The Lives of Older Lesbians: Sexuality, Identity & the Life Course

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Various right-wing and centrist political groups, as well as mainstream religious organizations, sought to counter this aspect of Weimar culture by promoting their own version of German culture. This version was rooted in classical music and literature, religion, and the family. In some cases, these groups blamed others for corrupting German culture. They blamed, for example, Jews, Communists, and Americans. Nazi Attitudes towards Homosexuality Like this article? Sign up to our newsletter to get more articles like this delivered straight to your inbox. More than half a century after Patricia Highsmith's groundbreaking 1952 novel The Price of Salt/Carol was released, Todd Haynes's big-screen adaptation Carol became revolutionary in its own way. The film, starring Cate Blanchett as the titular Carol, a soon-to-be-divorced New Jersey socialite and mother who falls for Rooney Mara's Therese, the shopgirl who is, as Carol notes, "flung out of space," earned six Oscar nominations, even if it was snubbed in the Best Picture category. Still, it was the first Oscar-worthy love story about a female couple in which a man does not steal focus and that doesn't end in disaster or death for the women. In fact, the novel and the film's hopeful ending offers a possible happily-ever-after for Carol and Therese. During the Weimar Republic , German society experienced complex social, political, and cultural transformations. On the one hand, the Weimar Republic was defined by political turmoil and violence. It was also a time of economic distress. On the other hand, Germans had greater political and social freedoms. The atmosphere gave rise to artistic movements, an expanded press, and increasingly visible alternative cultures.

Her husband reacted surprisingly well too, suggesting that they enrol in therapy to help both of them exit their long-standing relationship. I took this as my cue to make a commitment and said I would move to the suburbs to be with her and her three children, once her husband had moved out. Part revenge tale and part redemption song, Lizzie took years for indie darling Chloe Sevigny ( Boys Don't Cry, Big Love, Love and Friendship) and out writer Bryce Kass to shepherd to the screen. Although there were several iterations along the way, the final version of the film about the ax killer from the tiny town of Fall River, Mass., couldn't have come at a timelier moment. A film that shares a lineage with the queer true crime-based films of the '90s like Heavenly Creatures and Sister My Sister, Lizzie is a fresh take on the "murderous lesbians'" trope. The movie also fits right in with the #MeToo era, with Lizzie and her maid/love interest/co-conspirator Bridget (Kristen Stewart) literally bashing toxic masculinity in the face. During the Weimar era, Germans publicly challenged gender and sexual norms. This was especially true in big cities such as Berlin, Hamburg, and Frankfurt am Main. Weimar’s Lesbian Networks and Communities It remains a research challenge to find historical sources related to lesbian experiences under the Nazi regime. First-hand testimonies, memoirs, and diaries of former prisoners reveal that prisoners had sexual encounters with each other in concentration camps. According to these sources, sexual encounters ranged from consensual intimacies to prostitution to brutal sexual assault. Both heterosexual and same-sex relationships took place in the camps.

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But even in cases when lesbians were arrested and sent to concentration camps, the records can be hard to find. One of the greatest challenges is that lesbians were rarely identified as such in official records from the Nazi era. I felt like a lot of the world outside of Fall River was changing, but in that Calvinist community, she was really smart. She had a lot to say and no one to say it to," Sevigny said. "That's where we wanted to build the relationship with Bridget for her -- that Bridget was finally an outlet. It felt like she deserved that love and an escape from her horrid existence."

The film chronicles Colette's rise to fame as she leaves behind her country upbringing to become the toast of Paris along with her husband, Willy (Dominic West), who spurs her to chronicle her life for his literary factory where only his moniker appears on everything that's published. To know that I could finally come clean to my worrisome friends felt liberating beyond belief. I didn’t care about sacrificing my youth to move to outer London with a swarm of forty-somethings. All I wanted was to be with her full-time, and for it to be out in the open that we were together. Sexual relations between women were taboo for much of German society. Neighbors, family members, and friends sometimes disapproved of and thus denounced the women involved to the police. It is possible they did not realize that sexual relations between women were not illegal. In some of these cases, the police dismissed the complaints because they had no legal basis.

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Large numbers of Germans were opposed to these public discussions of sex and sexuality. They viewed such debates as decadent, overly permissive, and immoral. Many were disturbed by the increased visibility of sex in advertising, film, and other aspects of daily life. For these Germans, gay and lesbian communities were one symbol of what they saw as the degeneration of German society. During the Nazi regime, lesbians could not continue to live and socialize as they had during the Weimar Republic. Much of German society saw lesbians as social outsiders, meaning people who did not fit into the mainstream. As such, they had a higher risk of being denounced and then targeted by the Nazi regime. It is difficult to know what role lesbians’ sexuality played in their detention. Sometimes their arrest had little or nothing to do with the fact that they were lesbians. At other times, their sexuality may have played a role. This was especially the case regarding arrests prompted by denunciations. Denunciations frequently affected people considered social outsiders. Denunciations of Lesbians

Because there was no single law or policy that applied to sexual relations between women, lesbians had a wide range of experiences in Nazi Germany. These experiences were not solely determined by their sexuality. Rather, other factors shaped lesbians’ lives during the Nazi era. Among them were supposed “racial” identity, political attitudes, social class, and gender norms. Based on these factors as well as others, some lesbians (especially those who were working class) were imprisoned or sent to concentration camps. In these instances, they were classified as political prisoners or asocials. Jewish lesbians largely faced Nazi persecution and mass murder as Jews. In most cases, their sexuality was a secondary factor. The Germans and their collaborators murdered an unknown number of Jewish lesbians during World War II. Before the Nazis: Lesbians in the Weimar Republic Whenever Todd Haynes’ unspeakably beautiful Patricia Highsmith adaptation comes to mind, it brings some of the novel’s last words along with it: “It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and hell.” In that light, a spot on a list of the decade’s best films hardly seems like much of a reach. In the camps, women who self-identified or were identified as lesbians did not wear the pink triangle. Instead, they wore badges that corresponded to the official reason for their arrest and internment. Sexual Relations between Women in Concentration Camps In addition, there was no specific law under which lesbians were prosecuted. Thus, there is not always an obvious place to look for criminal records pertaining to their arrests and detentions. For example, lesbians appear in court cases and police files relating to political opposition or asocial behavior. However, these are scattered across many files and in various archives. Scholars hoping to learn about lesbians’ stories are painstakingly combing through these files.Lesbians responded to these new fears and conditions in different ways. Not all lesbians made the same decisions. Nor did they all have the same choices. For example, Aryan lesbians had far more options than Jewish or Romani lesbians, who—above all — faced persecution for racial reasons. By eliminating gay and lesbian gathering places and presses, the regime effectively dissolved the lesbian communities that had developed during the Weimar Republic. Expanding the Persecution of Men Accused of Homosexuality The Nazis classified prisoners in concentration camps into groups according to the reason for their imprisonment. By 1938, these groups were identified with various colored badges worn on camp uniforms. Men imprisoned for allegedly violating Paragraph 175 had to wear a pink triangle. The badge identified them as “homosexual” ( homosexuell ) according to the classification system. Hirschfeld and others also sought to educate the public about sexuality. For example, they promoted Hirschfeld’s ideas that homosexuality is inborn and not a vice or perversion. Yet, denunciations could cause unwanted scrutiny for lesbians. Sometimes a denunciation led the police to discover criminal offenses. For example, it could reveal ties to a resistance organization, friendship with Jews, or subversive political behavior. In those cases, women could be arrested and sent to concentration camps. The Case of Elli Smula and Margarete Rosenberg

There's a slow and persistent burn in Mona Fastvold's The World to Come. The gorgeously spare period piece stars Katherine Waterston ( Alien: Covenant) as Abigail and Vanessa Kirby ( The Crown) as Tallie, two women battling the harsh elements in 19th-century New York State who find solace and a whole lot more in one another. In lesbian prisoners’ paperwork, camp authorities usually listed a racial, political, social, or criminal reason as the primary cause for their arrest. In a few cases, the authorities also noted their sexuality. Public discussions of sexuality had occurred in Germany since the late 19th century. However, the social atmosphere during the Weimar Republic created more space for these conversations. There were discussions about homosexuality at the time. 1 Physician and sex researcher Magnus Hirschfeld and others organized gay and lesbian “friendship leagues” ( Freundschaftsverbände ), which also included heterosexual members. These groups advocated for the decriminalization of sexual relations between men. In this endeavor, they found allies on the political left and center. Among the supporters were: Over the course of the 1930s, Nazi actions targeting male homosexuality became more systematically oppressive. In 1935, the Nazi regime reformed Paragraph 175. The statute now criminalized any and all sexual intimacy between men. The Nazis also increased the severity of the punishment for these crimes. They instructed prosecutors to argue for harsh sentences in court. Judges often complied. The Nazis believed that German women had a special task to perform: motherhood. According to Nazi logic, lesbians were women and should thus be mothers. They had a responsibility to give birth to racially pure Germans, called “ Aryans .”

Distinct lesbian communities developed around this time. Lesbians founded social clubs and associations to foster networks and connections. The most famous lesbian associations were the Violetta and Monbijou women’s clubs ( Damenklub Violetta and Damenklub Monbijou) in Berlin. These associations held informal gatherings in lesbian bars and nightclubs, such as the dance club Monokel-Diele. Lesbians also gathered at the famous Eldorado nightclub. To encourage Aryan procreation, the Nazis adopted a variety of programs and laws. One example is the Lebensborn program. It encouraged Aryan women to have many children, even outside of marriage. At the same time, the Nazi regime tried to prohibit or limit the procreation of other supposedly inferior groups. In July 1933, a new law mandated sterilization of people with supposedly hereditary disabilities. Other laws, such as the 1935 Nuremberg Laws , defined who could have sex with whom. Colette, about the trailblazing writer Sidonie-Gabrielle Colette, who engaged in relationships with men, women, and trans-masculine-identifying people circa the Belle Epoque, is queer to its core. In the film directed by Wash Westmoreland, who is gay, Keira Knightley embodies the pansexual bohemian feminist who stepped out of her husband's shadow to become the most famous female French author in the world. It's more than a kind of first love. It's a first everything: first friendship, first real companion, intellectual companion. There's a trust from the first moment they look at each other, that this person understands me. And in a way that they've never had before," Waterston tells The Advocate.