loss for you. There are many reasons why there are SPOILERS AHEAD! TL:DR: It's bad, but you can read if you want, there is some great art and its short. In the end, we chose the image that felt the most exciting and attractive. It was my favorite image as soon as I saw it, and I was happy we could showcase it on the cover. Abara is great for what it is. Obviously it isn't some profound story where you expect to come away with a newfound favorite fiction or expect to find some extremely deep plot. It's a 11 or so chapter story that makes an interesting world wherein human weapons exist to fight terrible creatures. And it's cool as hell. The art is fantastic, some of it even exceeding those found in Blame!, and there is enough information about the world given to feel the visceral, living, and yet dreary atmosphere. As always the art is on point. Reading his action scenes is such a treat. Drawn in a way where it feels like your watching an anime on the television. I really can't say enough about how this book looks, much like all his work. It reeks of his classic vibes, and that's why I love it so much.

The characters are low for a reason... They had little to no introduction or insight. We couldn't really tell what they were feeling and what their personalities were... I felt that most of them were emotionless. Except for one, which I'm sure you all know if you have finished the manga. I feel like the author could have put a lot more depth into his characters to make them loveable, or at least unique.That said, while Abara is a mess, it's an utterly gorgeous mess. Nihei's art is always distinctive, with its sprawling mega-cities, horrifying bio-mechanical monsters, and rough, stark line work that really makes the environments pop. It's a striking counterpoint to the confusing narrative (even if a few of the fight sequences could've been clearer, too). Ja, die Story war überhaupt nicht meins. Doch optisch konnte ich dem Band sehr wohl etwas abgewinnen. Zumindest dann, wenn nicht gekämpft wurde, denn die Bilder dazu waren aufgrund des sehr strichlastigen Zeichenstils oftmals ein wildes Durcheinander, bei dem man nicht wusste, wo oben und unten war. In ruhigeren Sequenzen gab es dann aber diese Momente, wo ich einfach staunte. Hier ärgerte es mich gleichzeitig aber auch, dass die Handlung so wirr war, denn über das was ich da sah, hätte ich gerne vielmehr erfahren. This collects 13 chapters, but it's really 11 chapters and 2 extras that somehow fit in there. I'll be talking about the first 11 though since that's the main story. We are thrown into a world far into the future--when plant-life is nowhere to be seen and humanity is on the brink of extinction. A sprawling city lies beneath the constant fog with a few mausoleums thrusting their flan-shaped chests into the sky. Winding staircases and walking platforms hug the walls of the buildings overlooking precipitous dropoffs. Clutteredand with excessive pipeage and metal plating, the entire city feels more thrown together than planned, industrialization taken to an unhealthy extreme. Even the phones have excessive ridges and bumps. One is more likely to see empty corridors and streets than ones filled with any pedestrians. And certainly no cars.

And I'll be honest, I love Nihei's work. I love his style and the way he tells a story. So if you don't like his work on Blame! or Knights of Sidonia then you probably won't agree with anything I say here. What type of choices led to using the character on the cover now? I imagine you had a few to select from. Another White Gauna spawns, but this time it is able to consume humans before the Bureau takes action. At first, they send a squad of humans, but when this fails, they send Nayuta to destroy the big White Gauna. However, a humanoid White Gauna appears and duels with Nayuta. After a battle between the two, Nayuta wins — but falls dead soon after. Because she is telepathically linked with her twin Ayuta, any damage sustained by Nayuta is also manifested in Ayuta. The theme and content are important, since we want to make sure that the cover visually tells a reader what kind of story to expect. For example, you probably wouldn’t use a cute script font and a lot of pink on a book like this! Characters only talk when they need to, and usually mumble meaningless words that only become coherent if we use our imaginations too. Characters that look like they'll be mainstays are introduced briefly, but then are promptly decapitated.

Customer reviews

Either way I took it for what it was and I enjoyed it. Even though this is a short manga series Nihei still manages to make a fully lived in world, even if it has that depressing alone feeling about it. Again, this could be because I've just finished other works of his and it may or may not be in the same universe as the others?