The Norton Anthology of Poetry - OLD EDITION

Product Information

Footnote format: Firstname Lastname, ‘Article Title’, Newspaper Title, day month year, section, p. x [accessed day month year]. The seventh edition was also sold in two volumes, which simply compressed six eras into two larger volumes, each volume comprising three eras. Volume 1 comprised the selection of literature from "'The Middle Ages" to the "English Restoration and the Eighteenth Century", while Volume 2 included the selection of literature from "The Romantic Period" to "The Twentieth Century and After". [ citation needed] Footnote example: Andrea Macrae, ‘Introduction to World Literature’, ENGL4004 World Literature, recorded lecture, Oxford Brookes University, 21 September 2020, 19:30, [accessed 26 October 2020].

Footnote format: Firstname Lastname of photographer, Title of Photograph, Year, photograph, location details [accessed day month year]. Access-restricted-item true Addeddate 2015-05-21 13:13:14.375328 Bookplateleaf 0002 Boxid IA1152916 City New York Donor Footnote example: James Northcote, Othello, The Moor of Venice, 1826, oil on canvas, Manchester Art Gallery, UK.Use this format when you want to reference a poem from a collection by a single poet, or from an anthology of works by several poets. Once upon a time, I ran into an Tenured Professor of English who taught me how to read poetry, for the first time, in my entire life. If there is no author or editor, list the source by title, ignoring initial definite or indefinite articles. Firstname Lastname, ‘Article Title’, Journal Title, Volume.Issue (Year) [accessed day month year] (para x. of x). The Sixth Edition features a wealth of dynamic resources, including the NEW Poetry Workshops—6 online tutorials that bring poetic concepts to life using audio, video and interactive exercises. Students also benefit from a playlist of audio recordings (a collaboration with The Poetry Archive) and Poets in Dialogue notes that draw connections between poems across time or geographic distance.

Footnote example: Arthur Cotterell, ‘Persephone’, in A Dictionary of World Mythology(2003) < https://www-oxfordreference-com.oxfordbrookes.idm.oclc.org/view/10.1093/acref/9780192177476.001.0001/acref-9780192177476-e-263> [accessed 24 October 2023]. Footnote format: Firstname Lastname, Book Title, ed. by Firstname Lastname (Place of publication: Publisher, Year), p. x. Margaret Ferguson (Ph.D. Yale) is Professor of English and Comparative Literature at the University of California-Davis. She is the author of Dido's Daughters: Literacy, Gender, and Empire in Early Modern England and France (2003) and Trials of Desire: Renaissance Defenses of Poetry (1984). Ferguson is coeditor of Feminism in Time; Women, Property, and the Letters of the Law; Literacies in Early Modern England; and a critical edition of Elizabeth Cary's Tragedy of Mariam. Professor Ferguson has served as president of the Modern Language Association and is a member of the American Academy of Arts and Sciences. Tim Kendall (D. Phil. Oxford University) is Professor of English at the University of Exeter. He is author of The Art of Robert Frost (2012) and has edited The Oxford Handbook of British and Irish War Poetry (2007), and Poetry of the First World War: An Anthology (2013), among other works. Kendall also served as producer for the BBC2 documentary Sylvia Plath: Life Inside the Bell Jar. He is currently working on an anthology of Second World War poetry, Poetry of the Second World War. Mary Jo Salter (M.A. Cambridge University) is Kreiger-Eisenhower Professor in The Writing Seminars at Johns Hopkins University, where she teaches poetry and poetry-writing. She has published several books of poems, including Unfinished Painting (1989), Sunday Skaters (1994), Open Shutters (2003), and, most recently, The Surveyors (2017). A former vice president of the Poetry Society of America, she has also served as poetry editor of The New Republic. The first edition of The Norton Anthology of English Literature, printed in 1962, comprised two volumes. Also printed in 1962 was a single-volume derivative edition, called The Norton Anthology of English Literature: Major Authors Edition, which contained reprintings with some additions and changes including 28 of the major authors appearing in the original edition. [2] 7th edition [ edit ]Franz Kafka, Metamorphosis and Other Stories, trans. by Michael Hofmann (London: Penguin, 2007), p. 33. Britta Martens, ‘Dramatic Monologue, Detective Fiction, and the Search for Meaning’, Nineteenth-Century Literature, 66.2 (2011), 195-218 (p. 203) [accessed 19 July 2017].

Bibliography format: Lastname, Firstname, ‘Play Title’ in Collection Title, ed. by Firstname Lastname (Place of publication: Publisher, Year) In the footnote reference, the playwright's name should be first name followed by surname, e.g. William Shakespeare. The bibliography needs to be arranged alphabetically by author surname, so always reverse the name of the playwright in the bibliography reference, e.g. Shakespeare, William. Graham Saunders, ‘‘‘Out Vile Jelly’’: Sarah Kane's Blasted and Shakespeare's King Lear’, New Theatre Quarterly, 20.1 (2004), 69-78 (p. 71) . But you know, that education was exactly what I needed to fully join the western literature tradition. Damrosch, David (2001). "Roundtable: The Mirror and the Window: Reflections on Anthology Construction". Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture. 1: 207–214. doi: 10.1215/15314200-1-1-207. S2CID 145511012.

For Instructors

Footnote examples: Sylvia Plath, ‘Daddy’, in Collected Poems, ed. by Ted Hughes (London: Faber and Faber, 1981), pp. 222-24 (p. 222), ll. 2-4. Margaret Ferguson(Ph.D. Yale) is Professor of English and Comparative Literature at the University of California–Davis. She is the author of Dido’s Daughters: Literacy, Gender, and Empire in Early Modern England and France (2003) and Trials of Desire: Renaissance Defenses of Poetry(1984). Ferguson is coeditor of Feminism in Time; Women, Property, and the Letters of the Law; Literacies in Early Modern England; and a critical edition of Elizabeth Cary’s Tragedy of Mariam.Professor Ferguson has served as president of the Modern Language Association and is a member of the American Academy of Arts and Sciences. Bibliography example: Kenton, Tristam, Kate Fleetwood (Medea) in 'Medea' by Euripides at Almeida Theatre. Directed by Rupert Goold, 2015, photograph, Bridgeman Education, image no. KNT3814693 [accessed 27 October 2022]

The Norton Anthology of Poetry has been in existence for almost fifty years, and during that time the way its audience experiences poetry has changed dramatically. Readers now expect to use their ears as much as their eyes when they encounter poetry; hearing poems read out loud deepens both readers’ enjoyment and their understanding. Footnote format: Firstname Lastname, ‘Play Title’, in Collection Title (Place of publication: Publisher, Year), pp. x-xx (p. x). Article Title’, Journal Title, day month year, section [accessed day month year] (para x. of x).The bibliography should be arranged in one alphabetical sequence - by the first author's surname - and should appear at the end of your document. The tenth edition of the anthology went on sale in June 2018 and has continued to be sold in the same format as its two prior editions, while adding a host of new writers to its already substantially eclectic range. [4] History [ edit ] Shelley's Frankenstein begins with a scientific voyage to the North Pole where Captain Walton hopes to make his own scientific discoveries. 1 Footnote format: Firstname Lastname, ‘Play Title’, in Collection Title, ed. by Firstname Lastname (Place of publication: Publisher, Year), Act. Scene. Line no.