Dunlop EP103 Echoplex Delay Guitar Effects Pedal

Product Information

That's where the EP103 Echoplex Delay comes in. It's the size of a Phase 90, and it delivers the EP-3's legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 65ms to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats. This article is about the sound effect machine. For the music venue in Los Angeles, see Echoplex (venue). For the concept in computer telecommunications, see echo (computing). For the Nine Inch Nails song, see The Slip (album). Echoplex EP-2

Gress, Jesse (April 2007). "10 Things You Gotta Do to Play Like Duane Allman". Guitar Player. pp.110–17.Hunter, Dave (2005). Guitar rigs: classic guitar & amp combinations. Hal Leonard. p.55. ISBN 978-0-87930-851-3. Foley, Michael Stewart (2015). 33 1/3 Series - Fresh Fruit for Rotting Vegetables. Bloomsbury Publishing. p.55. ISBN 9781623562441. The original Echoplex EP-3 is an incredible delay system that is loved not only for its delay but its preamp tone. MXR have taken it as a challenge to bring that delay in to a small digital pedal that can easily be put on to any pedalboard. The EP103 delay is the result and it sounds absolutely stunning. Hunter, Dave (2005). Guitar rigs: classic guitar & amp combinations. Hal Leonard. p.54. ISBN 978-0-87930-851-3 . Retrieved 11 February 2012.

Molenda, Mike; Les Paul (2007). The Guitar player book: 40 years of interviews, gear, and lessons from the world's most celebrated guitar magazine. Hal Leonard. p.187. ISBN 978-0-87930-782-0. Proceed With Caution-Built to Spill Frontman Doug Martsch Lets a Little Digital Into His Life". keyboardmag.com. Keyboard Magazine . Retrieved 20 April 2020. Prown, Pete; Lisa Sharken (2003). Gear Secrets of the Guitar Legends: How to Sound Like Your Favorite Players. Hal Leonard. p.20. ISBN 978-0-87930-751-6. Interview with Mike Battle - Inventor of the legendary Echoplex tape delay". Looper's Delight. LD> When did the first Echoplex units reach the market? How many were made in the early years? / MB> We sold the first 500 units to C.M.I. in Chicago in 1959. The Echoplex was sold through Chicago Musical Instruments, CMI. The Echoplex EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the '70s onward. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR.Cramer, Alfred W. (2009). Musicians and Composers of the 20th Century-Volume 2. Salem Press. p.514. ISBN 978-1-58765-514-2. Newquist, H.P.; Rich Maloof (2004). The new metal masters. Hal Leonard. p.70. ISBN 978-0-87930-804-9.

Yurochko, Bob (2001). A Short History of Jazz. Rowman & Littlefield. p.175. ISBN 978-0-8304-1595-3. The EP 101 recreates the magical tone-shaping ability of the original echoplex by recreatingthe samesignal path complete with a Field-effect Transistor (FET) so that you get the same response. The Pedal has a single gain control knob that offers up to +11dB of boost, with light asymmetrical clipping at higher settings for some natural grit when you push it hard.

Classic Echoplex Tape Delay Effects

The Echoplex is a tape delay effect, first made in 1959. Designed by Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s—it is still regarded as "the standard by which everything else is measured." [2] It was used by some of the most notable guitar players of the era; original Echoplexes are highly sought after.