The Walking Dead Compendium Vol. 1

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The original pitch for the comics was a follow-up to horror legend George A. Romero’s Night of the Living Dead.But, it was suggested to develop an original concept that spawned the modern story we know and love today. Think about it: every zombie story rests on the same basic plot. The dead have risen and a small band of living survivors tries to find safety in a world that is actively trying to kill them. That's it. Sure, the details may vary - fast zombies or slow ones, a cure or no cure, they eat brains or they'll eat anything, trapped in a mall or a farmhouse - but the foundation of the story is the same, and woe betide the writer who strays too far from the formula. Writing a zombie story means agreeing to adhere to a set of predetermined set of rules, which allow only a little room for straying. The problem with The Walking Dead is that it's boring and badly written. Nearly all of the characters are either shallow, plain or outright annoying, especially the women (except Andrea). Dialogue is awkward and clunky, riddled with cliches, worn phrases and forced exposition. It just sounds unnatural, which is *pretty* problematic for a comic that centers around conversations and social relations.

Now's your chance to experience this gripping read for the first time or catch up on the tale with the first four years worth of material, collected in one volume for the first time. This also gave a nice not so little tangible form to a beloved show, an event really, that I love watching with my other brother. Makes me happy. As this is a comic series, I would be remiss if I didn't mention the art, which is overall quite good. There were a few times when I had trouble telling some characters apart, but the high rate of attrition generally took care of that problem. The detail in the artwork is very impressive, though I can imagine there were more than a few times that Charlie Adlard cursed Robert Kirkman for setting a large part of the series in a locale with a prominent chain-link fence that couldn't easily be ignored. As this is a horror comic, the art is sometimes horrifying, very graphic and quite satisfying without being gratuitous. Well, mostly without being gratuitous.... First off the two are not the same. They are similar in a few keeps points and milestones but the events and characters diverge greatly from the separate story lines. I loved the fact that because the two vary in the way that certain plot points play out, and they change up who dies and when, it made the comics completely unpredictable. I had no idea what was going to happen and it was fantastic.

The body count started on the first chapter making them to realize that ANYBODY may be the next one to fall.

I knew that the show had deviated from the comics in a number of ways, but there were FAR more differences than I anticipated. Lots of new characters, characters having storylines that were very different from the show, characters having storylines that other characters in the show had...missing characters! The list goes on. So what is it that makes zombie stories so popular? Why do people love books like this one, or Pride and Prejudice and Zombies or World War Z? Why do movies like Shaun of the Dead and Night of the Living Dead and even Resident Evil get people so excited? It certainly isn't because of the zombies, although it is always fun to see the special effects improve. The characters in this story make hard choices and sometimes do terrible things in the name of survival. But, with very few exceptions, there are few characters that we cannot truly come to understand and identify with. Their decisions and their reactions make them richer, more interesting, which is what truly makes for a fascinating and engaging story. And then there's the fact they did THAT to MY FAVORITE CHARACTER DAMN YOU HOW DARE YOU DO THAT YOU BAD BAD BOYS!!! The Walking Dead Compendiums are a great way to own all of the comics in the series with four giant books. These are easily read as huge graphic novels and feature the same story as the individual issues.Why I said "yes": Show is great (which was also recommended from above mentioned friend) and pure realization that I need to step out of my comfort zone when it comes to entertainment. ((You mean I can't read dirty romance novels and period pieces for life?)) So the series is basically about about character development. And that's great! But if you do it badly, you end up with a cheap soap opera. And that's what The Walking Dead really is: a mediocre soap opera. With zombies. Even the zombies are kind of lame and serve primarily as an excuse to include mindless action scenes, which do little to break up the monotony of it all.

He also provides us with a look at some of the ethical problems that arise from a world where the dead outnumber the living. In nearly every zombie story ever written, the living immediately start killing the zombies, but is that the right choice to make? We don't know all the facts. We don't know what caused this outbreak, whether it can be cured, or even whether the people affected might just get better. We just start taking head shots in ignorance, but might it not be worth it to try and learn something about these "monsters?" [2] If these questions interest you more than simple zombie killing, The Walking Dead will make you very happy. Yes, there are zombie killings aplenty (drawn in super graphic detail, to the point where you probably shouldn't be eating anything while you read this), but the zombies are not the problem here. These aren't 28 Days Later zombies (which, if we're going to get technical, weren't really zombies at all) that are smart and run scary fast. These are slow, dumb, lumbering things that hunt mainly by smell, and whose strategy for finding food is basically to wander around and hope to stumble within grabbing distance of something edible. The zombies in The Walking Dead are not a huge threat. The threat is the people left behind, trying to make a life in this disaster wasteland aftermath. Tony Moore is an American comic book artist, whose work consists mainly of genre pieces, most notably in horror and science fiction, with titles such as Fear Agent, The Exterminators, and the first six issues of The Walking Dead. Okay, I'm going to say this right up front, and everyone can get as huffy as they'd like: it's all true.

They are, though. Zombies have no real motivation, they have no goals other than to kill all humans. They are mindless, a kind of twisted force of nature whose great terror lies in their sheer numbers and their unstoppability. As a concept, zombies are interesting, and as a symbol or a metaphor there's a lot you can do with them, but the zombies themselves are kind of dull. They lurch about, slowly decaying, looking for people to devour. No one ever made a best-selling book or a hit movie with a zombie protagonist. [1] A good thing about The Walking Dead, if you want to enjoy it in comic books along with TV series is that both storylines are different, sure there will be connecting points here and there, and you will meet the same names of characters (in some cases) but they aren’t the same persons, and trust me, while this is my first compendium in the comic book’s storyline, I have been watching the TV series since its own beginning, and both stories are different, both truly great, but different, so don’t afraid of spoilers in any of both formats, since the events are developed quite different. You may think of the “other storyline” of any format, comic books or TV series, as “the road not taken”.