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The First 48 Hours is no exception with an opening chapter that subverts expectations straight away. The First 48 Hours” is a verd thriller where three enthralling storylines are connected by secrets, danger, and a constant race against time. A committed detective is assigned the task of solving a chilling murder case. The second storyline features a mother who is defending her own child accused of murder and thirdly a couple planning what they believe to be the perfect crime. The book that really stood out for me in this excellent series is A Dance at the Slaughterhouse, in which Scudder is hired to find out whether a guy has murdered his wife or not. Basically the man and his wife were supposedly ambushed in their apartment by a couple of burglars who they disturbed after a night out. The man was beaten and his wife was murdered. The wife’s brother suspects that there is something amiss and thinks that the husband is responsible, so he hires Scudder to look into it and we soon find ourselves in the real dark underbelly of New York.
There are very few redeeming qualities among the array of characters that feature in the story. Many of the characters come across as caricatures of criminals, their driving force is self-preservation and they are more than willing to double-cross each other if that means they'll escape. A group of kidnappers, and a crooked cop who knows how the system works is also on the investigation team. Becca is a barrister asked to defend killers and seemingly impervious to the fact she might be getting guilty criminals off scot free. When something awful happens to her daughter she is forced to choose between her family and her personal belief in the law- how far will she go to protect her own flesh and blood?THREE STORIES. TWO DAYS. DOES ONE SECRET CONNECT THEM ALL? THE FIRST 48 HOURS.... MAY ALSO BE THEIR LAST. There are some good twists along the way that worked well for me - some of the recent 'twist masters'' works have felt like they just want to add one after another after another to the point you find them so contrived it's spoils the story. Here, they're relevant, appropriate and germane to the overall plot. Tell me about your next book, Tell No One by Harlan Coben, which sounds like a very tense thriller and is all about a doctor losing (or is it finding) his wife? I highly recommend this thriller- if you’ve read other books by Simon you’ll love this and if you haven’t it’s a perfect one to start with. Five stars from me. High up amongst the penthouse suites, a skilled and dangerous killer is hunting a quarry who's eluded him for far too long.
I can’t say that I liked any of the characters, with perhaps the exception of the lawyer, Becca, as she is a victim too, but even then, what she chooses to do is not sympathetic. This makes it difficult to identify with them and get caught up in their plights.Although you’ll get different answers from different people, for me I think that a thriller is more plot-related. Characterisation is important but I think less so than the plot. Pace is also essential in a thriller, whereas it doesn’t have to be in a regular crime novel. Clearly there are crime novels which have pace as well but the mix tends to be more focused towards characterisation. The book then moves to a completely different character, Becca Barraclough, a successful defense barrister who believes that everyone deserves the best defense possible, no matter what they've been accused of. It's her job to try and plant reasonable doubt in the jury's mind. You immediately wonder how Becca's storyline is connected to the Vanishers, and then her daughter is kidnapped. This time around it isn't money that the kidnappers demand. I enjoyed The First 48 Hours as it is a clever novel with plenty of twists and turns. I did not find it as gripping as I thought it would be and that is due, I think, to the continually changing point of view. The majority of the novel is told in the first person from the first person perspective of a morally ambiguous detective, Fish with the lawyer, the couple and some other characters making contributions as and when required. I love this book; this really is a thriller, and a beautifully written one. For me, Dennis Lehane is one of the best American thriller writers alive today. This is one of his early books from his Kenzie and Gennaro series – a male and female partnership of private investigators based in Boston. He wrote five books featuring them in the 1990s. And as the story unfolded and I learnt more about the detective at the heart of it I genuinely couldn't get enough.
Well, it is so well known that most people will already know the twist, and those who don’t can skip this paragraph [SPOILER ALERT]! It is the first of his books that I have come across, but I trust it will not be the last. Read it if you enjoy complicated storylines well-handled, multiple plot twists, continuous tension, and a satisfying ending without annoying plot devices that involve reaching too far.
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Yes, exactly. He can’t be one hundred per cent sure because, like everyone else, he’s convinced she’s dead, but he looks into it more deeply and he opens up a real can of worms, finding out first that she is still alive (although in hiding), and then that he’s being set up for her murder. People around him start dying and he finds himself on the run. It’s a hugely pacy book, with short chapters and a whole load of twists and turns. You always think you know what is going to happen but then Coben produces another twist and once again you don’t know where you are. And he manages to carry this on right the way through the book, which is no mean feat. As darkness falls and the gunmen become increasingly violent, only one thing matters. Who will survive? Read more Details You often talk to police officers as part of your research – so do you agree with the book’s theory? As the book progresses, we are introduced to a number of stories, all interlinked in some way and we are drip fed snippets of information as we make our way through the story. I don't want to say too much more for fear of any spoilers however the way it all comes together is simply masterful. Oh, totally. I don’t think crime fiction can be realistic. It can be authentic, but that’s very different. I like to think that my books are authentic insofar as I give the reader the correct information about police procedures. However with my books – and a lot of other crime books – everything is summed up very neatly at the end. Your main detective protagonist solves the crime and catches the killer. It’s always a killer who isn’t very easy to spot, whereas the reality is totally different. Usually with police work, who you think did it usually did do it, and when you get them in the interview room, rather than spilling the beans Hercule Poirot style, they call for their lawyer and say nothing but a litany of ‘no comment’s. And when you finally do get the case before a court, months and reams of paperwork later, the lawyers often get them off!
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