Shuna's Journey

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Lanning, Courtney (January 8, 2021). "Celebrating legacy of a legendary animator". Northwest Arkansas Democrat-Gazette. WEHCO Media. Archived from the original on January 10, 2021 . Retrieved April 21, 2022. Lattanzio, Ryan (April 5, 2020). "Get Spirited Away With a Four-Part Hayao Miyazaki Documentary, Now Streaming Free Online". IndieWire. Penske Media Corporation. Archived from the original on April 6, 2020 . Retrieved May 6, 2020. Loy, David; Goodhew, Linda (February 2004). "The Dharma of Miyazaki Hayao: Revenge vs. Compassion in Nausicaa and Mononoke". 文教大学国際学部紀要 Journal of the Faculty of International Studies. Bunkyo University. 14 (2): 67–75. As more or less anyone who's ever seen an anime knows, Miyazaki is one of the legends of Japanese animation. A co-founder of Studio Ghibli, he's renowned as the director of such films as My Neighbor Totoro, Princess Mononoke, Spirited Away, and the upcoming How Do You Live? But every once in a while, he draws manga as well. Schellhase (2014) states: "Princess Nausicäa, already a leader, successfully overcomes an extreme political and ecological crisis to save her people and become queen. Kiki's tale is distinctly framed as a rite of passage in which the young 'witch in training' establishes herself in an unfamiliar town, experiencing the joys and trials of human interdependence. In Spirited Away, Chihiro must work hard and overcome difficulties to redeem her bestial parents. Howl 's heroine Sophie is already an 'old soul,' but a jealous witch's curse sends her on an unexpected journey in which she and Howl both learn to shoulder the burden of love and responsibility. Umi, the heroine of Poppy Hill, is also very mature and responsible at the beginning of the film, but in the course of the story she grows in self-understanding and is able to deal with grief over the loss of her father." [190]

If you don't spend time watching real people, you can't do this, because you've never seen it. Some people spend their lives interested only in themselves. Almost all Japanese animation is produced with hardly any basis taken from observing real people… It's produced by humans who can't stand looking at other humans. And that's why the industry is full of otaku!"

Kelts, Roland (2007). Japanamerica: How Japanese Pop Culture Has Invaded the U.S. Palgrave Macmillan. ISBN 978-1-4039-8476-0. Special Edition Hayao Miyazaki Nausicaa of the Valley of the Wind]. Comic Box (in Japanese). Fusion Products (3): 77–137. 1982. The old man and the fire: During the night after meeting Thea and her sister, but before their rescue, an old man comes across Shuna at his camp. In exchange for sharing some food with him, the old man tells Shuna more about the god-men and their land in the west over a campfire amongst the ruins of an old house or settlement. At the same time, he warns Shuna of how the land to the west is mystical and that no man has ever returned alive. This exact scene is paralleled in Princess Mononoke, when Ashitaka meets Jiko the priest and consults him about the iron bullet found in Nago the boar's demon body before learning of the Great Forest Spirit and the ancient forest.

Miyazaki wins Annie Award for 'Kaze Tachinu' screenplay". The Japan Times. Nifco. February 2, 2014. Archived from the original on September 17, 2014 . Retrieved June 4, 2017. Foundas (2013) states: " The Wind Rises continues the strong pacifist themes of [Miyazaki's] earlier Nausicaä and Princess Mononoke, marveling at man's appetite for destruction and the speed with which new technologies become weaponized." [162]Schellhase (2014) states: "Miyazaki's female characters are not objectified or overly sexualized. They are as complex and independent as his male characters, or even more so. Male and female characters alike are unique individuals, with specific quirks and even inconsistencies, like real people. They are also recognizably masculine and feminine, yet are not compelled to exist within to narrowly-defined gender roles. Sexuality is not as important as personality and relationships. If this is feminism, Hollywood needs much, much more of it." [190] Loo, Egan (October 18, 2011). "Toy Story 3 Art Director Married to Hayao Miyazaki's Niece". Anime News Network. Archived from the original on October 18, 2011 . Retrieved July 12, 2020. Lamar, Cyrlaque (March 23, 2010). "Pigs Fly (And Shoot Guns) In Rare Hayao Miyazaki Manga". io9. Gawker Media. Archived from the original on August 29, 2016 . Retrieved March 18, 2017. Matsutani, Minoru (September 30, 2008). "Japan's greatest film director?". The Japan Times. Nifco. Archived from the original on January 1, 2016 . Retrieved March 18, 2017. Abe's party proposed the amendment to Article 96 of the Constitution of Japan, a clause that stipulates procedures needed for revisions. Ultimately, this would allow Abe to revise Article 9 of the Constitution, which outlaws war as a means to settle international disputes. [183]

Mateo, Alex (February 23, 2022). "Hayao Miyazaki's Shuna's Journey Manga Gets English Release in U.S." Anime News Network. Archived from the original on February 22, 2022 . Retrieved September 30, 2022. Miyazaki, Hayao (May 22, 1988). Takeuchi, Masatoshi (ed.). "The Animation of Hayao Miyazaki, Isao Takahata and Studio Ghibli". Kinema Junpo (in Japanese). Tokyo: Kinema Junpo (published July 16, 1995) (1166): 57–58. Talbot, Margaret (January 17, 2005). "The Auteur of Anime". The New Yorker. Vol.80, no.43. New York City: Condé Nast. pp.64–75. Ponyo (8+)". Transilvania International Film Festival. Archived from the original on July 18, 2017 . Retrieved June 4, 2017. Woody Allen / Giuseppe De Santis / Goffredo Lombardo / Ennio Morricone / Alain Resnais / Martin Scorsese / Alberto Sordi / Monica Vitti (1995)Yakkul (ヤックル): Shuna's mount (here, Yakkul refers to the breed as well as the individual, which looks light brown sable antelope without a mane and a white underbelly). He is the source of inspiration and the namesake of Ashitaka's mount in Princess Mononoke. Accomando, Beth (May 29, 2009). "Interview with Up Director Peter Docter". KPBS Public Media. San Diego State University. Archived from the original on February 12, 2017 . Retrieved May 22, 2017. Le Guin, Ursula K. (2006). "Gedo Senki, a First Response". Archived from the original on January 21, 2017 . Retrieved March 25, 2017.