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Watershed

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The band themselves is not bad in any way. It's just that this album saw a real decrease in the quality of the music being put out by the band. The bottom line is that this album was a disappointment compared to their last album. It still had some dignified moments which is more than I can say for Heritage and I do admit that if I were trying to get someone into Opeth's music, I would probably start with this album. Most people who are not metalheads might find some enjoyment in the slower moments and it would get them used to Mikael's growling. Still, as an Opeth fan, I don't find much enjoyment in listening to this album.

van Os, Mario (19 June 2012). "Schizoid Lloyd – Bandpresentatie Dutch Exposure". Progwereld.org (in Dutch). Archived from the original on 20 February 2017 . Retrieved 19 February 2017. Rob Laing (12 October 2010). "Interview: Mikael Åkerfeldt, Opeth". Music Radar. Archived from the original on 30 July 2019 . Retrieved 1 October 2016.a b "Opeth Part Ways With Keyboardist Per Wiberg". Roadrunner Records. 7 April 2011. Archived from the original on 11 April 2011 . Retrieved 29 July 2011. Opeth win Swedish Grammy!". Blabbermouth.net. 19 February 2003. Archived from the original on 23 November 2013 . Retrieved 6 March 2008.

a b "Opeth: Keyboardist Per Wiberg officially joins the band". Blabbermouth.net. 4 May 2004. Archived from the original on 3 February 2014 . Retrieved 8 February 2008. On Metal Hammer's Critic's Choice Top 50, Watershed was named as the second-best album of 2008 (behind only Metallica's Death Magnetic). [16] Watershed is the ninth studio album by Swedish progressive metal band Opeth. Released by Roadrunner Records, Watershed is the first studio album by Opeth to feature guitarist Fredrik Åkesson and drummer Martin Axenrot, who replaced longtime guitarist Peter Lindgren and drummer Martin Lopez. The artwork for the album was made by Travis Smith (who has created the artwork for eight previous Opeth releases) in collaboration with Mikael Åkerfeldt. [3] It is the band's last studio album to contain death growls or any death metal elements to date. Dom Lawson (21 August 2014). "Opeth: Pale Communion review – strange, intricate prog-metal genius". The Guardian. Archived from the original on 21 December 2016 . Retrieved 15 December 2016. Australian charts portal – Opeth: Album". Hung Medien. Archived from the original on 14 January 2015 . Retrieved 16 May 2015.Tobias Zywietz. "Chart Log UK: The O – Ozric Tentacles". Zobbel. Archived from the original on 19 July 2011 . Retrieved 6 June 2011. Mikael. "Opeth - Biography: Chapter VI". Opeth.com. Archived from the original on 28 August 2008 . Retrieved 21 August 2008.

Pale Communion was supported with more touring from Opeth. In 2015, Opeth played several concerts to celebrate the 25th anniversary of the band. At these special shows, the band was doing two sets. The first set is 2005's Ghost Reveries as a ten-year anniversary celebration of the album. The second set spanned the rest of the band's career, celebrating their 25th anniversary. [81] [82] Åkerfeldt expressed excitement for the concerts. [81] Sorceress, Garden Of The Titans, and In Cauda Venenum (2016–2020) [ edit ] Heritage (booklet). Opeth. Roadrunner Records. 2011. RR 1686-177052. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) a b c "Opeth's Mikael Åkerfeldt On Next Album: It's Time To Go 'All In' With String Instrumentation". Blabbermouth.net. 4 January 2014. Archived from the original on 3 February 2014 . Retrieved 24 January 2014.

Lamentations - Live at Shepherd's Bush Empire

a b Mikael Åkerfeldt. "Opeth Chapter 5". Opeth.com. Archived from the original on 5 February 2008 . Retrieved 12 January 2008. Here's Your First Taste Of OPETH's New Album Sorceress – Metal Injection". Metal Injection. 17 June 2016. Archived from the original on 30 July 2019 . Retrieved 18 June 2016. Opeth to Release 'In Live Concert at the Royal Albert Hall' DVD This September". Roadrunner Records. Archived from the original on 13 August 2010 . Retrieved 2 October 2011.

A number of artists and bands have cited Opeth as an influence, among which are Mayan (a project of Mark Jansen from Epica), [108] Luc Lemay of Gorguts, [109] Soen (a band of former Opeth drummer Martin Lopez), [110] Tor Oddmund Suhrke of Leprous, [111] Disillusion, [112] Caligula's Horse, [113] Klimt 1918, [114] Daniel Droste of Ahab, [115] Becoming the Archetype, [116] [117] Nucleus Torn, [118] Alex Vynogradoff of Kauan, [119] Wastefall, [120] Eric Guenther of The Contortionist, [121] Thomas MacLean and To-Mera, [122] [123] The Man-Eating Tree, [124] Nahemah, [125] Vladimir Agafonkin of Obiymy Doshchu, [126] Schizoid Lloyd, [127] Native Construct, Maxime Côté of Catuvolcus, [128] Bilocate, [129] and Jinjer. [130]The production is warm and detailed. Maybe the most professional and well sounding production yet on an Opeth album. I think it´s the first time I´ve been completely satisfied with the drum sound on an Opeth album. Scott Alisoglu (2 November 2009). "Interview with Ahab". TeethOfTheDivine.com. Archived from the original on 9 July 2017 . Retrieved 14 February 2017. Per played his Nord electro through my Lion heart and a wooden genuine Leslie cabinet + also had his Nord lead through a Fender Bassman I think it was.

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