MXR M75 Super Badass® Distortion

Product Information

So ultimately, overdrive pedals are not as harsh as distortion pedals; aiming to replicate the natural sound, whereas distortion pedals are more artificial and aggressive. There are however many overlaps and different sounds, so hard and fast rules are few in number. The output control provides significant amounts of boost, while the distortion control offers a range of textures, including clean boost, tubey blues-style overdrive and sizzling saturation. What can we say? The DS-1 has been designed from the outset as the everyman’s distortion pedal. It’s versatile enough to be used for a very wide range of music styles, it’s not hard to get it to elicit some great sounds, and it’s priced very attractively indeed. We can easily get everything from a bit of light distortion to some serious growls from the responsive dials, which is great if you’re new to this kind of effect. Did a bit of you-tubing and decided this might be an option. Plugging into the M75 for the first time is a great deal of fun. No fizz, just fat distortion all the way through the dial. Output is huge, and my only beef is that unity is so low. Its loud.

The M75 Super Badass Distortion from MXR is a great choice in terms of value, features, build, and sound quality for a distortion stompbox. The MXR Super Badass pedal sounds great and delivers a wide range of tones with its versatile control panel including a 3-band EQ, which will be discussed further on in this review. MXR did a great job with this pedal and is a great go-to pedal if you can't decide which stompbox to get for your rig. The manufacturer has other similar products such as Distortion+ and Distortion III - but in terms of versatility of an MXR distortion, Super Badass wins the comparison. For the price, there had to be some compromised somewhere, and they come in the form of the pedal’s construction. It’s by no means bad - everything is laid out and finished well, including the footswitch, but rather than the usual metal, the SF300 is made from high impact plastic. It feels fine, but there’s a reason touring musicians will buy only pedals with a metal chassis. The eye-catching orange chassis is now iconic and can be spotted on a pedalboard from a mile off, which makes it extremely cool in our eyes. Everything is screwed together solidly, and the trademark Boxx footswitch is so nice we wish it was on most other pedals. The latest to carry the name is a cool touch-sensitive MOSFET-based Dynamic Overdrive - with 3 classic controls and a Boost / Cut Mids EQ toggle. That in itself is fairly unusual for MXR as they typically prefer to use those push-button controls - as can be viewed on the Modified OD and ’78 Distortion above. For more info on the differences between them all, read the study. Top Choice - Electro-Harmonix Soul Food

We also love the crunch button, which unlike a lot of pedal buttons, does exactly what you’d hope it does, and more, to the point that the first time you try it out, you won’t want to switch it off. Ideal if you want a few more lows and highs to build out your sound. Once overdrive had become popular, however, guitarists wanted more. They wanted distortion. So they took overdrive methods and made them more aggressive. This was done by clipping the sine waves more aggressively using effects, and ultimately pedals. Overdrive pedals will clip softly, or smoothly. This is visualized as a narrowed wave that is still curved at the top. Distortion, however, will simply shear off the top of the curve into a (mostly) flat shape. It’s always a good idea, to begin with your pedal somewhere in the middle of the settings. This way you can easily bring things up or down a little to fine-tune and find the sound that you like or are trying to replicate. More gain isn’t always better, and you might be surprised by how much difference might be made when cranking up the volume, or adjusting some of the EQ. A distortion pedal can be used anywhere in your effects chain to really give your tone an entirely new sound, and they’re really very easy to use. Unlike some effects pedals and other guitar peripherals, there really isn’t much difficulty to using one. For a fat, warm tone that pairs perfectly with the sound of a quality British valve amp, this is the distortion pedal for you. Of all the pedals on our list, it’s probably this one that gives the most uniquely distorted tone, and we love it. It sounds so very Marshall, and indeed you could probably replicate the sound of an overdriven Marshall without the right amp - it’s that good.

So to conclude, there are so many different types of metal, with varying sounds, that it just isn’t possible to say there’s one single greatest pedal for metal. If you pushed us for a choice from this list, however, we’d recommend the Boss DS-1 for its flexibility, and potential for proper distortion. It’s a good starting point for most types of metal, but if you wanted something for 80s shred, then you might go for the Distortion+ or RAT 2. Alternatively, stoner metal might call for the Acapulco Gold. What is the best high gain Distortion Pedal? You get no less than five separate knobs on the Super Badass, allowing you to alter the output and distortion, as well as the bass, mids and treble. It’s perfect for sculpting tone, and we love the fact that you can get it do do pretty much whatever you want. Our only criticism might be that if you want maximum gain, this pedal might lose out to a more dedicated unit. So what exactly are you looking for? The problem with this is that it will depend entirely on the type of metal that you like to play, or think you’re going to play most often. Metal is a hugely diverse genre, more so than many people would initially think, which is why it’s very hard to say that there is one single metal pedal that sits above all others. A lot of the more expensive pedals tend to be very restrained; offering transparency, or flexibility, or boutique manufacturing. This doesn’t. It’s an in-your-face distortion pedal for people who want crippling fuzz, loud distortion, and a no-nonsense approach to tone. It really is very loud when cranked up, which is something that can be missing from old-school fuzz pedals sometimes, and we love it. The manufacturers describe it as being like the roar of a hot-rodded model T, and that couldn’t be more apt. Although MXR pedals are known for their reliability and high quality, there are other great choices from its competitors such as the Boss DS-1, TC Dark Matter, and the Pro Co RAT. However, the M75 holds its own and is praised as one of the best sounding distortion effects in the market nowadays. Despite its pure analog circuit, the MXR Super Badass Distortion can pull off modern tones and is a great fit for any rig. This MXR Super Badass Distortion review will provide you with everything you need to know about the stompbox. Should You Get It?Pros: Powerful, flexible 3-band EQ. Touch-sensitive responsiveness. Can go from modern metal leads to simple lead boosts with aplomb. The newest member of this growing family is the M75 Super Badass Distortion, a thoughtfully conceived balance of overdrive and modern-metal mega-tonnage with a 3-band EQ and a very dynamic and touch-sensitive circuit. Enough about the way it looks though - how does it sound? Loud. That’s probably the most accurate way of describing this pedal. It might be a no-nonsense one-knob pedal, but this is one impactful unit. Crank up the dial and it will deliver some seriously powerful distortion or fuzz. Think Billy Gibbons of ZZ Top cranked up to 11. It’s worth bearing in mind that the pedal’s sound is influenced considerably by the guitar output - you’ll get that beautiful not-quite-fuzz sound with the right setup. Think next I'll need a new Dunlop wah and those we'll be the only two pedals I'll need for awhile and definitely will be getting some decent cord's.