Kodak Ultramax 400 Color Negative Film (ISO 400) 35mm 24-Exposures - 2 Pack (2 Items)

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It’s developed in standard C-41 chemistry, meaning it can be developed anywhere that film is processed. Kodak Ultramax 400 is a good go-to film for me when I want something where I do not want to be “that person”. It creates consistent results that make understanding and comparing the emulsion’s colour/contrast attributes possible. James at Casual Photophile confesses how he likes Kodak Ultramax 400 in Kodak Ultramax 400 Film Profile – Confessions of a Film Snob. If color accuracy is of high importance, keep in mind that UltraMax 400 is daylight balanced (5500K).

To start, it’s cheaper by half than many professional films, and while it’s true that it’s more expensive than Fuji’s consumer-grade film, I think Ultramax creates better and more predictable images. An exception to this rule may be skin tones, which appear natural in most conditions (whereas building materials, the sky, and certain natural textures will suffer). These days it is just as expensive as any other color negative film and whenever I came across it, it had been sold out shortly after. Kodak Ultra Max 400 film gives you the flexibility you need to take consistently better pictures in more picture taking situations—better low-light picture quality with fewer underexposures, better results with zoom lenses, greater flash range, better "stop-action" photos, and reduced impact of camera shake. Not that anyone needs that level of precision at all times — which is why UltraMax is such a great choice for ISO 400 colour film.In 2007 Kodak released Ultramax 400 as the Gold 400 replacement which has been in production in 135 (35mm) format since that year. Unfortunately, I can’t remember which type of a minilab machine it was or if the people who processed my rolls did anything special. It’s true that these shifts can be easily corrected in post-processing (if we’re scanning our negatives), but with a 400 speed film there’s really little reason to push. It has a nominal sensitivity of ISO 400/27° and is well-suited to both scanning and enlarging applications. Provia does a great job for landscaping, with good light condition, but when I used it in a ralatively low light condition, it came with a weird green and blue tone.

Still, I like this image, and I wanted to share the results you can get with UltraMax when shot or developed in less-than-ideal conditions.Here’s a solid yellow I got with ultramax last week–it really has a lot of saturation https://pixelfed. The colors from Kodak UltraMax 400 come out well saturated and are a bit on the warmer side; a typical Kodak look.

The Ultramax 400 is Kodak’s cheaper – hard to use that term in this context – ISO400 color negative film.Kodak Ultra Max 400 film is an easy-to-use ISO 400/27° film designed for “snapshooters” and the perfect colour film for those just getting into film photography and experimenting with 35mm colour negative films. ISO 400 film is a great, versatile choice to have on hand for shooting in daylight or lowlight conditions. Ultramax 400 may be a Jack of all trades, but it’s not just a cheap film that makes pretty pictures in most environments. In the right light, Ultramax certainly does an adequate impression of the famous portrait film when the sun is up and we meter properly.

The shadows will need to be shifted toward yellows, whereas the highlights will need to be shifted toward the blues. I just want to say that I absolutely love your writing, and I found the William Shakespeare bit amusing. The difference is that M6 will probably hold its value for many years or decades, if not gain in value even still, which is not the case for digital cameras (well, it happens with some, but not on the same scale). The smaller roll is usually slightly cheaper, but the larger roll is usually more cost-efficient per photo - especially when you take into account the fixed development costs 2. The somewhat flatter appearance is also a big plus if you are into scanning and editing your images, as this provides greater control over the final look of the image.

I’ve always preferred the colors of Ultramax and have often wished that Kodak would make a professional version with a grain structure like Portra 400. Kodak ColorPlus, Kodak Gold, Ultra, Ultramax, Ektar, Pro Image 100, Portra, 35mm and 120 medium format camera film.