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Mazdon, Lucy (2000). Encore Hollywood: Remaking French Cinema. London: British Film Institute. ISBN 978-0-85170-801-0. Sheridan, Tim. "Khaled: N'ssi N'ssi". AllMusic. Archived from the original on 21 June 2013 . Retrieved 30 January 2015.
Winning, Josh (2 November 2011). "50 Performances That Ruined Movies". Total Film. Archived from the original on 20 November 2013 . Retrieved 12 January 2022.Telotte, J. P (2001). Science Fiction Film. Cambridge University Press. p.16. ISBN 978-0-521-59647-3. Archived from the original on 24 December 2016.
Satenstein, Liana (11 May 2022). "Milla Jovovich Talks Her Epic The Fifth Element Costume". Vogue. Archived from the original on 11 May 2022.Despite the popular response, critics were split in their response to The Fifth Element. Kevin Thomas of the Los Angeles Times described the film as an "elaborate, even campy sci-fi extravaganza, which is nearly as hard to follow as last year's Mission: Impossible." He concluded that The Fifth Element was "a lot warmer, more fun, and boasts some of the most sophisticated, witty production and costume design you could ever hope to see." [87] On the American film review At the Movies, both Roger Ebert and Gene Siskel gave the film a "thumbs up". [88] In his separate review for the Chicago Sun-Times, Ebert gave the film three stars out of four, calling it "one of the great goofy movies" and concluding, "I would not have missed seeing this film, and I recommend it for its richness of imagery. But at 127 minutes, which seems a reasonable length, it plays long." [4] In the late 80s, female sexuality inspired his seductive, semi-fetishistic attire for Helen Mirren in Gaultier's first film as designer, Peter Greenaway's The Cook, the Thief, His Wife & Her Lover – most notably, these came from his interpretations of Victorian cage dresses and crinolines as top garments. Quoted as saying of his design ethos, 'to show the relativity of what's good taste and what's not is something I like to play with', it is of little surprise that Gaultier went on to find a kindred spirit in the Spanish enfant terrible Pedro Almodovar. For his 1993 film Kika, Gaultier designed the gowns for twisted vamp Andrea Scarface. His gory costumes humorously accentuate her bloodlust and sexual aggression – plastic breasts shot out of her dress like blood-splattered bazooka holes. Clearly borrowing from his 1989-90 show 'Women among Women', his style for making bras a centrepiece was epitomised in his conical bra for Madonna's 1991 tour. Cornea, Christine (2007). Science Fiction Cinema: Between Fantasy and Reality. Rutgers University Press. p.207. ISBN 978-0-8135-4173-0. Archived from the original on 24 December 2016. Production began in early August 1995. Besson traveled to various places for casting, including Paris, London and Rome. [27] He hired Gary Oldman (who had starred in Léon) for the role of Zorg, describing Oldman as "one of the top five actors in the world". [8]
Achievement in Special Visual Effects in 1998". British Academy of Film and Television Arts. Archived from the original on 9 November 2014 . Retrieved 30 January 2015.Mark Mangini" (PDF). The Hollywood Reporter: C-11. 9 March 1998. ISSN 0018-3660. Archived from the original (PDF) on 9 November 2014 . Retrieved 30 January 2015. The Visual Effects Society Unveils '50 Most Influential Visual Effects Films of All Time' ". PR Newswire. 11 May 2007. Archived from the original on 3 December 2016 . Retrieved 12 September 2016. Brian Ott and Eric Aoki writing in the feminist journal Women's Studies in Communication considered gender to be one of the film's central themes. The authors criticized the film for erasing women from the introductory scenes, noting that only two appeared in the first twenty minutes: an androgynous, mostly speechless presidential aide, and Leeloo undergoing reconstruction. When females appear in the film, they are presented as passive objects, such as the sexualised flight and McDonald's attendants; or stripped of their femininity, such as the " butch" Major Iceborg. [10]
a b Edelstein, David (11 May 1997). "Unmitigated Gaul: The Fifth Element and Irma Vep". Slate. Archived from the original on 27 October 2014 . Retrieved 28 January 2015. Bizony, Piers (2001). Digital Domain: The Leading Edge of Visual Effects. London: Aurum Press. ISBN 978-0-8230-7928-5.However, although significant for the role, Milla has mentioned the costume’s impracticality, explaining that the bandages were difficult for stunts: “There was a lot of skin showing, so I got pretty bruised up, because I couldn’t wear pads and things that other people could wear.” The 20th-anniversary 4K remaster was released on Ultra HD Blu-ray on 11 July 2017. [127] Legacy [ edit ]
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